fix

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

Pencil drawing and a AI render of pencil drawing

Imperfect Lines, Honest Presence This sketch is not perfect—and that’s exactly why it’s alive. The bold figure, the dissolving hat, the tilted chair: all of it feels unfinished, fleeting, caught in motion. It’s what the Japanese call wabi-sabi—finding beauty in the imperfect, the impermanent, the incomplete. But there’s something deeper here too. A quick sketch is not just what the eye records. It’s what the soul permits. To draw without fixing, without polishing, is to admit the world will not hold still for us. Life slips past. The lines break off. And yet, somehow, the essence remains. When you sketch this way, you are not the master of the moment—you are its guest. The pencil does not carve permanence; it pays attention. The act of drawing becomes an act of being present, of honoring what is already vanishing. So here’s a challenge: grab a pencil and sketch someone near you in sixty seconds. Do not erase. Do not perfect. Let the lines falter. When you finish, ask yourself: What truth did the imperfection reveal? Perhaps presence itself is the real art.

I uploaded a version of this that I felt was kind of a throwaway. Just dinking around and trying to get a feel for techniques. In the end, while I was happy with what I learned, I didn't think much of it as far as a completed work goes. But I couldn't leave it alone so I took about another hour and fixed what I felt could be fixed short of starting from scratch. Because it's a process, right?

oil, fixed digital ,,hope you see the waves free,,!! nedds detailing but its a good try over the hiden shore,,

This was my first digital portrait for a book cover I did for my brother. you can see the book cover image here https://www.amazon.com/Gus-Graham-Arizona-Sheriff-Winkies-ebook/dp/B071H3S5NW/ref=sr_1_1?crid=2FT2WWGZ0IG1M&keywords=winkies+escape&qid=1641839447&s=digital-text&sprefix=winkies+escape%2Cdigital-text%2C65&sr=1-1

A fun project to pick up and put down when I feel like it. The pendants show the fixed element. The element next to the character represents a specific birth year of people I know. I am the wood rat. :)

We were having a thunder storm, so I figured I’d do a sketch waiting for my markers to get here. I ended up getting carried away and inking it right away. I put a few layers of fixatif on it, and I'm hoping that'll stop the paint/ink from bleeding too much when I apply the markers.

Cute fixie girl in her daisy dukes. From my Nikes of Amsterdam series.

Late night (really late) watching the beautifully made silent film The General by Buster Keaton. I stopped it here when the bad guys climbed up on a moving train fixing for a fight! I used 6b pencil on Procreate

Drawing of a macaw, done on Art Spectrum Colourfix coated pastel paper with Faber Castell Polychromos and Lyra Rembrandt pencils.

My friend and I are trying to nail down a tattoo idea for her that involves witchcraft and weight lifting. (Note: the final picture was supposed to be two different ones, but appears to be repeating itself. This happens to me sometimes. Not sure how to fix it.)

Stolas from Helluva Boss...mmm...I do need to fix this picture...but I'm lazy.

I went back and fixed this one up. I added a collage background using scrapbook paper tweaked some minor things. Its still not perfect but I'm just now entering the intermediate level of mixed media and whimsical art. Canson paper, acrylic matte paints, and watercolor used.

Back in May, I wanted to do the #mermaychallenge, an online event where artists draw and share their mermaid illustrations during the entire month of May. But I knew I had limited time, with everything happening that month (buying new home/moving/fixing up the old home to sell), and a fulltime job. I created Mer-Kat, a hybrid kitten/mermaid. I felt this was such a fun new character to explore. Life underwater with a feline-based personality.

I need a fix cause I'm going down...

A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism. The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation. This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.

This is a cartoon for a humor salon about "addictions".

okay i can still fix this

I got Procreate a bit ago and it took me too long to figure it out and learn how to work with it. I was so used to my old program that starting all over got pretty discouraging. I finally finished my first procreate portrait! There are a few things I’m not happy about but I’m not sure how to fix them. Any ideas and advice are super welcome!!!

Fierce ostrich. I did this with a gel pen while waiting for my car to be fixed at the dealer ship.

24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.

Watercolour and the tiniest bit of coloured pencil and acrylic marker on watercolour paper. Size A4. Done with negative painting technique. This was inspired by a figure found in a Kinder egg from my daughter. It seems to be common sense these days to scan and fix your artwork digitally before posting it on any social media. I don't do that. I kind of like the little (or bigger) imperfections in my work, and I also believe that uploading traditional work that has been digitally fixed gives people the idea that such perfect pictures can be achieved in a traditional way.

Thought the best first post would be my character, Buri! She is a master starship technician, and pretty handy with fixing everything besides the bridge computers. In addition, she's the galley cook and one of two planetside survival experts on the ship. Bad news is, she sinks like a rock and is possibly the least amiable person out of the whole crew.

The hair needs some work before I can say that this is finished. It's the only part that I'm not happy with. Edit: I fixed the hair but made the face worse, and ended up ruining the painting. So. There you go.

This is technically my 100th post but I definitely have not been posting for 100 days I have missed some days but I am proud that I was able to post something towards art for 100 times, and thts something to be proud of; so I think I’m gonna have to go back and fix some things and figure out what day I’m really on.

A redraw of a drawing I did based off a drawing I did last year,what's different:no more eyelashes,I fixed her weird head shape,she now has jeans because it suits her better,no hair tie,her boots are now red.Algodón means cotton in spanish figured it was a better last name than candy.She was originally a side character in my story but now she's the main character.she's not bubbly or optimistic nor is she a pessimist but a realist.she works as a DEA agent to fight against crime and kingpins,her 1# foe would be ruthleen and parsnip.people don't take her seriously because she's pink,soft and fluffy.despite constant mockery,Clemence is always determined and confident.I might make a reference sheet of her one of these days.

Be Hold the Lamb of God Medium: Acrylic on canvas size:11”x12” Date 2019-2020 Artist: Stephen J. Vattimo This illustration is done for a mural portraying the earthly ministry of Jesus the Christ. This is number 8, out of 9 illustraitions. This illustration portrays Jesus after he dies on the cross. Biblical reference : Mark 15 : 33-39 33 At noon, darkness came over the whole land until three in the afternoon. 34 And at three in the afternoon Jesus cried out in a loud voice, “Eloi, Eloi, lema sabachthani?” (which means “My God, my God, why have you forsaken me?”).[b] 35 When some of those standing near heard this, they said, “Listen, he’s calling Elijah.” 36 Someone ran, filled a sponge with wine vinegar, put it on a staff, and offered it to Jesus to drink. “Now leave him alone. Let’s see if Elijah comes to take him down,” he said. 37 With a loud cry, Jesus breathed his last. 38 The curtain of the temple was torn in two from top to bottom. 39 And when the centurion, who stood there in front of Jesus, saw how he died,[c] he said, “Surely this man was the Son of God!” In doing my research : I found out that the crown of thorns might have been a cap, than a wreath. I t is my opinion that Mel Gibson’s portrayal of the brutality the Roman soldier inflicted on the body of Jesus, through the beatings and the 39 lashes with the cat of nine tails. This event was never visually captured in arts, until he made his movie The Passion of the Christ. Many don’t know what a cat of nine tales is, Roman style. A cat of nine tails are nine leather strap that are woven together at the handle. Each strap is laced with bone and other sharp objects. With each lash, flesh would be ripped from the victim’s body. Most of the illustration I have seen of the crucifixion of Jesus where quite sterile. They fail to illustrate the brutality. Their image of Jesus looks more like an under wear modal doing a photo shoot fore GQ magazine, Then the savor having the wrath of God being pored on his body for the payment of our sins. In this painting, I am place my viewer in the soldiers shoes, who just witnessed Jesus committing His spirit into God’s hands. Just as the soldier pondered the event he participated in , and looking into the face of Jesus, he proclaims, this man was truly the Son of God. Written by Stephen J. Vattimo 7/20/2020

I was unsatisfied at the streaks on the moon, but I think I mostly fixed it

Includes a friend, drawn between poses to fix a fumbled composition. Watercolour on paper, A4, 5 minute pose