I used soft charcoal and a large sheet of newprint to depict this model in a life drawing class. He exuded a deep sadness and his poses seemed natural to his countenance. He was also very thin.
“The bright side of the planet moves toward darkness
And the cities are falling asleep, each in its hour,
And for me, now as then, it is too much.
There is too much world.”
― Czesław Miłosz, The Separate Notebooks
This is part of a broader idea for a big busy city teeming with different characters. Some of those characters will travel deeper through this city and through different lands. Eventually they get back to where they started from.
Often times my work is more about a conversation with my anxieties. I have a deep, conflicting relationship with concepts of existentialism. The following works reflect abstract ideas that I simply don’t have words for.
A very closeup drawing in 4B, 6B, 8B pencil on Fabiano hotpress Studio paper. I bought some Pitt Graphite Matt pencils and wanted to give them a maiden voyage. They are much lighter on the scale of deep blacks than I expected. More like rarified F pencils. But I like them.
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Chicago deep-dish is just out of this world...I had to say that. I'm not sure when or where the space idea came in, but I'm pretty okay with the result. Enjoy the mid-class doodle that's helped me stay focused during this week.
The Color flow of Lightness and Darkness. From Bright Yellow to Midnight Blue. Take a ride into the Dark forest and spot the light. Admiring the beauty in deep forest.
Chromatography is used in chemistry to dissolve a mixture and place it into a "mobile phase," which allows the solvent to carry it and its components up the paper. It shows the layers, exposing deeper, hidden tones and colors, something only seen when a solvent of the same polarity is used. It's odd. Life feels a bit like that, and I'm seeing the colors separate for the first time. It's all there, everything that's been hidden in the inky mess for the past however many years. And now it's smeared. Bold. Clear. But blurry. What's on me and what's on you? Where do we go from here?
deep in thought and under attack from extra terrestrial beings that are harvesting his mind. with added tape on nipple to protect his dignity and censorship. ( although its a man nipple so it should be ok )
I wanted to do something with some deep shading because I hadn't done it before and she turned out a tad bit creepier than I had intended but the outcome was good in the end. I really like how her hair came out because painting hair is the bane of my existence. I think she came out great.
Don’t get caught here unawares… I don’t suggest you take the stairs. The treasure that this castle keeps, deep beneath the water sleeps. But if you’re patient with the tides, there’s another path it hides. Quickly now! Find the door! and hurry back onto the shore. For the moon, she will not wait to turn the tide and flood the gate. Don’t get caught here unawares… I don’t suggest you take the stairs.
A colorful and dynamic scene depicts a Cosmic Christmas Tree with swirling galaxies and stars against a dark background. The vibrant colors blend together to create an impression of movement and energy in space.
A Japanese demon known as a yokai, who started off as a human but whose emotions ran so deep, she ended up transforming into something much more monstrous…
