A pencil and watercolour study, inspired by Scott Christian Sava's "60 days of studying the masters" on Youtube. This was intimidating from start to finish, by far the most complex drawing I've ever done! It took me almost a week to get the drawing right, but the painting was done in a day. In between were many days of feeling overwhelmed, lost, and then afraid of messing it up. But I got there in the end and I think I pushed myself to a new skill and confidence level. Good thing too, I've got 58 more studies to do!
Hello. My name is Jenna. As a child, I grew up in an abusive household, where my dad would do some pretty messed up things, as well as gaslight me. My dad has been out of the picture for a while, but I still have a lot of feelings and trauma left over from him. I wanted to represent what being gaslit, felt like to me. Now without further ado, my impression of gaslighting.
This is my first attempt at traditional egg tempera painting. The panel is a Masonite board from Michaels, but I need to use true gesso because the egg tempera will not adhere to acrylic gesso. Some of my favorite artists used egg tempera. Andrew Wyeth, Robert Vickrey, and Colin Fraser are all masters of this ancient and archival medium. I have been self studying this technique for months and I was very excited to start experiencing the medium. Egg tempera is like layering stained glass on top of stained glass. the painter can expect a luminous glow to take shape as the colors blend visually through the layers of paint - assisted by the chalk of the true gesso. Egg tempera has been described as the closest painting technique to drawing, hence my draw to this medium.
done 2023 2.5 x 3.5 card blanks with color pencils.
I had done this piece for RRparks company as sketch card for Ultraman series 3
This was very first one i drew for RRparks co. to start off.
Part of my challenge to myself to sketch directly in ink this month, and to play around with using alcohol markers for value (a new tool in my arsenal).
Favorite words.
Gloaming.
Dusk.
For some reason, makes me think of the opening to Jabberwocky by Lewis Carroll
’Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.
This is a new logo I created for my Webtoon, The Peculiar Scribble. It is about Scribble and his adventures in a place called, The Realm. Scribble is a heartwarming comic that is suitable for all ages. If you would like to read more below is the link to the comic: https://www.webtoons.com/en/challenge/the-pecuilar-scribble/list?title_no=866623
16 (or 17) years ago, I've done some fan art of Bunnie Rabbot from the "SatAM Sonic" series. Now, she's back in my fan art roster and I must say, I like how I drew her.
Pop art ink drawing in red, pink, and violet hues. The subject is the palm of a hand and curled fingers. The background has blue, green, and turquoise stripes contrasting the colors of the hand. This artistic drawing style uses non local color to create form in the palm hand drawing.
One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design.
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Urh.-Nr:1811955
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Copyright by Carolina Matthes
The idea is to show a figure crossing over two ` scripts’ with a bilingual suggestion. By standing in between worlds, we see opposing viewpoints.
Many artists have incorporated typography as symbols in their paintings since the 60s, but no one has attempted to approach lines in this `written’ manner. How different it is are the two writing styles of the East and the West; one with angular lines while the other in a smooth flow! This work juxtaposes the symbolism of cultures – script. At the same time, it questions the need to grasp the full meaning of the script to appreciate the aesthetic flow of calligraphic lines.
The form of Martial Arts introduced by Bruce Lee embraces `being formless’ as a central idea. Sharing this belief, my works do not start with an intention of what to make, but rather the process is to follow-through to what the works wish to become. In Jeet Kun To, the practice is to `be water’, to react and to blend. Instead of following the artist’s desire to direct the brush, I enhance, without an intention to change or render. The composition dropped from elsewhere as a message and is polished to shine.
