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SEARCH RESULTS FOR

fabric

Jones Brown Jones Brown
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Hire A Cryptocurrency Fraud Recovery Hacker Service Online: VISIT CERTIFIED RECOVERY SERVICES

It started with optimism. A serendipitous encounter with an old college friend in Miami’s bustling airport led to a conversation about financial growth. He spoke glowingly of Dollar fx net, a platform he insisted had doubled his investments. Trusting his enthusiasm, I deposited 10,000 USD a substantial chunk of my job savings only to face a shocking roadblock weeks later. The platform demanded an additional 5,000 “verification fee” to unlock withdrawals. My stomach dropped; this wasn’t a hiccup it was a trap. Stress pushed me into research mode. Scouring cybersecurity forums, I uncovered countless stories mirroring mine: unregulated platforms exploiting trust, draining accounts under false pretenses. Then, a lifeline a Reddit thread praising CERTIFIED RECOVERY SERVICES for their no-nonsense approach to fund retrieval. Skeptical but out of options, I submitted a case file through their portal, hoping for a miracle. The response from CERTIFIED RECOVERY SERVICES was swift and reassuring. They outlined a comprehensive strategy: trace the digital trail of my 10,000 USD, they apply pressure on the platform through legal backchannels. Their transparency struck me while they couldn’t guarantee success, their expertise was evident. Over the next week, CERTIFIED RECOVERY SERVICES became my digital sherpa, guiding me through the murky waters of online fraud recovery. Their team meticulously decoded Dollar fx net’s obfuscated transaction logs, revealing that my funds had been funneled into offshore wallets, far from any regulatory oversight. Armed with this information, their legal team issued takedown notices to payment processors linked to the platform, effectively putting them on notice. The pressure worked: on day 10, I received a cryptic email from Dollar fx net claiming my account was “under review. "By week two, the impossible happened my original 10,000 USD reappeared in my bank account, sans the fabricated fees. CERTIFIED RECOVERY SERVICES later explained how their threat of exposing the platform’s infrastructure to regulators had forced their hand. Their relentless pursuit of justice to recover my funds and also highlighted the importance of holding fraudulent platforms accountable. This ordeal taught me two harsh truths: not all opportunities are as they seem, and due diligence is non-negotiable. Yet it also revealed heroes like CERTIFIED RECOVERY SERVICES ethical hackers who use their skills to fight back against fraud. I now understand that vigilance and the right support can turn the tide against deceit. In a world where fraudsters thrive on silence, speaking out and seeking help can be the most powerful tools in reclaiming what is rightfully yours. Here's Their Info Below: WhatsApp: (+1(740)258‑1417 ) Telegram: https: //t.me/certifiedrecoveryservices mail: (certifiedrecoveryservices @zohomail .com, certified @financier .com) Website info;( https: //certifiedrecoveryservices .com)

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Thich Minh Bao Thich Minh Bao
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Sexy girl

The photo captures a shimmering, festive Christmas moment with a beautiful young woman posing in front of a lavishly decorated Christmas tree. She is wearing a glamorous outfit consisting of a sparkling butterfly-shaped crop top and a short white skirt, paired with elegant high heels. The surrounding space exudes a warm, cozy atmosphere with wooden walls, vibrant red ornaments, and green-and-red pennant banners hanging above, creating a lively holiday scene. A black chair nearby, along with festive decorations like a fabric Santa Claus and candy canes, enhances the Christmas spirit. The woman in the image radiates a gentle yet captivating beauty, with her long, flowing black hair and a charming sideways gaze. The combination of modern fashion and a classic holiday setting creates a stunning composition, evoking a sense of warmth and romance. This image is copyrighted and DMCA registered. I strictly prohibit all of you from posting this image on other online forums. If I discover it, you will receive some reports from me. Contact me via: thichminhbaovn@gmail.com

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BeastGurl1989 BeastGurl1989
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Questionable Fabric

The fabric was of elegant silk and velvet, but the skin underneath the fabric continued to become irritated. Sebastian was unable to be still due to such annoyance that plagued him. Lets just say, he was looking like a fool.

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Emerieandeliza Emerieandeliza
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Anime cats

Custom order design. Mixed media. Art and embroidery illustrated design on fabric

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Anna Anna
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Princess Castle

I painted recently a little castle for a wedding invitation, in watercolor and pigma micron pens. I'm now thinking about creating a fabric pattern on the theme of castle and royal gardens

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Luca Mussino Luca Mussino
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Serpentine Helix: The Dance of Life

"This digital artwork represents two snakes coiled in a helix, symbolizing the indissoluble union between physical and mystical life. The intertwined shapes evoke the structure of DNA, reflecting the fusion of science and spirituality and inviting reflection on how these dimensions are woven into the fabric of life."

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NAJ NAJ
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ghost portrait

i love drawing things with fabric covering them. it's like drawing the essence of the subject, just the fluid shadows of it's presence

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Shadow Wind Shadow Wind
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African Mask: Male-Fabric

Drawing of an African ceremonial mask @ IU Art Museum Medium: Pencil on 18" * 24" paper

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Athena Athena
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Floral beauty

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Cat in a Tunnel

I painted one of my cats, Banana, in a cat tunnel. The coloring in the photo was muted, so I worked on color and fabric texture. I am thrilled with her facial expression, and the overall composition feels good. This is not AI nor is any element made from AI.

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Joer_B Joer_B
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Ellie in a Black Turtleneck
1/3

Abandoned drawing of Ellie wearing a black turtleneck. The lighting in the room was terrible and the black fabric hid a lot of the shadow detail of the folds and it frustrated me. That’s my excuse anyway… Model: Ellie.

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Joer_B Joer_B
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Agony
1/3

Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.------------- The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn. Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.

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Maia Palomar Maia Palomar
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Blanket Emotions

It's an odd feeling to reexperience the old anger and frustration I thought I had overcome, but, in all reality, I've been letting it creep back in for a while now. There was a moment of fear, it's still in the back of my mind, I'm afraid to slip back into the mental place I was a couple of years back. I'd like to say I've finally realized that it's ok to be afraid, and even a bit frustrated, but it's a matter of how I handle those emotions and my own reactions that make the difference.

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Morgan Elle Morgan Elle Plus Member
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significant otters

This was supposed to be for a fabric pattern, but it looks much better on a screen.

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Sonia smith Sonia smith
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I see gerberas

Acrylic, glitter, ink, fabric. My daughter wanted a picture of one of her favourite flowers, the gerbera to fit into a new picture frame.

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Maia Palomar Maia Palomar
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Crinkled Fabric

I suppose this was just a tester/practice piece? My first actual still life from observation and my first time actually using charcoal (yes, I've never truly used charcoal before. Charcoal and pastels are two things I avoid. Their looseness and freeness scare me, considering how rigid I can be). Not sure how to feel about this one. I'm my worst critic, and I've known that for a long time now. There's a lot of practice and progress to be made, but it turned out half-way decent.

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TATIANA TATIANA
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Sistah, Sistah

Sistah, Sistah is a 12x12 fabric on canvas mixed media

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Sonia smith Sonia smith
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Upcycling creativity
1/3

I like to use my creativity to restoring life back into old furniture heading to the tip or for cheap in charity shops. Less waste for the planet to cope with.

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Ilga Jansons Ilga Jansons
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textile pattern in red

My idea was to make a textile pattern for fabric printing. Drawn on paper with a micron pen .005, colored with pens then put into Photoshop for some color manipulation, blurring of lines and pattern arrangement.

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Hayley Jackson Hayley Jackson
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Percheron Mare

Pastel pencils on canvas fabric

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Michy Michy
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Floral dream

I used fabric pens and acrylic paint.

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Aman Aman
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Brit rock

The is a fashion illustration. I am the type to go nuts with fabrics to make it one of a kind pieces that stic the fuck out!

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Revenge Sinister Revenge Sinister
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Curtains and potted plant

Curtains and potted plant fabric study. Gouache. February 26, 2020.

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Revenge Sinister Revenge Sinister
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Pug in a blanket

Pug in a blanket. Fabric study with Gouache paint. Feb. 25, 2020.

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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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John Ramirez John Ramirez
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Skull On Fabric

Quick sketch of textures and depth I probably drew it a lil too quick ;( Mediums: White charcoal, Charcoal

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LeBoucher LeBoucher
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Appropriation et remake Hybert Fabrice : cul-réfléchi

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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Sophia Murray Sophia Murray
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Doodles on fabric

I've been experimenting doodling on fabric with Sharpies an turning that fabric into pencil cases...I'm getting a good response from people so I think I'll get good quality fabric pens and create some unique items with doodles....

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Joanna M Gregores Joanna M Gregores
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Peonies

Peonies india ink on arches hot press paper am playing around with graphic black and white images that take their inspiration from nature

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Luisa Vidales Reina Luisa Vidales Reina
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Inktober 26 - scissors

Sketch of my fabric scissors.

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