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dust

Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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erik cheung erik cheung
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A little dust devil

From gibberish to treasure. Spontaneity is all over!

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Cinna Marol Cinna Marol
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Sketch 2

I'm trying to improve my character design skills, so I asked twitter mutuals to let me dress their ocs. This is Dust and she belongs to @bb_schwarz - https://twitter.com/bb_schwarz/status/1074741896616894464

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Lindsay Baker Lindsay Baker
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Dustin

I participated in an art swap challenge at Sktchy where I had to draw someone randomly assigned to me in a "space" theme. I'm so pleased with how this one turned out! Pen and watercolour, 6x4". Would love to hear what you think the story

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Wesley C. Phillips Wesley C. Phillips
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Weather-vane Cruiser

Sky-trundling in the dusky night through the dusty rain-bowed clouds.

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Samuel Samuel
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Sea Turtle Commission

This piece was commissioned by a coworker. It was a very large piece at 24"by26" on green leather. I used an acrylic base and then completely covered that with oils. It becomes very dusty when dried so I added many layers of a spray varnish for oils on top. The color remained nice and vibrant.

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Lúcia Martins Lúcia Martins
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Scaremeister

Kevin "cEvin Key" Crompton of the electro-industrial band Skinny Puppy with one of his many pets: Fisherman, the cat. Prints for sale @ etsy.com/shop/DrawingsByLucia.

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Lúcia Martins Lúcia Martins
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The Jackal

Kevin Graham "Nivek Ogre" Ogilvie of electro-industrial band Skinny Puppy in one of his many stage costumes: the bloody Jackal. Honorably approved by Ogre himself. Prints for sale @ etsy.com/shop/DrawingsByLucia.

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Lúcia Martins Lúcia Martins
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Masters of experimental heaviness

A full page portrait of the legendary British industrial metal band Godflesh. Prints for sale @etsy.com/shop/DrawingsByLucia.

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#laydoodle #laydoodle
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Spring Cleaning

Customarily, families give their homes a thorough cleaning in the days leading up to Lunar New Year’s Day. Windows are scrubbed, floors are swept, and furniture is dusted in preparation for the new year, sweeping away away the bad luck of the past year. In addition, dusting is avoided on New Year’s Day, for fear that good fortune will be swept away.

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Maria Bălan Maria Bălan
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#inktober #day19 #scorched

We continue the #inktober environmental issues series with the #day19 word: #scorched and for this word I tried to illustrate the Urban Heat Island effect. This takes place in metropolitan areas that are warmer than the rural areas surrounding them. The main cause of the UHI effect is the alteration of land surfaces (concrete and asphalt). Heat waste produced by people and their tools (like vehicles and industry) is another cause and also the decreased amount of vegetation. UHIs often have lower air and water quality that have a negative effect on the environment of these areas. It is also considered to be a possible contribution to global warming. © Maria!Bălan, 2018

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Alexandra Martin Alexandra Martin
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Adeline Lisette Morel

This creation of mine is Adeline. She is from Paris,France in the year 1838. Made with watercolors (Jazperstardust, Rublev,Daniel Smith, etc...) and a bit of pencil (just the outline). Made her on my new Arches watercolor paper.

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Mariana Musa Mariana Musa
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Industrial & Joy

Industrial & Joy : daily art 4

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Tanya Shyika Tanya Shyika Plus Member
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Yellow dust

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Shari Wolf Shari Wolf
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Industrial

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Imaginary Thinking Imaginary Thinking
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Thunder, Ziggy Stardust ⚡

Thunder, Ziggy Stardust ⚡ Daily drawing #616 #imaginarythinking #inktober #thunder

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Julia Hill Julia Hill Plus Member
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Progress?

Progress? The finished Illustration!

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Lauren Konopacki Lauren Konopacki
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Crayola Doodles!
1/2

I decided to create some doodles today with the supplies that have been collecting dust at the bottom of my drawer, and this happened!

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Ibby Brown Ibby Brown
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David Bowie Envelope Back

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Christy Van Orden Christy Van Orden Plus Member
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Untitled

Industrial / factory

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Cate Anevski Cate Anevski
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Untitled

This is a little piece of hand-lettering I did from one of my favorite Joss Whedon quotes. You can print out your own copy from the file on my blog: http://blog.beeskneesindustries.com/cateanevski/2015/07/print-no-power-in-the-verse.html

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