Patron Saint of Lost Keys and Small Things.
Reminded me of this poem by Elizabeth Bishop.
One Art
The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.
Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.
I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.
I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.
—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.
Sketchbook #11.
Since the 100heads challenge was real tiresome for me, I devised myself another challenge - "50 heads". Basically it's a "100 heads challenge", but for lazy people) The rules are simple: I had to draw 10 two-page spreads of 5 heads, no time limit, no nothing. And I decided to use different materials for each spread.
Spread #1 - ballpoint pen (+ a little bit of watercolour) - NEMOPHILA.
It was unclear whether there were flames or what was going on tbh. It appears that she sits on a horse with a smile. There may be others in her party. Be warned.
Another watercolor piece for practicing. This is actually a painting of my eye, which actually made it more difficult than doing someone else's. My iris has this weird mix of colors to it, but I always thought they looked really cool and I wanted to try to capture it. I think there are still some kinks that need to be worked out, and I think redoing it some other isn't a bad idea either.
Self explanatory. It's a woman reading a book on a chaise. Also stay tuned for me attempting to keep up with Inktober prompts this October, the first time I'll participate, because I never had the time before. I still don't have the time... but I couldn't wait any longer so here I go.
This one kinda just came together after I doodled the guy too high up on the page. I really liked how he turned out tho so I had to figure out a way to keep him in it...
I decided to start drawing planets on top of the Galaxy background I drew a couple days ago. I'm doing 4 planets in total and then do a big reveal later. As I continue to do this 1 a day, 365 drawing challenge I'm starting to realize that I need to have more time in the day to think of ideas and what to draw next. I went on coolers.com to think of a color scheme. I saw the colors but I could not figure out where to place them b4 the deadline, so I couldn't really use it. I need to be better than this in the future
A couple of months ago, my English teacher asked us to make a film review of any type of film. So, we picked up this one. Then, I tried to make a poster for the film using a pencil and some colors. I hope you enjoy it....
The girl was probably around 25yo but my drawing made her face and body look older. The shadows are a bit rough too. Again, I placed the drawing a bit wrong and had to leave out the feet.
My vision of the character ‘Smaug’ from J.R.R. Tolkien’s ‘The Hobbit’.
Pencil sketch, coloured digitally on IbisPaint X.
Here is a passage from The Hobbit describing Smaug’s appearance: “There he lay, a vast red-golden dragon, fast asleep; thrumming came from his jaws and nostrils, and wisps of smoke, but his fires were low in slumber. Beneath him, under all his limbs and his huge coiled tail, and about him on all sides stretching away across the unseen floors, lay countless piles of precious things, gold wrought and unwrought, gems and jewels, and silver red-stained in the ruddy light. Smaug lay, with wings folded like an immeasurable bat, turned partly on one side, so that the hobbit could see his underparts and his long pale belly crusted with gems and fragments of gold from his long lying on his costly bed.”
As I reflect on my past experiences, I am accutely aware of how often I have spoken from opinion rather than from experience. I have made mistakes. This makes me think of the Mark Twain quote -"Good judgement comes from experience. Experience comes from bad judgement." Let's go out and get some experience, shall we?
Among other things, getting more drawing done and being prolific as fook? Here’s hoping that’s the case this year, today at least has been good for that!
A landscape that I did about my father while he was alive. He was a sheep farmer and he planted tress on his hill farm.This is done in memory of him as he died from cancer.Its a finished piece and based on sketches I did. Its an acrylic painting and 1/10 in a body of work.
Patron Saint of Overbearing Mothers. And absent fathers.
This was a hard one to draw. The Overbearing mothers was suggested and then I added the Absent fathers.
#patronSaint #dailydrawing
This one take some time, I am still trying to figure out how to not make the art "messy" but adding some thicker line did help with it! Thanks for reading this :D
Elias Rosenshaw 11/29/2023 (Originally taken 11/23/2023)
Filtered photography bordered with gouache on paper.
(Note: In case there's any confusion, I have changed my name.)
This is a 3D pumpkin I carved at The Phoenixville Pa. Pumpkin Festival,for the experts carver's completion. This was my first time using the clay sculpting tool to carve with. I used the wood carving tool method for about eight years. The use of the clay tool give the carver more control to be able to do more detail . the wood carving method is chiseling away the pumpkin flesh where the clay sculpting tools method you scrape way the flesh.
This the second pumpkin carving contest I have participated in in less then 5 day apart.
Now that I have found a method and tools that work far better than my old ones, less see if my pumpkin carving skills can catch up to my artistic skills.
Written by Stephen J. Vattimo
Oct 24,2015
