After the initial shock of creating my first sketch, I realized that I could do better. And after about a week this one was finally finished. (Would have done it sooner, but I had school.) And I once again managed to amaze myself. I never thought that it would be possible that I, who has basically no hand eye coordination, could create this.
One night, as we were sailing from the Marquesas to Hawaii, my husband sobe his torch in the water and saw a huge pink eye reflected back at him. This is my artist's impression of the creature.
Stripped of skin, status, and story, what remains is the truth beneath it all. Bone Deep is a minimalist skeletal portrait rendered in graphite and ink on canvas, built through cross-hatching, stark contrast, and deliberate restraint. The exaggerated skull and hollow eyes confront the viewer directly — not with fear, but with inevitability.
What happens when I keep trying to capture that spiritual image seen from the mind's eye? A shapeshifting abstract that is anchored merely by symbols. Sometimes I really just want to convey a consistent image that the world can see, which is really, really hard...
[Intro]
(D-D-Dark side)
[Verse 1: Tomine Harket]
We're not in love
We share no stories
Just somethin' in your eyes
Don't be afraid
The shadows know me
Let's leave the world behind
[Chorus: Tomine Harket]
Take me through the night
Fall into the dark side
We don't need the light
We'll live on the dark side
I see it, let's feel it
While we're still young and fearless
Let go of the light
Fall into the dark side
[Post-Chorus: Tomine Harket]
Fall into the dark side
Give in to the dark side
Let go of the light
Fall into the dark side[Verse 2: Au/Ra]
Beneath the sky
As black as diamonds
We're runnin' out of time (Time, time)
Don't wait for truth
To come and blind us
Let's just believe their lies
[Pre-Chorus: Au/Ra]
Believe it, I see it
I know that you can feel it
No secrets worth keepin'
So fool me like I'm dreamin'
[Chorus: Tomine Harket & Au/Ra]
Take me through the night
Fall into the dark side
We don't need the light
We'll live on the dark side
I see it, let's feel it
While we're still young and fearless
Let go of the light
Fall into the dark side
[Post-Chorus: Tomine Harket & Au/Ra]
Fall into the dark side
Give in to the dark side
Let go of the light
Fall into the dark side[Bridge]
(D-D-Dark side)
(Dark side)
(Dark side)
(Dark side)
[Chorus: Tomine Harket & Au/Ra]
Take me through the night
Fall into the dark side
We don't need the light
We'll live on the dark side
I see it, let's feel it
While we're still young and fearless
Let go of the light
Fall into the dark side
My half of the art trade with OptimisticJerk (https://www.deviantart.com/optimisticjerk). The trade was to draw a monster as made up by your counterpart without seeing a reference image, based only on the description. Here is her half (which is awesome): www.deviantart.com/optimisticj…
For mine, I had to draw a monster called a "niter" based off of his description:
"Niters communicate in whispers. Nocturnal. Shy away from light. They’re black and oily and emanate a bluish glow. Large, looming 6 foot shadow things with massive hind legs, clawed for climbing trees and they have ‘maws’ instead of arms, claw-like appendages they stab people with and only one gaping blue eye. Their mouths open up and they swallow their victims whole."
What's funny is that I didn't see the fact that they emanate a bluish glow until now. So, the glow from the eye is purely by coincidence. Figuring out the hind legs of this creature was difficult, and so I sought reference images, and of all things, the koala turned out to be a pretty good reference.
For a while, there, it was looking like Carnage from Spiderman, but I toned down the reddish-hue a bit. The intention was to give the appearance of motor oil.
So, now to find out how badly I failed at drawing this...
This art trade was fun, though, and I would do a similar one, again. But I am le tired.
I tried using blue again, i like it better when it comes to these types of drawings (eyes, trees, buildings) but i will definitely be using black for creature and animal drawings. Let me know what you think, comment any tips for improvements, or even just to say what you do like about it; feedback is welcome on all my art.
Self-portrait. I am practicing portraits from memory. I'm not satisfied with the eyes of this "Selfie", oh and the neck is too thin, but the rest is okay-ish?
My original character, Yomi, has a fascination with light. These lamps you see might look familiar to you, but Yomi is among the first to discover the beauty of colored light. He shares it with the neighbors in his town and the eyes of dazzled passerbys. ---- 1/3 part of a new series called Fractal City.
Brush marker and Sharpie Pen on regular sketchbook paper. I closed my eyes and randomly picked 3 markers from my collection, and filled in the sketch that I had done previously with them. Try it!
I have a certain energy that runs through me, almost like a current. Balancing this energy can be quite a challenge, but I have found that meditation helps me to find my center. I like to quiet the noise around me and focus on my inner truth. Sometimes, I begin my meditation with my eyes closed, allowing my emotions to guide me in sketching out my experiences. This helps me to open up my channels of creativity, which I am currently using to work on my upcoming novel. I can't reveal too much about it yet, but I hope you will enjoy the sneak peeks I'll be sharing as I work toward completion.
For the Asian Tiger Moms out there.
Fierce Eye - one stare and you know you need to behave
Soft colour tone and lots of curve to the body - display of femininity
Clouds - a powerful aura
