My Vintage blue floral pattern print was designed for fabric. Originally drawn in black & white line, the blue adds a vintage feel and reminds me of the blue and white china of yester year.
I painted one of my cats, Banana, in a cat tunnel. The coloring in the photo was muted, so I worked on color and fabric texture. I am thrilled with her facial expression, and the overall composition feels good. This is not AI nor is any element made from AI.
Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.-------------
The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn.
Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
Abandoned drawing of Ellie wearing a black turtleneck. The lighting in the room was terrible and the black fabric hid a lot of the shadow detail of the folds and it frustrated me. That’s my excuse anyway… Model: Ellie.
My idea was to make a textile pattern for fabric printing. Drawn on paper with a micron pen .005, colored with pens then put into Photoshop for some color manipulation, blurring of lines and pattern arrangement.
It's an odd feeling to reexperience the old anger and frustration I thought I had overcome, but, in all reality, I've been letting it creep back in for a while now. There was a moment of fear, it's still in the back of my mind, I'm afraid to slip back into the mental place I was a couple of years back. I'd like to say I've finally realized that it's ok to be afraid, and even a bit frustrated, but it's a matter of how I handle those emotions and my own reactions that make the difference.
I suppose this was just a tester/practice piece? My first actual still life from observation and my first time actually using charcoal (yes, I've never truly used charcoal before. Charcoal and pastels are two things I avoid. Their looseness and freeness scare me, considering how rigid I can be). Not sure how to feel about this one. I'm my worst critic, and I've known that for a long time now. There's a lot of practice and progress to be made, but it turned out half-way decent.
I've been experimenting doodling on fabric with Sharpies an turning that fabric into pencil cases...I'm getting a good response from people so I think I'll get good quality fabric pens and create some unique items with doodles....
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
These patterns are all made from drawings pulled from my 2017 sketchbook project. I studied fiber arts in grad school and learned how to do repeat patterns - the old fashioned way by cutting and taping paper together... I haven't done any in 25 years - until this month!
Voodoo, you do? It is frightening how these little voodoo doll characters drew themselves. I think they may be alive! Drawn directly onto Procreate with no edits these must be one of the most fun collections I have ever drawn. Collection available at Design Bundles https://designbundles.net/squeebcreative/1736806-voodoo-dolls-cartoon-undead-zombie-dolly-collectio and Creative Fabrica! https://www.creativefabrica.com/product/voodoo-dolls-cartoon-undead-zombie-dolly-2/ref/940640/