head

These are some old drawings I had done that I wasn’t particularly proud of at the time. I decided to go ahead and post them for memories.

This was an exercise in taking a photo that was quite dark and foreboding and turning it into a happy looking illustration. I'm slowly getting my head around how to make my work look like illustration instead of "fine art". This is watercolour and colour pencil.

Horse head in color pencil

As it does!

Just some pen doodles of voices in my head.

A watercolor base with a Pentel brush pen over that.

A cute avocado character dressed as an Aztec warrior, complete with a vibrant headdress, spear, and shield. The character's large eyes and round cheeks add a playful touch to its warrior attire. text that reads: "ahuacatl" (aztec for avocado)

A couple of beers, thoughts in my head about lockdown easing and Radiohead lingering in the background while I work = stuff like this.

Green lovers will never forget you! Doodles from requests of friends and from requests in my head!

Looks like one of the magic spells Bobby casted, made a new friend appear. Albeit unannounced.

A great deal of upheaval in my personal life, including making steps to better my mental health as well as reflecting on changes in my work life (potentially) and also my living situation, have dominated my headspace as of late. Long story short, Buddha reminding us all to still any madness in life got me to work here as did the obvious itch to get some drawing done!

Joseph Cornell (1903–1972) Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage. In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary). - From Daily Rituals: How Artists Work by Mason Currey #dailyrituals #inktober #JosephCornell @masoncurrey

Head #76 of my 100 Heads.

Re drew a Cuphead drawing I did way back in 2017, and I must say that I've come a really long way.

The guy who revived Jack, Dave, and Henry (DSaF 4 fan stuff) wears the Chica mascot suit, because he knew nobody else would wear it. Here he is, up on stage. Not while the pizzeria was open, of course --- the children would go nuts. He isn't wearing his mask he usually wears out-of-suit because it would be hard to keep the Chica head down. Uh, if you know what I mean. Two masks on at the same time = bad. Drawn with FireAlpaca. Also, the big says "Let's Cry", which is just for laughs. Something like that would work in a DSaF game.

The world is a canvas for your imagination and you are the painter. There are no rules. So go ahead and draw out your imagination.

Model with Headphones Drawing Sketch Study by Oz Galeano Instagram: https://www.instagram.com/arte_ozgaleano/ Comissions: https://www.fiverr.com/s/6WzyVL Donations: https://www.paypal.com/paypalme/ozgaleano Youtube: https://www.youtube.com/@OzGaleano?sub_confirmation=1 Patreon: https://www.patreon.com/Ozgaleano Shop: https://www.inprnt.com/gallery/ozgaleano/ TIK TOK: https://www.tiktok.com/@oz_galeano Behance: https://www.behance.net/ozgaleano KO-FI: https://ko-fi.com/ozgaleano/commissions

Head #81 of my 100 Heads.

I am an art teacher with a master’s degree—trained by brilliant professors who believed that art could do more than decorate walls. I offer safe spaces for teenagers to grow—nourishing soil where their imaginations can take root. And yet… I am assigned to hallway duty. This is compulsory education, after all. So I sit—posted like a sentinel—watching young lives stream past. “Get to class,” I say with a smile and a nudge. The system wants attendance; I’m hungry for presence. Armed not with a whistle or clipboard, but with a pen— my scribble’s soft insurgency. The hallway stretches out like a geometric hymn. Columns and corners chant structure. Teenagers swirl past—half-formed galaxies of limbs and laughter— their orbits chaotic, their gravity pulling time forward. I begin to draw. Not their tardiness, but their motion. A shoulder. A blur of sneakers. A tilted head chasing freedom. Feet flickering like seconds. Each mark a pulse. Each smudge a breath. My paper becomes a seismograph of seeing— trembling gently through the mundane. This isn’t about making art for a frame or a feed. It’s about refusing to leak away in the fluorescent hum of obligation. It’s a quiet mutiny against the clock. I do this on long car rides, too (passenger side, mind you). Letting the lines grow wild, jagged, and unapologetic. Not for polish— but for presence. This is how I remember I’m still alive. Still growing. Still watching. Still choosing to see. Because sometimes mental health looks like a piece of scrap paper, a moving pen, and the simple, sacred act of marking time with wonder.

Acrylic on mylar drumhead

Keeping one's head above the water in times of crisis...

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

Pretty much me during my busy creative spells this week, and today was no exception!

Head #70 of my 100 Heads.

Sharks be journaling…

Thinking ahead to loosening restrictions here in Scotland, one more day to go...