One of my assignments asked me to draw a comic book cover using existing comics and manga. This was my third attempt at using ballpoint pen for a drawing, my shading tends to look odd in smaller spaces but I'm trying to work on it
One of my favorite times of the year is Autumn. It’s a time that reminds me how blessed I am for the rich friendships I have in my life. It’s also a time I enjoy making new memories with relatives I have a deep emotional bond.
And for some reason, pumpkins symbolizes this wealth of love I have for these loved ones. Maybe because orange is a passionate color for me. Or maybe because the color orange is abundant during this season when warm a fuzzy feelings show up when I’m with my loved ones. This hue is in pumpkins, persimmons, hot apple cider beverages, cinnamon spice on pies or lattes, and the obvious autumn leaves.
But my focus for this illustration were big, fat pumpkins. I love hugging and squeezing them and feeling it’s cold flesh on my skin. I look forward to my next bite of pumpkin pie from our very good friend, Terry, who makes them very excellently!
This was my first try using paint pens. Played around with shapes to get used to the texture of the paint and how it feels to use the pens. Done in a watercolour sketchbook.
Acrylic gouache on MDF, approx 4x6". Part of an experiment: what if I painted the inside of a picture frame (ie, the inside of the backing board)? Result: it actually works really well!
One of the very few times I've actually drawn a fursona, in this case a seal. Not really anything to it, I don't have a backstory for this OC it just exists now.
Some folks in this world tend to get a kick out of their more negative impulses and for all sorts of trivial reasons. Had to crank out something in response to my thoughts on the matter here! On a lighter note, any excuse to draw an irrawaddy dolphin is a good one...:)
“In Caribbean mythology, the lusca or luska is the term given to one of the most feared sea monsters in the region. A deadly creature that prowls the deep and feeds on the unsuspecting. A being or a pod of beings that scour the Gulf eating up all in its wake. The lusca is a chimera; a mismatch of animal parts. A conglomerate of some of the Caribbean’s most feared creatures. It is a cryptid that said to hunt and prowl the Gulf and areas near the Mexican shore. Luscas are one of the lesser known cryptids of the deep. They are also one of the most fascinating not only on account of its fearsome symmetry but of the mystery that surrounds them...”
This is a painting of a first century Galilean fishing boat, most likely the very type of
boat used by Peter when he was called by Jesus to follow him.
This illustration is part of a bigger mural I am working on, about the ministry of Jesus
the Christ.
If you notice, the boat is beached facing backward, with the fishing net coming from
the back of the boat. This is to signify that Peter, like all the other apostles, except
Matthew the tax collector, dropped their fishing occupation and followed Jesus, Who
would make them the fishermen of men’s souls.
Here is a truth about me as an artist. Two parts of this painting gave me trouble in
carrying out this illustration. The fist was illustrating the ropes of the rigging. My first
attempt was horrendous it took me a second try to get it right. I had to look up pictures of ropes on the Internet to overcome this challenge.
The second was illustrating the rocks on the bottom of the Sea of Galilee and the
reflections of the boat on the water. I must have made about five attempts until it
finally clicked. Even when I kept looking at the reflections of boats on water, I could
not make the breakthrough.
In creating the kind of art that I do, it is very rare to find a model that meets all my
requirement for what I am illustrating. So, it takes photos and imagination and the
grace of God to create an illustration that looks better than a stick figure and communicates the message intended.
So, I figure God has me go through these challenges to keep me humble because, without humility, God is not able to use our talents for His glory.
(October 12, 2017)
This is was more of an experiment as I wanted to see what black ink would like on paper with an "aged" like background. I think it came out quite nicely but I also think that the black ink might seem a bit too bold. I'm not really sure.
Continuous single line with shadow for depth. A figure laying on back with one leg extended and the other bent in. One arm up and the other down along ground. Looking away too I suppose.
Combination of traditional and digital art. I actually hand painted this on some very textured paper with oil pastels a while back, so to 'tidy and clean' it I had to employ digital means. The background was done with alcohol inks, the 'flow' of it I was particularly proud of :).
The Woman Puppet from Rome. A clay or plaster of paris puppet head that was glossy and smooth. This painting of the woman pupped is regal and dignified. It shows little animation or dramatic expression. It is unlike most of the others, say for its counterpart
Abandoned drawing of Ellie wearing a black turtleneck. The lighting in the room was terrible and the black fabric hid a lot of the shadow detail of the folds and it frustrated me. That’s my excuse anyway… Model: Ellie.
I don't like sharing my art on platforms usually, so I'm using this space to kind of dip my toes in. I'm a digital artist, and I mostly draw feeling sketches when I'm in a dark headspace. This particular one is from a late night depressive episode.
This is an exterior white paint on an old tarp with a treated lumber frame painting using a photograph taken of my Dad in the Summer of 1979. Dad and I were on the porch playing our guitars while a girl I was dating snapped some photos. I get a sense of Dad's calmness whenever I look at the photo, and now, this painting.
