In my worldbuilding imps are silly monsters who love having fun,they are the weakest demons to live despite having super super strength.imps come in all shapes,colors and sizes.an imp can have 2 legs or 4 legs,3 eyes or 5 eyes,horns or hornless wings or no wings.imps rarely kill and if they do then it's for self defense, most end up being killed by stronger demons.imps live in groups like a family and are rarely alone.when imps go to the mortal world,they torment and trick people,imps love to be around children since they are playful.imps torture people and find torture to be amusing and better than killing (imps never kill people)if an imp kills an person they are shunned and regarded to be too dangerous to be around other imps
Ball point pen over wash. Being a mild-mannered Aries (married to a mild-mannered Aries), I didn't want the usual warlike ram, rather a friendly guy with nice "shofar" horns!
Not much to say other than it's the ugly and soul searching (literally) norgal demons who stalk and terrorize the peasant teenagers.
Gresaltz (the leader of the bunch)
Gron (the buff one)
Gritz (the only female one)
It's been a while since I draw on kraft paper.
So, here is the result on the thinking process: How can faun shield themselves from sunlight if they can't put a hat on?
Answer: They tie branches to theirs horns.
...
I should be the one shielding myself from the sun just so it can't kill anymore neurones.
---
Ça faisait vraiment un moment que je n’avais pas dessiné sur du kraft.
Donc voilà le résultat de la réflexion: Comment les faunes font pour se mettre à l’abri du soleil s’ils ne peuvent pas mettre de chapeau?
Réponse: Ils s’attachent des branches dans les cornes.
…
Je crois que c’est moi qui devrait me protéger la tête du soleil, histoire que ça ne cogne pas trop sur mes pauvres neurones.
This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice.
* Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head.
* Symbolism:
* The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading.
* The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.
A Rhino energetically plays an electric guitar with flames blazing from the headstock. The rhinoceros stands on a moving car, evoking a sense of wild, rebellious energy.
A fantastical bullwhale creature with a mix of whale and bull features glides through a vibrant, swirling, blue and orange hues body of water. The colors blend in a mosaic style, enhancing the creature's mythical presence with a composition that creates a sense of movement and depth, capturing an imaginative underwater scene.
This is a digital drawing of two magical lions. I'm pretty happy with the way they turned out. The magical wind behind the Sky lion (with the horn) is especially cuter than I thought it would be. That wasn't planned at all -- just a last minute decoration thing. Anyway, hope you like.
Part of a series of black and white drawings on birch plywood. I took some liberties with horns and the look of the face. Don't consider this a realistic bison.
A whimsical illustration of a large horn-whale creature with fangs, an anchor tattoo on his fin, and a tattoo of how many ships he has sunk on his back, with a whale rider perched on its back, is surrounded by gentle waves. The contrast between the massive creature and the tiny rider suggests a playful narrative. The muted colors and simple lines create a charming and imaginative scene.
doing lgballt requests! super free and epic, just provide a: name | pronouns | flags | any specifications for pins/horns/tails/wings/hats | whether or not you wanna be tagged!
These are birthday creatures created in a lab to help celebrate. They come with a confetti aura and built in party horns. They are optimized for maximum fun, but frighten very easily.
1979’s The Tin Drum is one of those films I’ve been itching to see for a long time, but haven’t got round to yet for some reason. The main character in that film’s played by a guy called David Bennent. Not a household name for most, but you’ve seen Ridley Scott’s Legend, you’ll recognise him when he played Honeythorn Gump, Tom Cruise/Jack’s elfin pal.
Not sure why the idea to name this piece after D.B. occurred to me, but it did!
