Konishi Mansho (1600 - 1644), the last ordained priest to serve in Japan during the prohibition era of the Tokugawa Shogunate (think of the Shusaku Endo novel, "Silence", which was adapted to film by Martin Scorsese in 2016). Exiled from his homeland in 1614, he eventually made his way to Rome and enter a convent to be ordained as a priest. He would later to his home country to minister to the persecuted Christians there, only to be arrested and martyred in 1644. I tried to mimic a traditional ink painting style to invoke the melancholic feel of this homecoming journey.
It’s one of my OC’s (her name is Annie, short for Anabella). She has heterochromia, meaning she has 2 colored eyes, and I tried to match the butterflies with the color of the eye on the opposite side. The angle is supposed to be from above, with her laying down, and her hair spread out.
A big fan of standing on hilltops and staring moodily into the middle-distance, the Klauzal is best known for sharing long, terrible poems about cloud formations, and telling anyone who'll listen about the restorative powers of blackberry jam.
From Frozen 2, Bruni the Fire Spirit is a cute little dragon that brings joy and comfort when the world seems like a dark and gloomy place. When you are feeling lonely, I hope this little dragon can brighten your day and keep you company. (made with medibang paint) (I am really proud of it... took hours to draw but it sure is worth it)
This is a self-portrait. I didn't use a mirror or a picture here. This is what I look like in my own memories. It's a bit misleading, I think I am skinnier than the drawing suggests, but that doesn't feel like me. I have been overweight for years and I feel like I am too skinny at the moment. I feel like I should be curvier like in the drawing. This is about body-image, body-dysmorphia even. I do have those clothes, glasses and haircut. This work is pastel on paper (it's quite big, but I don't have a measure closeby)
This is an acrylic painting that I made for someone I was close to. We would often take turns of one of us being overly affectionate and the other being playfully annoyed. I tried to capture this dynamic in the painting of these two owls. This painting was an experiment in portraying animals, something I don't do often, and using my paint knife as a tool in my paintings.
