Hi. Am I hard to see? You are free to look closer.
This is how I will most frequently present myself as, drawn here in an effort to rejuvenate past drawing abilities . Both Ego and Shadow are delicately present as one, although still not the truly completed form. That is still outside my own grasp within the field of creativity.
Everything here has some meaning, including the blank background. A "Domain" in the form of a canvas. The ability to bend reality. A shadow that opens the door to the extraordinary. The simple tools to channel one's creativity. Most importantly, an Avatar of one's being.
A vibrant garden scene showcasing an array of colorful flowers with tall stems. The background features a mix of greens and yellows, adding to the lively atmosphere.
Medium : Pen and Ink on Bristol Board
Size : 11" x 15"
Year completed : 1987
This rendering is part of a collection of illustrations entitled " The Army Years." This rendering remind me of a ride I took on A Army National Guard helicopter,while I was serving in the Air Force- Civil Air Patrol. We were helping them to figure out the safest, and fastest, flight paths between hospitals, for when a patient needs to be air lifted from one hospital to another.
I got to rider in one of the sides compartments of the craft, with the side door open ( of course I was strapped in to my seat ) the craft at one point flew with my side parole to the grown, as it made a couple of sharp turn, real fun ride.
I served in the Civil Air Patrol for 4 year, one of the benefits, was a lot of flying time.
I Severed in the United States Army fore 9 years, 4 years National Guard, and 4 years Regular Army. While in the military , I was a anti tank toe missile crewman, Combat Engineer , and a Field Medic. I served during The Panama War, Desert Shield/ Desert Storm, Police action in Somalia.
This picture is entitled " Support Is on The Way." because any field soldier know that helicopter are the main transport vehicle for delivering, supplies, mail, equipment, moving troops back and forth, from the rear to the battlefield.
Written by Stephen J. Vattimo
My name is Jenny Lebedev.
I am a multidisciplinary artist and illustrator, Making painting on canvas and digital platform, video, photography, drawing. Graduate of the Department of Multidisciplinary Art at Shenkar.
I recently finished illustrating the second children's book. I also accept commission projects and work with the client in close communication. I make digital art work for postcards, prints, incl. producing prints.
In the field of art I deal with conceptual art on the topics of "nothingness" and the existing emptiness, awareness of the air.
- Oil painting of a countryside of Vietnam. When observing, it is easy to see an image erected when people are working in the field, along with the early morning time, so it has created a beautiful picture. Each object in the picture has its own highlight, full of attractive looks. Although it is a picture of a simple landscape about people in the countryside, every little detail is meticulously painted by the author. This painting is owned by the author "Uilliam Potter". This picture was drawn and uploaded to show everyone the inherent beauty of a rural village, if you have the opportunity, come and feel it. Get the beauty here in the most realistic way.
- Please contact me via Email: williampotterowners@yahoo.com
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Hello everyone I am going to graduate this year in the field of IT engineering If you find my arts good I am ready to work in artistic field if you hire me.
Reminds me of a Buddhist proverb: Patiently I will bear harsh words as the elephant bears arrows on the battlefield. Words are powerful. They stir emotions. We are the managers of our emotions. It is not what happens to us that is the issue, it is our opinion of what happens to us that is the issue. Peace.
My name is Jenny Lebedev.
I am a multidisciplinary artist and illustrator, Making painting on canvas and digital platform, video, photography, drawing. Graduate of the Department of Multidisciplinary Art at Shenkar.
I recently finished illustrating the second children's book. I also accept commission projects and work with the client in close communication. I make digital art work for postcards, prints, incl. producing prints.
In the field of art I deal with conceptual art on the topics of "nothingness" and the existing emptiness, awareness of the air.
When I was a little girl I was drawing postcards and during holidays I was selling them to the neighbors for half a shekel. At home my family always appreciated my creativity. Because of this when I moved to Israel, I decided on an art degree where I had the freedom to try different kinds of art. I became a painter and my final exhibition at Shenkar College was a plumbing work with sculpture and dio.
Nowadays I am more involved in digital painting and specializing mainly in illustration and design. I take my inspiration from nature because it has an amazing integrity. But of course a simple emphasis will make most people notice it better.
segments , steps, blindfolded, a difference of language between the body and something subtle , lack of movement.click -switch! the union of body and soul , the disappearance of the blindfold from the eyes and the flight between the immensely endless bright layers of fields .I am very curious about the sophisticated nature of things and phenomena: myself, people the Universe, I like to consider and feel them like a multi-layered cake, where each layer has its own history, worldview, and even its own temperature. I love to listen lectures of charismatic lovers of philosophy, design, music, human psychology and I enjoy the excitement it brings and the birth of new layers inside me. I rarely manage to silence my inner critic and for many years I have been learning how to be able to do it productively. I am still in the process though. I treat my life as a long voyage, changing directions and yes - sometimes those around me. I understand that even 24 hours a day is not enough and I definitely realize that my life today is much more colorful and interesting than when I was 20 years old.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Some (over ten years old! Wah!) Ed, Edd, 'n Eddy fanart I did under the username MsArduousFieldWorker eons ago. Would have posted some of these separately, but this site only allows things over 500px wide and I only was able to save the flattened PNGs from my ancient XP laptop. Everything here was drawn traditionally, inked with a brushpen, then scanned and colored in PS7.
Soo...This was actually supposed to be alot more happier and brighter. But I accidentally made a mistake with her face, and since I was using a pen, I couldn't fix it...so I decided to go with it fully and make the background behind her dark as well to fit the mood.
I'm still happy with how it came out :) it's just...way different then how I planned it in my head.
This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
Had a thought to revisit one of my old worlds created during the creative streak over years ago. It was a world built from the primordial creative juices in my head, put from uncountable inspirations and knowledge bases learned from who knows forever.
Here is a perspective of how a world is built from the rise of some fundamental ideas. What happens if you consider a world suspended in nigh microgravity conditions, a supercharged atmospheric envelope orbiting a twin neutron star system, gravitational suspension, intense magnetic fields and radiation? A extreme and chaotic environment bordering an impossible miracle, in a constant state of freefall.
Not gonna lie, worldbuilding in detail is not easy. I don't have the mental and time resources these days, to expand a world in such intricate detail. Each of the scribbles above are mostly ideas of local flora and fauna that push the limits of my science knowledge base combined with accumulated general knowledge. Some of the concepts here are bordering magical fantasy, without even getting into the residing intelligent lifeforms.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Farmalytica is a brand-new company in the field of agriculture which aims for utilizing technology in the field to achieve the sustainability of land resources. Here is the lOGO design for this brand, I hope you like it...
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
