Digital illustration of a retro drive-in theater, complete with 3D glasses. Image has been featured on consumer items at Boom Boom Prints & coming soon to Spoonflower. #DriveInMovieDay
One of my girls with lots of patterns. The girl keeps in blue and purple and the background and sunglasses is kept in green, orange end yellow tones. I have always had a hard time using less color and this is my practice in keeping a more stringent color theme.
Richard Dixon. Richard and his brother Asher (and Mitchel, if you count his little brother) live with their two very well-off parents. While his mother works as a surgeon, his father works with animatronics. While Richard looks up to his dad, and loves to work on his own machines, Asher looks up to his mother, and is hoping to one day work in the medical field. While Richard and Asher are around the same age (15), Mitchel is eleven. He wears really big glasses because of his vision, which amplifies his adorability. Will post more of these guys in the future.
Of all the things to jumpstart my inspiration for this, I never had an eye-test and a fresh set of glasses the day after the Samhuinn Fire Festival took place… but alas, here we are!
An article/rant/annotation to an illustration. A #Hackney bar and its flies.
This picture is not as sad and blue as it might at first seem, I promise.
It is early in the week and the pub becomes the territory of the most outspoken drinkers. Raised somewhere between Churchill and Harold MacMillan, a night such as this is time for them to spin out a yarn of nostalgic fantasy. Encouraged by the lack of a crowd and with space to fill, statements start to fly.
In the opening rounds the barman athletically hits back with factual blocks and reality-check haymakers; statistics and personal experiences are given. Two histories cross examined, one where 1982 means Thatcher and the Falklands, the other renders Reagan and the AIDS crisis. Stoicism and national pride vs mental health and realism.
In the latter rounds the barman is fatigued, swaying on the backbar, glasses begin to stack up as form begins to drop. The older men seem stronger than ever.
The barflies come in close now, they scrutinise his generations work ethic and make wild political comments on poverty, immigrants and the minimum wage.
The barman is close to sheer bloody despair, he maintains his defence and focuses on breathing while maintaining his professional stance.
But at the end of the night the barman knows HE will ring that bell, they will politely leave and they will return again in a week and maybe, just maybe there will be a change, common ground or maybe at least polite silence.
But what these interactions have given despite the salt in the eye is community and an exchange between generations, culture and class of those participating. No home is ever straight forward, no relative without their good and bad traits and in a world where we often slide into echo chambers online or in our physical environments, the pub is still a place where society is family, face to face, pint to pint. Or maybe it's just a room with alcohol on tap?
The drawing contrasts what an individual see's and what the general public see's when viewing a particular topic. outside the frame of the glasses everything is plain black and white and has no important information that grabs your attention but inside the frame of the persons glasses there's a personalized idea or version of each person in the corridor. the drawing gives off the idea of seeing the world through another's eyes and using glasses as the medium to display that.
This is a self-portrait. I didn't use a mirror or a picture here. This is what I look like in my own memories. It's a bit misleading, I think I am skinnier than the drawing suggests, but that doesn't feel like me. I have been overweight for years and I feel like I am too skinny at the moment. I feel like I should be curvier like in the drawing. This is about body-image, body-dysmorphia even. I do have those clothes, glasses and haircut. This work is pastel on paper (it's quite big, but I don't have a measure closeby)
I painted this doll with the face of a middle aged woman. I like how distressed she looks, and the glasses complete the look. I sew on hair, but it just made her look normal so I removed it.
tras mucho tiempo se me ocurrio dibujar a algunos personajes que usan lentes con gafas cambiadas y voy a empezar con chewy y Little Miss Whoops aunque se ven medios extraño.
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after a long time it occurred to me to draw some characters who wear glasses with changed glasses and I'm going to start with chewy and Little Miss Whoops although they look strange means.
This striking black and white ink drawing personifies Time as a dark entity surrounded by flying souls. A half moon hovers between two hourglasses, symbolizing the passage of time, while smoke billows from two pit fires below. The scene is grounded by skulls and bones, emphasizing the theme of mortality. The artwork is elegantly framed in a gothic style, enhancing its surreal atmosphere and dark symbolism, inviting viewers to reflect on the inevitability of time and its impact on existence.
I drew this for a random person online who wanted to be drawn! Haha, I don’t know if they will ever see it, but it was really fun to make while listening to my audiobook. Feedback is more than welcomed!
This artwork was inspired by another one I saw and I wanted to try the style out. I love how it turned out!! Although I think the hair and glasses need a bit of work.
