Unexpected Visitor
This color sketch was done for a pumpkin carving design I did for the Chadds Ford Historical Society Great Pumpkin Carving contest. The sketch is a a lot more impressive then what you can see here ,unfortunately when the picture was scanned ,The Kinkos sale person chopped half of the image that shows the hands, one point at you, and the other holding the sickle,and the flowing rope hanging off the Grim Reaper's arms. I spent a couple of week just studying skeleton to do this sketch. I was Inspire to do this design by the thought that came across my mine about death. We are like helpless babies playing Peek A Boo when it come to our knowledge of the time death will drop by to pick us off. Some people who are terminally ill and are told by the doctor they have only a couple of days to live,must feel like the Grim Reaper is sitting right in front of them with his face hidden behind his hands, and when you lest expected he opens his hand like to great door turning on their hinges to open up to reveal him sticks his face in their's and shrieking ,"Peek A Boo," and followed by a hideous laugh .
Stephen J.Vattimo July 19, 2012
the mist hung heavy over scion's sound its waters lapping at the boats at the dock. Florien paced anxiously waiting to greet his betrothed. He had not slept an anxious knot curling in his stomach. If marrying Emory 'Lyrander' Lorelei was necessary for improving the future of Rekkenmark it is what he would do. He mustered a nervous smile sweeping into a chivalrous bow when Kukta cawed from her perch. "A pleasure to make your acquaintance Miss Lorelei. He extended a hand to help her down from the riverboat doing his best to ignore the mistrustful expression on her face.
One thing I love about natural objects is how they often remind me of handmade objects. Like these acorns--the caps look just knit caps. So I scanned in a handful and used them as the basis for this sketch.
Teaching painting is a great task to ask of a person who doesn't paint. I do not paint. I teach the manipulation of media through experience. "Learn from doing!" I say. Monochromatic pastel exercises help my students to get a handle on the media. We explore value and composition and the handling of media. Sometimes happy accidents occur. This was my example to the teens on composition and value. It is a journey.
I used to sketch in my car much more often. I'd go downtown and quick sketch people, scenes--whatever moved the spirit. With this sketch, I got the idea for a series...a what if ordinary moments in life were done in Picasso fashion. In this case, it was a Dad with his two kids. I never pursued the idea any further than a handful of quick sketches, but I wonder, what if I painted Dad with two kids Picasso style? It's still on my bucket list. What about you? What's on your bucket list regarding art ideas, projects?
Sometimes the quickest drawings hold the deepest truths. During an after-sermon discussion about understanding the love of God, I found myself listening with one ear and drawing with the other. Frank, seated across the room, made a natural model—relaxed posture, thoughtful presence, and a face full of character.
With a pen in hand, I traced his form in a quick contour line, following the folds of his shirt, the tilt of his jaw, the stillness of his hands resting in his lap. Contour drawing asks us to see more than just the surface—it demands patience and presence, a slowing down until the line itself feels like prayer.
Frank became more than a subject; he was a reminder that the love of God is often revealed in ordinary moments and everyday people.
Nobody puts baby in the corner Print by Barrie J Davies 2020 - unframed Silkscreen print on paper (hand finished) edition of 1/1 - A2 size 42cm x 59.4cm
Extremely useful around the house, but doomed to constant despair, the Kitchenware Octopus loves to cook but has no free hands for carrying groceries. The last of her kind, she yearns for a mate to lovingly entangle ladles with, but has yet to meet anyone willing to risk constant proximity to the cheese grater.
A striking, high-contrast graphite study of a hand in the act of writing. Created in a rapid 45-minute sitting through self-observation, this piece captures the intricate anatomy and focused tension of the artist's own hand as it holds the pen. The tip being pencil the top being pen and finger tips slightly smudged incorporate all aspects of the mediums used to create it.
