(2B pencil on a 125mm x 75mm notecard) Another juxtaposed artwork that shows an everyday phrase used against a completely out of context comic book frame.
(2B pencil on a 139mm x 87mm postcard) A single comic book frame can sometimes tell a great story on its own, sometimes differing from the story in the actual comic book. An idea that I used with this frame that I drew.
From the soundtrack of my youth. RIP.
10” x 15” Original ink and watercolor illustration on Strathmore 500 Series 4-ply Bristol illustration paper.
Signed by the artist. Unframed.
In memory of the great John Lewis. (1940-2020)
Original ink and watercolor portrait painting on Strathmore 500 Series 4-ply Bristol illustration paper.
Signed by the artist. Unframed.
THE QUEEN JUGGLER.
Size (without frame) 22.5" x 30" (57 x 76 cm)
Ink and tush on watercolor paper.
Women see everything and is able to juggle family, economy and special interests without losing perspective and letting their ego get in the way. Unlike
Running Late. The personification of the reaper running late for his next appointment.
10” x 15” Original ink and watercolor illustration on Strathmore 500 Series 4-ply Bristol illustration paper.
Signed by the artist. Unframed.
In folklore, a will-o'-the-wisp, will-o'-wisp or ignis fatuus, is an atmospheric ghost light seen by travelers at night, especially over bogs, swamps or marshes. --Wikipedia
11” x 17” Original ink and watercolor painting on Arches 140# hotpress watercolor paper.
Signed by the artist. Unframed.
A dapper gentleman. 10” x 15” Original ink and watercolor illustration on Strathmore 500 Series 4-ply Bristol illustration paper.
Signed by the artist. Unframed.
(2B pencil on a 139mm x 87mm postcard. Actual image size is 85mm x 48mm) A juxtapop piece showing a single comic-book style frame with a completely unconnected phrase in the speech bubble.
New triptych painting. Each one is an acrylic painting on a 5x7 wood board and then framed with a background filled with doodles. Go to my Instagram to see the time-lapse painting of each panel.
A piece from my vernal pools/treescapes studies I have been working on in correlation to my interest in local creature found in our woodlands.
I adopted the use of a circle one night, wanting to frame out an idea/sketch and a wine glass happened to be close by. Since then I have used it often, loving the circle aspect.
