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Inspired by the Neo-Classical period, I pushed myself as an artist to portray subjects in an idealistic fashion combining drama and artificial lighting. The subject is my sister who modelled as a reference, enabling me to control the shadowy effect over her face. The dim lighting and dark background resonated with the period style, focusing on the facial parts that are visible. The end result looks like she is emerging from the darkness. A somber atmosphere is illustrated through visual expression.
Adding the fast drying oil on the brushes improved the blending of the colours on the canvas which was especially useful when it came to applying strokes on the face smoothly. Visit https://www.martiaposts.com for more
Connect with Nobody Support Art:
www.instagram.com/martin_balsam
www.twitter.com/martin_balsam
www.facebook.com/needmoney4artsupplies
www.needmoney4artsupplies.myportfolio.com
I'm not good with lettering, but it is what it is :) Was interesting to know that Peace lily is not so peaceful... If you have pets and children, you need to be careful with this flower!
Observations from an expedition to the Houston Museum of Natural Science, which features an incredible paleontology hall. I brought with me a pad of sticky notes, a couple Micron plastic nib pens, a set of Copic Markers, my fanny pack, and some headphones. Prehistoric life has been an infatuation of mine since childhood, and there is something very humbling about drawing in the shadows of these fallen giants.
Romping through the woods, I happened upon a faerie ring of Slenderman and his acolyte children. I stepped back slowly. I didn't want crunching branches to give me away.
Another charcoal on cartridge portrait. The fabulous Evan Peters acting as Tate Langdon in the first season of the hit television series, American Horror Story.
Have you ever felt like you were scratching at the surface of a breakthrough? I'm in the middle of what might be something major or might be nothing at all.
PSA to not be a dick to retail workers this holiday season (and all seasons!). Working retail during the holidays was some of my shittiest experiences. People become coupon-waving, red-faced monsters that deserve nothing but a trip into Krampus’ sack.
Here are a few things to remember:
1: They have literally no authority. Honestly, the cashier would love nothing more than to accept a stack of expired coupons to get some cranky-ass customer indignantly insisting that “at this point YOU owe ME money!” through the line. But they can’t. And no amount of screaming will change that. Oh, and the manager is bunkered safely in the back refusing to come out and will only troubleshoot through walkie.
2: If you’re nice (like basic human decency) they are more inclined to help you as much as they are able. Being kind and patient costs nothing and might actually pay off. You might even be able to coax out a skiddish manager that *sometimes* has the magic touch to get things accomplished.
3: Corporate overlords. Managers can do a lot but in the end, the retail world is run from corporate overlords through the machine sentries AKA registers. Welcome to Black Mirror, people. If the machine rejects your request then back to the matrix with you.
Not a terribly good piece, but I had fun drawing it. It is a take on the Spirit of '76, originally painted by Archibald Willard. I did it upon request, but I did not charge anything. I think it would have been better in color.
I'm having trouble with the web site lately.. I try to upload things and it just stuck in the uploading page instead of posting the pic. Anyway this is one of ma favorite drawing from inktober. Let me know witch one of my inktober drawings is your favotire in the comments!