flow

Title: The Game Medium: Acrylic Paint on canvas. Size:24” W x 36” H x1” D Year Completed:2026 The first conceptual design for this painting is an ink rendering entitled: The Window of The Soul. The inspiration behind the design is the concept that Christians are supposed to be windows that God’s light can shine through. But the Christian sin nature can block that light from filling a room. The same way window drapes do. In the design the soul is represented as the inside of a house. The stair going down represent Hell. The stair going up to the second floor represent Heaven. The stairs going up to the second floor have no railings, this show that the assentation of the stairs must be made by faith. The Stairs leading down to the basement has a protective railing around it, representing that God is not willing that anyone should perish, but to repent from sin. The Trinity of God is represented by the cultic three Leif flower that is part of the railing that surrounds the subsurface stair well. The second inner railings represent man-controlled descent. No one fall accidently into Hell. People move closer to Hell with every action of rejection toward God they make. The world globe represents, all humanity needs to decide who they are living for. There is no neutral ground. The checked board floor pattern illustrates this reality, the black spaces with the upside-down heart points to Hell. While the white space with the upright heart point to Heaven. The open door with Jesus standing on the outside, represents the need for a savior. Humanity is separated from the direct presence of God, due to their sin nature. God can not stand the presence of anarchy, when Lucifer leaded an armed revolt against God’s Lordships, after he and third of the angel lost the battle, God created Hell , a place of internal punishment, where the enemies of God will dwell. God had warned humanity, that the day they disobey God, they will surely die. So out of compassion God sent His Son to fulfill the righteousness required by God’s Holiness. Jesus lived a life 33 years without sinning, even though He was temped as we are tempted. God’s son was then treated like a criminal, beaten with in an inch of His life, then took the place on the cross as a substitute for a murder and thief named Barabbas. God poured out His wrath on His son, so through faith the unrighteous can be forgiven and made righteous. By putting their faith in God’s savior, and turning from their old rebellious living, and walking in the newness of His Holly Spirit. The second floor is supposed to represent the entrance to the kingdom of Heaven. The lion’s heads in the wallpaper proclaim that Jesus who came the first time as a sacrificial lamb, is now coming as the conquering lion. The open door with the cross on it is the entrance to Heaven. The railing on the second floor with the fish standing on their tail with a cross in the mild of them represent the support of the body of Christ during the Earthly journey toward Heaven. Temptation of the world are represented by the Victorian wooden staircase and fancy rug, the roman columns. The Greek saying on the headier: Eat, Drink, he merry, for tomorrow we die. Stephen J. Vattimo 8/27/2026

Doodling of the Day

Flowers in the rain

After yet another afternoon of mind-drifting, I found something I wasn't expecting. One thing over the years, memories are bound to forgotten if I don't recognise its importance in practice. In this case, it was a basic yet very crucial element for my dynamic pieces: curly lines. Continuing from the "spirit" of that character drawing yesterday, I started early today with trying to draw the character in its updated form. Suddenly, I ran into a roadblock: I was unable to bring it to life. Running through nearly a dozen sketches, something felt missing. A bit frustrated, I just lounged around the place and listened to some music played on my phone. Turning it off after a while to prevent the media distraction trap, I just started to let my thoughts wander and looked through different things, asking myself some things... My work felt a little blocky lately. It almost felt like I was focusing too much using certain details as a starting point to improvise from. This results in me struggling to build outwards into a full picture. Often, I find myself losing track of the original concept, which frustrates me. One thought then got into my head. It was something I enjoyed in the past years, which was the concept of "Flow". Suddenly, I felt signs of an answer. The original drawing "White Bird" came into my mind, reminding me of how I started drawing that important piece. I still have a strong impression on how I started it. It started as flowy lines to carve out an outline, vibe, or energy, or whatever my mind finds to describe. Later, I would slowly narrow out the details and sharpen its precision, almost like carving a figure out of nothing. And there it was. Sketching the core or skeleton of an idea, adding the main shape, before narrowing down the to details and precision. A very basic skill in drawing that I have forgotten, as dumb as a nitwit. If I had the core idea there from the start, I wouldn't have lost it right? Putting it into practice, I saw its immediate effects. Curly lines were the only thing I used, and suddenly the White Bird was flying and "alive" again as it should be. Man, I have recorded these for years, within my personal achieve of sketches. Yet, I somehow forgot them like an idiot? I am just speechless. It almost feels like I am back to square one, although there was a takeaway. I have learned the lesson of forgetting this basic practice, which led me astray for all these months. Seriously, I really have to remember how important it is. Putting that aside, I have noticed that I have these 2 styles. One was that "start from a detail and spread out", and the other was the "start from the big picture and narrow down". I had instances of success in both, which gave me a slight dilemma on which to choose. It is obvious that I can't limit myself to either, that would be falling for the stupidity of Duality. My own solution, would be to use either when the situation calls. I can't forget either, I just need to know when is the correct time to use it... ==

Pencil, crayon, and acrylic on paper.

Here is a really weird jellyfish I drew. I cannot even count all the jellyfish I've drawn over the years. I don't know what to say really other than the fact that I love them. :D Created with Ink Pen and Procreate. www.janelledimmett.com

A playful, hand-drawn illustration featuring a happy character wearing a gravity-defying top hat overflowing with a dense garden of flowers. This monochrome piece blends whimsical fantasy with a bold, indie-art aesthetic.

I made a Floral Deer Skull with some mushrooms. I didn't really have a plan when I made this, so it kind of progressed on a whim. Not a bad way really. Anyway, I used mixed media on this one. A combination of pen and ink and procreate. Artwork by Janelle Dimmett. www.janelledimmett.com

Black fineliner on drawing paper. My daughters want to hear fairytales every night at the moment. So my head is filled with magical forests, small houses, magical flowers etc.

Pencil

Lotus in Dark Water

A vibrant water lily blooms amidst a cluster of green lily pads on a serene pond. The scene captures the beauty and tranquility of nature.

A hand-drawn illustration capturing the quiet beauty of a slow afternoon. Featuring a traditional tea set and a bursting vase of purple wildflowers against a sun-drenched window, this piece blends the "Sunday Reset" aesthetic with timeless botanical charm. Perfect for tea lovers, art collectors, and anyone looking to bring a touch of "home sanctuary" vibes to their walls.

A vibrant garden scene showcasing an array of colorful flowers with tall stems. The background features a mix of greens and yellows, adding to the lively atmosphere.

Lindsey's prompt: Flower bed

A vibrant, hand-drawn sunflower illustration featuring bold marker strokes and a rhythmic, blue-sky background. This piece captures the energy of a summer day through an impressionistic lens, blending warm yellows and oranges with cool, textured blues.

A delicate, hand-drawn study of the Blue Liverflower (Hepatica), capturing the first signs of spring. This design features breezy blue petals, energetic linework, and a minimalist vase, blending a classic botanical feel with a modern, sketchy illustrative style. Perfect for those who love the quiet beauty of forest wildflowers and cottagecore-inspired art.

A vibrant exploration of color and line, this piece captures the ephemeral beauty of red plum blossoms in a textured, contemporary sketch style. Perfect for those who appreciate the intersection of traditional botanical themes and modern, expressive artistry.

Lords of War - otep With confidence in our armed forces, with the unbounding determination of our people, we will gain the inevitable triumph. So help us, God More wars on foreign shores More names for us to mourn To misguide the misinformed To ignore the sick and poor Thus, we praise the lords of war On our knees and beg for more A fresh poison for the weak Filthy little beasts Bred to conform It's the dwarfed souls of greedy men Feculent, arrogant That shackles our young to the cold concrete And empty their guns into bodies They scream "I'm not guilty" They scream "I'm not guilty" But cowards here are only what they fear Shoot until the threat stops I'd rather be in battle than at peace I'd rather be a wolf than a sheep I'd rather be in battle than slaughtered like cattle The weak can sleep while You were born to be led That's what religion says With a bifurcated tongue America eats its young Bullet-toothed, empty gods Paralyze the minds and contest the thoughts With devils everywhere Bombs bursting in the air Drones flown over thrones Of bone and brimstone Sabers rattle in the homes Of the cowards and the crones As they shackle our young Blood stains the streets Pigs empty their guns in their bodies Bow down to the lords of war On your knees for the lords of war Bow down to the lords of war On your knees for the lords of war We rise in defiance We won't remain silent To triumph over tyrants And police violence Shoot until the threat stop We're not guilty Help us God The lords of war On your knees for the lords of war Bow down to the lords of war What is so terrible about a child screaming? Why should it disturb us? Just because we happen to be there to hear it? What about the child who comes from an inadequate home, where he gets no encouragement from his parents Where he doesn't have enough to wear, he doesn't have enough to eat, he comes to school hungry... This beautiful, breathtaking #embracingnightmares

Oil pastels on board. I used terpenoid to blend the pastels like paint on the canvas. From my latest art class.

A typewriter sits on a table with papers flying out in a lively motion. The text reads: When the Muse Finally Gets Her Coffee. white line art.

Got inspired recently and made this. I thought I'd have more time to sketch out stuff, but things are busy again...oh well...

Whimsical flower drawings >>> A4 color pencil artwork

#27 Plants vs Zombies fanart - This was an old piece I drew during a live stream on magma.com a few years ago. I got around to finishing it last night in ibisPaint and then made some color adjustments in Photoshop. I stink at coloring in my opinion and I usually don't color my line drawings because I get a little bit antsy staying in the lines. The following characters I drew are: The Tree is named Mourning Wood - which is a mini-boss from the game Terraria, the sunflower is from Conker's Bad Fur Day, The Piranha Plant is a recurring enemy in the Super Mario franchise, Peashooter and Puff-shroom are from Plants vs. Zombies, Ivysaur from Pokemon, Water Lily Siren from Shantae, the toon witch Samantha from the tv show Bewitched (intro), and Godzilla.

AI edit of flowers.