"English as She is Spoke" is a delightful example of incompetence and bad judgement. Jose da Fonseca and Pedro Carolina set out to write a Portuguese-English phrasebook. The only problem was that they didn't speak any English. They did know some French and armed with French-English phrasebook, dictionaries and enthusiasm they brought forth this book. Mark Twain was an early admirer of this book. "Nobody can add to the absurdity of this book, nobody can imitate it successfully, nobody can hope to produce its fellow; it is perfect, it must and will stand alone: its immortality is secure."
One of my favorite cartoon tomboys and my favorite character from Recess.This actually turned out well since I took long coloring (as usual) but i'm still considering switching to Photoshop.Everybody should seriously watch Recess,It's an outstanding,delightfully fun,memorable cartoon with a diverse cast of characters (like Hey Arnold)It deserves more love and praise.
I've already made stylized Jester, so I figured I'd make stylized Dellusion, too. This one is a full body. I did a full body because I need to develop more as an artist, and part of that is to start drawing things I'm not entirely sure of. Like, legs, or perspective, like how his claw is bigger than the rest of his body because it is closer to the viewpoint. I had a lot of fun with this, though, and I hardly ever draw something so exaggerated. Anyways, Dellusion is a private vessel for a specific soul, who works alongside Jester. They both run the pizzaria, but Dellusion is more of the co-owner. Only Jester and Dellusion are sentient, because they're both sort of possesed. Drawn with FireAlpaca.
This was my big project this weekend, my first attempt at a large full body horse. The picture was requested by a horse lover like myself and I can’t wait to give it to her. Done in pencil on an 18x24in sketch pad.
Sketchbook page from a few days ago. One of my rules for this sketchbook is that all entries have to be full page spreads of intricate drawing studies. All drawn freehand! Drawin’ err day over here!
Sometimes I like to challenge myself and draw something completely different and full of details.... this was a bit tedious :) but I am glad I did this, it was a great workout for the brain!
Patternz - Series 3. In this series I'm still sticking with the Patterned backgrounds, but this time they have been carefully chosen to compliment the chosen animal subject, rather than the human portraits of series 1 & 2.
There's a moment in Black Panther where Michael B Jordan's character steals an African mask from a museum. When the other character with him asks why, he says "I'm just feelin' it." The mask he grabbed was VERY cool, and I kind of wanted one, too. But, short of stealing things out of museums, I guess I'll have to draw them. If you click on the image, you'll see a full spread of them.
This doodle depicts a transitional phase in my college years. Illustrating one of my favourite rappers, drinks, snacks and one of the iconic buildings in London; this doodle is full of colours varying in throughout the page and popping out with contrast.
Some studies from the @fullertonarboretum Friday. These are random studies for my Sketching for Animators and Illustrators class. This is how I create handouts. We're hitting the Natural History Museum of Los Angeles this Saturday. Can't wait! #fullertonc
mike_sheehan_studio My sketch spot was better than your sketch spot last night. #virtuososofyakutia #lakearrowheadresort #violin #sketchbook #sketching #cafesketching #urbansketchers #urbansketching #ucr #fullertoncollegeartdepartment #lakearrowheadrotary
Only my second time tackling the lusca as a drawing subject… hopefully it checks out!
“The Lusca is a legendary sea monster from Caribbean folklore, primarily said to inhabit the underwater caves and blue holes near Andros Island in the Bahamas. Described as a massive hybrid—often half-shark, half-octopus—or a giant squid/octopus, it is rumored to reach lengths up to 75–200 feet.”
Sometimes the quickest drawings hold the deepest truths. During an after-sermon discussion about understanding the love of God, I found myself listening with one ear and drawing with the other. Frank, seated across the room, made a natural model—relaxed posture, thoughtful presence, and a face full of character.
With a pen in hand, I traced his form in a quick contour line, following the folds of his shirt, the tilt of his jaw, the stillness of his hands resting in his lap. Contour drawing asks us to see more than just the surface—it demands patience and presence, a slowing down until the line itself feels like prayer.
Frank became more than a subject; he was a reminder that the love of God is often revealed in ordinary moments and everyday people.
The forest nearby is full of baby banksias growing in poor gravelly/sandy soil which they do better in. The little one was growing on the edge of a gravel road.
