A silly watercolor sketch, I know, but there's a lot tied to this little thing. There are so many bittersweet feelings lately. I tend to avoid putting a numerical value to time, I don't like the count-down aspect to things, especially knowing how obsessive I can be with that. It allows me to live in some semblance of ignorance (they say ignorance is pure bliss). There's a lot of tip-toeing around what I want to say and what I'm afraid to say, or even what I'd love to explore and embrace and simply afraid to. It's something I'm not used to. It's taken me quite a while to finally sit with certain things, or even acknowledge them, and it feels like there's so much more I'm now realizing. It's odd to be so frank to some and worried that others may find out. There's a lot of shifting again, goodbyes coming soon, complicated feelings and situations.
I drew a London Street Building, source from pinterest using the freehand sketch method. The story behind this sketch is that I drew it with a hesitation feeling, you can feel it when you see how my lines were drawn to create the brick texture.
Close to a month ago, I had found out my design was selected for the Art Stop Program, and, yes, this is mainly what I've been working on since. I've never worked on a piece this large before, 72in x 24in, and I rarely make sketches of pieces before creating the final work. It's definitely a cool feeling to look at the finished board and see how the drawing actually came to life. (The Art Stop Program selects a handful of entered designs for the artists to create on a larger board, and these boards will then be inserted into bus stop benches around Niles, IL.) I can't wait to see the bench this will be in, and I'm so lucky I got to be part of the program.
This is a piece I did for a short film about the life of a victim of sexual abuse, after all the court cases and conviction. The film wanted to show the side that you don't see, the director wanted me to paint a picture capturing that emotion. Although I have never been through it personally so I cant speak on the feeling, I hope this makes you think about someone who has been having a battle in their mind. Give them some love !
I love drawing when I am waiting on someone. It transforms the time, and rather than feeling impatient often I am hoping they will take longer so I can finish the drawing.
Superstitions: Nightmare
The 'nightmare' was originally believed to be a huge spirit which settled on people while they slept and gave them a feeling of being stifled - and in Europe an old preventative for this was to place a knife or something similar at the end of the bed, as it was well known that the denizens of darkness feared iron and steel.
This has been going around the Internet recently, so I gave it a try myself. I experimented a little with my no-line pastel style to create my own version of a frame from the Sailor Moon anime.
I really wanted to capture the expression and general feeling of the original while still making it look like my own original art. I hope you dig it.
I worked on this while streaming. You can watch and hang out while I draw here: www.twitch.tv/ninjatron
I've tried to bring the feeling of motion into my sketch. I like capturing street scenes and wanted to convey the gritty street alogwith the activity of the tourists and Londoners.
Recently I saw beautiful Van Gogh exhibition. I really enjoyed movement of his brush and vivid colours. It was more about energy and feelings than realistic details.
I am always gravitating towards realism and always want to spend more and more time perfecting paintings like they are never really finished so this time I decided to challenge myself not to do that.
I have been teaching myself stippling. This is a work in progress on a birch tree bark. I've always admired birches and have strong childhood connections with them. I am a keeper of some very fond memories of our summer house and three beautiful big birch trees in the yard. I could sit under them for hours: watching the delicate leaves dance in the summer breeze; watching them turn golden during autumn; feeling my way around on their uneven bark full of valleys and crevices.
I so enjoyed the inktober and now I am going to do whatever whatever for awhile. I grabbed a sketchbook off my shelf. The paper is thin and rough - bad for ink, but so nice for pencil. Will try to switch the gears now and go with a different feeling.
Let's ouroboros together.
https://www.instagram.com/p/CVvp-ZkrX2I/?utm_source=ig_web_copy_link
I have no mouth and I must scream! ink, watercolour, gouache and gold leaf on paper, 75x50cm, 2020, POA. Another artwork created in lockdown. A reflection of and introspection into thoughts and feeling of living during a pandemic.
Im terrible at naming my work, lol. Anyways, I used different techniques so it looks much softer and more comfortable. Didn't change much just some little details, like how im using blur and some blending modes. I like how the color palette came out to be, so in general im giving myself a pat on the back for this one. But still I can't get rid of the feeling that all the stuff im doing look kinda unfinished or at least I have a feeling that they miss something. So if you have ANY tips or comments, I would love to hear them. I just want to know how to improve and what to work on.