This started as a line drawing based on a photo of peonies in the garden. It’s drawn with three different pens: Micron 005, Micron 03 and Faber Castell Pitt superfine (0.3) on 11x14 Strathmore Bristol Vellum. The paper isn’t terribly tolerant of wet media, so I played around with tinting it in Photoshop because I wasn't sure how it would go. But I liked it in color enough to chance painting the drawing with the nice and bright Dr Ph Martin Hydrus watercolors. It's photographed it on my drafting table with my glasses for scale. The lamp has a daylight bulb, so I think the color (at least where the light is more prominent) is fairly true.
Conjoined imp oc I haven't drawn in years,both of them were originally pink.both of them are very mischievous but deadly.they can stretch their body,warp reality,shapeshift,become big or small and control their "hair" making them powerful foes like no other imps.
An illustration for a Grimm's Fairy Tale in a Moleskine notebook. This one is for a kind of obscure story called The Companionship of the Cat and the Mouse. Just graphite.
"English as She is Spoke" is a delightful example of incompetence and bad judgement. Jose da Fonseca and Pedro Carolina set out to write a Portuegese-English phrasebook. The only problem was that they didn't speak any English. They did know some French and armed with French-English phrasebook, dictionaries and enthusiasm they brought forth this phrasebook. Mark Twain was an early admirer of this book. "Nobody can add to the absurdity of this book, nobody can imitate it successfully, nobody can hope to produce its fellow; it is perfect, it must and will stand alone: its immortality is secure."
I need some levity and silliness. I hope you do too.
Esperái ôu espere úm pôuco.
Stop a little.
A weird inspiration hit me while I was watching Broad City. "What if the dreams didn't come true?' with fairytales. So here's tinkerbell, frail, with no pixie dust, Peter ditched her to go back to the real world and she's lost the magic within.
