Final assemblage - manual drawing enriched with digital elements, A5 format
The punch line:
An external, independent force ruined the morning by shattering the cup.
Fate took its share.
The question is:
Does this same external interference have the power to destroy the rest of the day?
Does one rotten fruit have the chance to rob all the others of their flavor? The sun will shine no matter the situation.
Choice and acceptance don't have to be mutually exclusive!
So this was merely a color practice with different brushes. I used marker, airbrush and paint. The hair is paint, the face, shirt, bow tie and shading was all used with marker. The airbrush was for the shiny effect on his bow tie. I have no rhyme or reason for this image, it was just something I created in my sketch book. I just needed to draw something to play around with.
The work was launched on the 5th anniversary of World Reading Day to help people better understand reading.
My artwork is based on the 147-page book "The Sorrow of Books" in simple, harmonious but profound colors. In the picture are the entertainment devices that help relax the everyday human beings that I was inspired by reading. The picture is of the current situation when people are at home trying to prevent COVID 19. We have spent most of our time online, using electronic devices. We have forgotten the presence of books and have made books buried by more advanced things. Books are still something that has a lot of meaning in people's lives because of the fact that we have more useful knowledge.
My contact information:
Owner: Trần Minh Tiến
Mail contact work: tranminhtien.contactwork@gmail.com
My home address (if necessary): 15/9A, Vo Van Kiet Street, District 2 of Ho Chi Minh City, Vietnam.
My phone number: +84948574598
THE WORK ABOVE IS PART OF MY PROPERTY. THE OFFER IS NOT COPIED ON ANY OTHER PLATFORM.
This is another art purchase (commission) I got on deviantart: http://deviantart.com/nyeopatra COMMENT DOWN BELOW IF YOU WANT TO BUY ART FROM ME! Price is from 1 usd to 6 usd!
Emotionally speaking, this is definitely the hardest pieces I've made so far. On July 18th, 2019, an arson attack on Kyoto Animation's Studio 1 left 36 dead and 34 injured, one of the deadliest mass casualty incidents in Japan since the end of WWII. KyoAni has some of the best working conditions in the industry and have made some of the most iconic anime to date, including Clannad, A Silent Voice, and the show that got me started on anime, Violet Evergarden (as seen in this drawing). I sent this drawing to them through their website, and there's a good chance it was displayed along with thousands of other fan submissions in Kyoto this past November as part of a public memorial service. While this was a tragic blow to the company and community, they're healing and getting back to their feet, and I can't wait to see what they create next.
This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.
Had a thought to revisit one of my old worlds created during the creative streak over years ago. It was a world built from the primordial creative juices in my head, put from uncountable inspirations and knowledge bases learned from who knows forever.
Here is a perspective of how a world is built from the rise of some fundamental ideas. What happens if you consider a world suspended in nigh microgravity conditions, a supercharged atmospheric envelope orbiting a twin neutron star system, gravitational suspension, intense magnetic fields and radiation? A extreme and chaotic environment bordering an impossible miracle, in a constant state of freefall.
Not gonna lie, worldbuilding in detail is not easy. I don't have the mental and time resources these days, to expand a world in such intricate detail. Each of the scribbles above are mostly ideas of local flora and fauna that push the limits of my science knowledge base combined with accumulated general knowledge. Some of the concepts here are bordering magical fantasy, without even getting into the residing intelligent lifeforms.
Lois's last book: "The style of Loish. Finding an artistic voice." is just AMAZING! It's:
- inspiring,
- full of tips on how to start searching own style,
- full of Lois's thoughts and experiences on her way to finding the artistic voice.
So I wanted to try something new in my digital art journey. I experimented with new techniques. I tried to use a brush type that gives a transparency effect.
I chose one picture from Loish's book as a reference.
And here it is - a colorful landscape.
Thank you, Lois, for creating and sharing your phenomenal and inspiring art!
This is a digital drawing I did in the spirit of Christmas. I did a lot of selecting, copying, pasting, and flipping so most things looked nice and parallel. XD The only thing I didn't do that with was her ears. Oh well. At least it was in season..
At a friend's request I painted a Hydrogen, Hyperdrive... A purple thing one finds among the non-edible salad outside (private message me for horticultural advice)... At least I hope it resembles it :-/
There are practice excercises on Youtube for the sketchbook app. It was just for the flower, which
I didn't quite get it right and I changed the background and added the bee. I am actually proud of the bee. That's breakfast.
I have been attempting for some time to accomplish the 100 heads challenge, its been a slow process but my goal is 4 poses from 25 characters from some of my favorite movies and t.v. Series. Ive enjoyed this project so far and have noticed its pushed me to work on some much needed improvement on drawing heads in general.
The friendly squish-walrus never means to squish things, but his permanently outstretched arms and difficulty slowing down once he’s gained momentum means that anything in his path is pretty much screwed. Most squish-ees forgive him easily though, because he’s just so darn nice.
A value study I did with my friend for practice. Based on a D&D picture we found online. First time using different shades of markers, so it isn't the cleanest piece when looking at it up close.
![[HELP] Need advices on shading this drawing.](/images/uploads/square/42338_tyty_1607776391.jpg)
