deep

The 2nd Sorrowful Mystery: The Scourging at the Pillar. This was kinda painful to draw. The reality of Man, created originally so innocent, corrupted to the point of hurting a man God. Lord have mercy. 1. Jesus is taken before the High Priest where He is falsely accused, buffeted and insulted. 2. The Jewish leaders take Jesus before Pilate, for only he can impose the death penalty. 3. The robber, Barabbas, is preferred to Jesus. 4. Pilate can “find no cause in Him”, yet to appease the Jews, he orders Jesus to be scourged. 5. The scourge is made of leather thongs to which are attached small sharp bones. 6. Jesus is bound to a pillar and cruelly scourged until His whole body is covered with deep wounds. 7. The Lamb of God offers His suffering for the sins of mankind. 8. Jesus suffers so much in His sacred flesh to satisfy, especially, for sins of the flesh. 9. The prophecy of Isaiah is fulfilled: “He was wounded for our iniquities, He was bruised for our sins.” 10. Father, by the merits of Jesus in this painful scourging, have mercy on us and on the whole world. Spiritual Fruit: Purity

This is completely made of pen. I drew it when I was bored, but also motivated to draw.

Hand-drawn work on A5 paper :) My work is centered within the boundaries of perception, so I would love to hear back from you: what do you see? What pops out first to you? How does it make you feel? :D

This is a acrylic doodle on canvas as a gratitude to Deepak chopra.

This is a work I made as a reaction to a questionaire about suicide. I got over it, but I have been there, done that. Despair, the feeling of drowning, reaching out but never getting the help you need, deep dark depression, the grey-brown brainfog. Yet: there is some light, there always is, but I'm too scared to look at the light. I didn't varnish this pastel-drawing, just to accentuate the fragility of mental health. What you need to know it that I got out of this and so can you if you are this deep in trouble. I'm doing much better. January 2020, pastel on A3 paper.

This picture was put together from deep within, yet, I cannot explain it. This Creation or piece, you can bypass many of times, and still love it the same.

These recent post have all been starting from random lines I put on the paper. Good practice for me.

Exploring the opportunities of my only three colors: ultramarine deep (pb29), cadmium yellow medium (py35) and madder lake red light (pr187) P.s. and my waterbrush too

An image to be odd in these waves of loud expressive words. Walking creature amused in the dance that extends to the thinking realms deeper. Relaxed be the sight of a wonderful ride.

Reign of discomfort, anger, sorrow, anxiety, and length at severed waves unveil a swarming world of horrors. Whisper deeper in these ears, a looming meadow of loneliness emerges. Brooding mind, depart and lay hidden.

To take child deep within forest rupture. Complete horrid nightmare of brooding night further here. To run away, to escape, the release, in chains be this consumption.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I drew this at a time of deep disappoint. The swirls are the ranges my mind spins sometimes.

Birdy Deep, a wild gal that loves birds and has some wacky birds that love her.

What's on the surface can be misleading.

I used soft charcoal and a large sheet of newprint to depict this model in a life drawing class. He exuded a deep sadness and his poses seemed natural to his countenance. He was also very thin. “The bright side of the planet moves toward darkness And the cities are falling asleep, each in its hour, And for me, now as then, it is too much. There is too much world.” ― Czesław Miłosz, The Separate Notebooks

Fun little fact: The anglerfish belongs to the teleost order known as Lophiiformes. See what I did here?

“Haven’t thought too deeply about having children but I wouldn’t shy away from that challenge.”

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A far-too-common archetype that i have observed frequently in people as they converse with another is one in which an individual uses two layers of defense to protect an otherwise unexamined confusion or emptiness. This relates to a defense of the ego and does not apply to all situations involving anything discussed. First posturing: -A mask (or wall) of mockery is sustained in which the defensive individual behaves flippantly as if in jest. This positioning is a way to be aloof from the situation, using incredulity and belittlement to keep a person or their ideas away from the defensive individual. Second posturing: -A mask (or wall) of rage is revealed after a certain level of perceived threat is achieved internally. This positioning is usually the one the defensive individual maintains when they have given up the argument or the introspection. Not risking an ontological or existential crisis, the defensive individual lashes out with anger, often accusatorily in manner, potentially belittling others further or just plain rushing away in a huff. This is usually the end of the engagement. Third posturing: -The masks (or walls) both come off, leaving the defensive individual to examine the thoughts or behaviors involved in the situation more critically. The defensive individual may find themselves feeling deeply uncomfortable, sad, uneasy, lost, or confused. This position leads to introspection and to a genuine openness, which is not something that the defensive individual had been prepared for. They may find that they were incorrect, only partially correct, or that the perceived rightness of their idea/behavior now has an expanded context, all of which may seem frightening. Individuals may become mentally paralyzed at this point. It takes a strength and an honesty to reflect in this position, which is not something that everyone expressing this archetype will be capable of doing. (Based on my professional insights as: a cashier, as a member of various technical support staffs, as an occasional minister, and as a peer counselor. Also based on my casual and repeated interactions with both strangers and with more intimately known persons over the course of my lifetime. Observations are my own.)

#embracingnightmares

Oil pastel

I went to sleep while going over various self-defense scenarios, and when I woke up this outfit in my head. I'm pretty happy with how it turned out. I'm sure there's some deep, dark, involved backstory behind that tatoo

2 of 5 of my scrapped characters. He at one point had a deep background of a knight forced to retire due to an injury. After recovering works in auto repair shop. The world was a modern/futuristic fantasy. He's not a main character so not much for a love interest or friend.