(gel fineliner pen on 115mm x 87mm paper) I did this piece to test out those cheap fineliner pens that you can buy for £1 for 3 from TheWorks stores. They're pretty good for what they are, as you can see. They're 0.38 in line width and the gel ink is quite opaque.
Foul creatures that most likely were a big Inspiration for Gremlins, the appearance of Sid, from Ice age and more. Made with Ballpoint pens In a pocket sketchbook.
This is the second oil painting I have ever made, and the first time I have attempted to create mountains, trees and bushes. I used just 3 colours for this: Raw Umber, Phthalo Blue and Titanium White. I learned a lot and had tonnes of fun at the same time.
Flight of the bumblebee The lifecycle begins in spring, when rising temperatures awaken a queen bumblebee that has been hibernating alone in the soil. The queen will have spent the entire winter underground, using up reserves of energy stored as fat in her body. When she first emerges, she feeds on flowers, drinking nectar to gain energy. She will then begin to search for a suitable nest site. Frequent nesting sites include holes in the ground, tussocky grass, bird boxes and under garden sheds.
(Done on 110gsm acid free sketch paper. Trees,ducks,land dine with sankura micron pen. All the blurry things done with hints of hard charcoal pencil)
Serenity... the lighting outside seemed to be playful today due to misty weather. Hence this outcome.
I swear i didn't use any filter
In this drawing, I was striving to capture the spirit of contemplation and reflection, a sort of spiritual sojourn, an ancient practice of pilgrimage, focusing on subjects of transcendent nature, and exploring destinations of spiritual significance. (words taken from scholarlysojourns.com). It is a self-portrait (me as a 14-year-old boy). We had just moved from Mequon to Rhinelander. It was then that I began to romanticize the natural beauty of Mequon. But at the same time, I was falling in love with the beauty of Rhinelander. In this picture, I am walking through the countryside of Mequon. The stringed musical instruments symbolize my love for the progressive classical and folk-tinged acoustic and orchestral music that was coming out of England in the late 60s and early 70s, specifically the quieter pieces of music performed by the Moody Blues, Emerson Lake and Palmer, Yes, and Jethro Tull. A song called Reasons for Waiting by Jethro Tull is a good accompanying piece for this drawing.
This is the first painting I made for a series on dragons that I hope to exhibit this year at my local art museum. It's a 26x36 cm watercolour painting on cotton paper. I took the concept from a Chinese god who was in charge of the pearl of creation, and turned it into a dragon with that very same pearl.
