I've recently made a card display for my cards and prints at an art space I'm exhibiting in for a while. Had to doodle the back, I couldn't not the doodle the back, which I think adds to the charm of my display being handmade and selling my merch... There's a HOW TO post on my blog if you fancy giving it a go yourself...
Butter #?? , The Comma. Now im losing count of these already! COming tomorrow is a different version of this with a colourful background, not deciding between the two and only being aloud one image a dayThis one shows 3 commas inYin and Yang harmony
Forgot to collar her collar gold but I guess black looks good too.she is a very talented,kind hearted, generous blue ghost who is also the co owner of the snazzy bar.she is older than Al (40 years old) and develops feelings for him later on they remain best friends instead.I guess you can say he friend zoned her,despite Al not knowing what being friend zoned is.He does date Ottalie this however does not make Alamea jealous.
Jean-Paul Sartre (1905–1980)
By the 1950s, too much work on too little sleep—with too much wine and cigarettes—had left Sartre exhausted and on the verge of collapse. Rather than slow down, however, he turned to Corydrane, a mix of amphetamine and aspirin then fashionable among Parisian students, intellectuals, and artists (and legal in France until 1971, when it was declared toxic and taken off the market). The prescribed dose was one or two tablets in the morning and at noon. Sartre took twenty a day, beginning with his morning coffee and slowly chewing one pill after another as he worked. For each tablet, he could produce a page or two of his second major philosophical work, The Critique of Dialectical Reason.
The biographer Annie Cohen-Solal reports, “His diet over a period of twenty-four hours included two packs of cigarettes and several pipes stuffed with black tobacco, more than a quart of alcohol—wine, beer, vodka, whisky, and so on—two hundred milligrams of amphetamines, fifteen grams of aspirin, several grams of barbiturates, plus coffee, tea, rich meals.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #jeanPaulSartre @masoncurrey
P. G. Wodehouse (1881–1975)
Once, when he was beginning a Wooster-Jeeves novel, he experimented with using a Dictaphone. After he had dictated the equivalent of a page, he played it back to check it over. What he heard sounded so terribly unfunny that he immediately turned off the machine and went back to his pad and pencil.
After this, according to the biographer Robert McCrum, “he might snooze a bit in his armchair, have a bath, and do some more work, before the evening cocktail (sherry for her, a lethal martini for him) at six, which they took in the sun parlour, overlooking the garden.
- From Daily Rituals: How Artists Work by Mason Currey
“He had just about enough intelligence to open his mouth when he wanted to eat, but certainly no more.”
― P.G. Wodehouse
#dailyrituals #inktober #PGWodehouse @masoncurrey
Ancient - The Children of the Forest were around are ancient, mysterious non-human race that long existed and inhabited Westeros way before the arrival of the First Men; 12,000 years before Robert’s Rebellion, according to GoT wiki!
This was inspired by the incredible makeup and costume done on the tv show with a little bit of embellishment on my part!
Herman Melville (1819–1891)
"I rise at eight—thereabouts—& go to my barn—say good-morning to the horse, & give him his breakfast. (It goes to my heart to give him a cold one, but it can’t be helped.) Then, pay a visit to my cow—cut up a pumpkin or two for her, & stand by to see her eat it—for it’s a pleasant sight to see a cow move her jaws—she does it so mildly & with such a sanctity."
- From Daily Rituals: How Artists Work by Mason Currey
“I would prefer not to.”
― Herman Melville, Bartleby the Scrivener
“A smile is the chosen vehicle of all ambiguities.”
― Herman Melville, Pierre; or, The Ambiguities
#dailyrituals #inktober #HermanMelville @masoncurrey
I’ve been going through a bit of an art slump lately, but I finally got myself to pick up the pencil and finish this. My reference photo was a bit grainy so had some trouble with that, but overall I’m pretty pleased with how it turned out. Done in graphite, drawing itself is about 5x6 in
One of many doodles featuring Lola Bunny in her "Looney Tunes Show" design and personality with more hair in the back for a ponytail, and ears untied . Drawn in ibisPaint
(I had gotten some new fine-point pens last week, and I figured this was a good way to test them out.) Two very different things have been on my mind lately, maybe there's a connection? I think it's interesting how it's taken me 4 years to figure something out, become comfortable enough to open up to others about it, and then embrace it. Yet it's like living a double life, being authentic to some and keeping secrets from others. On the other hand, to the person receiving this drawing, I know I can't do anything to change the situation even though I wish I could. All I can say is I'm forever grateful for all you do, and I truly hope you decide to take advantage of all the opportunities coming your way.
A page of comic for a conquest
The story
End of the project: human species. The simulation has been achieving unexpected outcomes. Was increased free thought and the doubts fade away.
At that time, I recreate my own image. However, it's behaviours came with anomalies. We aren't.
You can't run away from you. Dreams were unexisted memories.
The likehood was that we're living an illusion. But, we change our view.
I couldn't attain the freedom I looked for. Everything became real. Everything came down. Am I still dreaming?
Ive always thought Goudrix is an aesthetically pleasing roller coaster, regardless of how it might feel when you ride it. I love roller coasters and design layouts in No Limits 2, but I've never composed one. This is my attempt using oil brushes in Rebelle. I wanted it to have a traditional vibe. This is not AI, nor is any part of this AI.
I love the show Breaking Bad, and rewatch watch it a lot. I noticed the other night Saul said this to Walt and I immediately got out my iPad and started in on the letters.
been revisiting some older characters of mine. this one's a kid called aimery who goes to this american boarding school called emerson. he leads a fairly mundane life, resemblant of today's average high schooler, until a boy called oak shows up as an australian exchange student for the year. turns out oak's a ghosty magic witchy person who "frees" ghosts, or releases them from their non-material but conscious form into complete nonexistence. in short, aimery becomes attached before oak's untimely death.
Woody Allen (b. 1935)
I’ve found over the years that any momentary change stimulates a fresh burst of mental energy. So if I’m in this room and then I go into the other room, it helps me. If I go outside to the street, it’s a huge help. If I go up and take a shower it’s a big help. So I sometimes take extra showers.
“I think in the cracks all the time,” he has said. “I never stop.”
- From Daily Rituals: How Artists Work by Mason Currey
“Some guy hit my fender the other day, and I said unto him, 'Be fruitful, and multiply'. But not in those words.”
― Woody Allen
#dailyrituals #inktober #Woody Allen @masoncurrey
This is a little Sketch Test I've just done. I'm trying to improve how to shade color digitally without creating a huge mess, like on my "Birb" sketch. I getting there. God bless yall's day!
A whimsical illustration of a large horn-whale creature with fangs, an anchor tattoo on his fin, and a tattoo of how many ships he has sunk on his back, with a whale rider perched on its back, is surrounded by gentle waves. The contrast between the massive creature and the tiny rider suggests a playful narrative. The muted colors and simple lines create a charming and imaginative scene.
Being autistic and neurodivergent means I’m liable to mishear things quite a bit, especially when watching films where the sound mixing is utter shite (thanks sensory differences!). On that note, there’s a bit towards the end of Alien where Parker shouts “get out of the room” which I always interpreted as “get ready to roll” for years on end. Only recently did I realise how wrong I was!
Considering it was the final act of the film, I guess I can’t be blamed for assuming as such, right? If you know, you know as they say...
Not a whole lot to discuss here except that it took me FRIGGIN FOREVER to get it at least THIS accurate. It is crazy how hard your brain wants to put everything in the wrong place first and then you have to ..correct it? I don't know if I am making any sense lol.
Digital illustration of a retro drive-in theater, complete with 3D glasses. Image has been featured on consumer items at Boom Boom Prints & coming soon to Spoonflower. #DriveInMovieDay
