I destroyed this water color painting while removing the stick tape.
But then to think about it, The Joker is also an error created by the society and thus a human error. He came fine in this world but the world hasn't been kind to him. And that revered back as an ultimate Villain as Joker to the society. So ultimately the two errors met up on this page.
4 of 5 of the characters I scrapped due to changing the tone of the story. This character is half mythic-a ziburinis but flames are purple and half human.
Well, I'm joining the Tumblr exodus, which is unfortunate because that's where I post all my sketches! Oh well. Hello DoodleAddicts! This was half of a recent assignment for a figure drawing 2 class, to draw our model in high key lighting. :) Time: 30 mins x 2 Medium: Charcoal on Paper
“I'm not someone who's particularly in touch with the way they feel. I've heard it said that you should be a 'human being' not a 'human doing', but I'm a human doing, very much so.” - Nick Cave.
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.
Been bothered for months without realising this, and it seriously affected my ability to draw. It finally decided to show itself today, after I admitted to its existence. I'm not very adept in draw humans, so this twisted aberration is probably the best I can handle.
Somewhere out there are a bunch of butterflies having a conversation about whether they've ever landed on a human, and one of them says "Yeah, it's an acquired taste."
"there are chords in every human heart,if only we know how how to strike the right chord we will bring out the music"M.Gandhi: this art is done on autodesk sketchbook #aristina.z #originals
Well, I'm joining the Tumblr exodus, which is unfortunate because that's where I post all my sketches! Oh well. Hello DoodleAddicts! This was half of a recent assignment for a figure drawing 2 class, to draw our model in low key lighting. :) Time: 30 mins Medium: Charcoal on Paper
This is an illustration I did last year that is included in a book of short stories about 'Abdul-Baha, the son of the founder of the Baha'i Faith, entitled "To Serve All Humanity".
This is a drawing colored with crayons and brush pens. His colors and appearance was inspired by a wolf avatar I created on an app. I completely transformed the likeness of my wolf avatar and made him half human.
A whimsical yet haunting reflection on the passage of time, From Time to Time imagines a fragile machine built to bend reality itself. The “Tempus Machina” stands as both invention and relic — humming with promise but tethered by a frayed cord and a warning: Watch Your Step. The cracked wall, warped floorboards, and distorted clock hint that tampering with time comes at a cost. Blending humor, nostalgia, and existential tension, Patmore’s work transforms a steampunk curiosity into a metaphor for our human impulse to repair, rewind, and relive what’s already slipping away.
This work entail the idea of Metaverse 1.0, a virtual space created by the convergence of virtually enhanced physical reality and physically persistent virtual space, including the sum of all virtual worlds, augmented reality, and the Internet. This defines YEAR MILLION, where humankind becomes uploaded to a highly saturated smorgasbord of digital realms where we live out our life in any number of possible ways we please.
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
What happens when I recreate the vibe of a non-human OC as a human, lots of messy experiments going here. It turned out much better than I thought though, as I have very little confidence in drawing humans.
