The last few days, I've been going through my drawing journals dating back to 1977, mainly to purge them, but also to reminiscence. I laughed at this comic- one of many that I had forgotten about- of a conversation with an artist friend I've known since 1984, when I went to visit in her pottery shop.
Before getting to this result, I never a actually drew a full fledge skeleton before. So rather than take on the entire thing at once, I took it upon myself to only focus on the upper half of the body. I’m still practicing human anatomy for drawing but I hope overtime, it only improves. :)
Réalisation d'une affiche/programme A3 pour la saison 2018/2019 des Spectaculaires de L'Excelsior.
des spectacles de théâtre, d’objets, marionnettes, cirque présentés en séances Tout Public à la Salle Jean Carmet à Allonnes près du Mans. http://lexcelsior.fr/category/les-spectaculaires/
To draw a forest so it's big enough you don't include the tops of the trees or any sky. Just very thick tree-trunks growing absolutely straight.
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In a proper painting of a forest everything is roughly the same colour, the moss, the tree-trunks and the branches of the fir trees, everything is soft and solemn, half-way between grey and brown and green but very little green. If you want you can add a princess, for example. She is always white and very tiny and has long yellow hair.
Sculptor's daughter by Tove Jansson.
This is a fun piece of art inked paintstakingly with a fountain pen. I enjoyed drawing it, loosely based on a fall pallet. As a fun side note, she has four ears.
