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ideas

Kevin VanEmburgh Kevin VanEmburgh Plus Member
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Doodling on a Notepad

There is really nothing more I can say about this than it is truly just a doodle on a notepad while I was on the phone. The more I do this though, the more ideas I get for larger work.

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Nora Thompson Nora Thompson Plus Member
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Bright Idea

Charcoal on gessoed sketchbook paper

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Bleu Hope Bleu Hope Plus Member
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“Electric Mistress”, December 2018.

Quiet nights in = essential for crafting new ideas...

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Bleu Hope Bleu Hope Plus Member
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Fool Circles, September 2018.

Ideas, ideas everywhere... *suddenly realises he needs to buy another sketchbook*

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mary ann hanlon mary ann hanlon Plus Member
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bunny sketch

working on some new ideas

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Braeden Annkrisomoth Braeden Annkrisomoth
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My own Blogger blog titled The Nonfictional And Fictional Ideas Of Braeden Annkrisomoth.

Today's next picture isn't so much a digital drawing or even a drawing at all, but rather a picture I took of my own Blogger blog titled "The Nonfictional And Fictional Ideas Of Braeden Annkrisomoth", where I mostly use it to publish and preserve my own ideas relating to my own fiction and nonfiction (the latter especially for "The Hennqew" most of all), though I'm trying to limit giving myself more blog posts just to not necessarily give myself way too much work to the point where writing everything about my comics would take even longer to finish to the point where I couldn't finish any comics at all, just a thought. First published on 10/20/2026.

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Braeden Annkrisomoth Braeden Annkrisomoth
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The Hennqew (2/4/2025 Version)

This is the front cover of my absolute most important nonfictional comic titled "The Hennqew", but only refers to the now discontinued 2/4/2025 version (which is still available on ComicFury.Com) That never means though that I'm scrapping all of the Hennqew completely though, because as of today, I'm currently working on a newer and more improved version of it that will hopefully turn out extremely great and good for me and literally every living being in existence. It'll still be a little while to work on and finish, but it will still happen eventually. To learn more about certain Hennqewic ideas, visit my Blogger blog titled "The Nonfictional And Fictional Ideas Of Braeden Annkrisomoth". First uploaded on 10/19/2026.

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Juice_Lime Juice_Lime
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Scribbles: Masked Shapeshifter

Been some time since I touched the pencil. It wasn't easy to get back to drawing, since I was also distracted by the internet for some time. Lots of things went through my head, while I was out on a trip. Just drew whatever I felt like drawing, and this came alongside some reflections: I have been stuck on fixing this character concept for a very long time, trying to box it within a classification. Bird, wyvern, dragon, shadow, whatever- I came to a point today, where I felt that it really doesn't matter anymore. This is that sort of character who can be everything. I spent the entire afternoon trying to arrange all the little ideas and features, following true to creative intuition. Smashing together many of my previous character designs, this appeared. A masked and unnamed figure (???) with traits from many of my previous works. An avian / draconic / spiritual shapeshifter has always been something with me all this time, even when I tried to create a sona years back (finding it meaningless). True to its nature, it has few lively features except its eyes and requires a mask to display additional signs of life. Its clear that this character is basically a symbolic self-expression. It wasn't easy to seperate myself from my introjective tendencies, which easily distorts my concept of this figure (took weeks to untangle). Once the confusions loosen, it reappears with noticeably familiar features. The scribble above still has some room for rearrangement, just limited by the irreversible nature of pencil drawing. The grey markings were too dark, and the feet might look better staying white. The pale golden underbody markings, were actually a surprise.

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BeastGurl1989 BeastGurl1989
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Perspective (Outline)

I wanted to try some perspective drawing. But of course I need to make it crazy and shake the lines up. I have some ideas when I start to color it.

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Ty patmore Ty patmore
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From chaos, creation.

From the chaotic artist mind pours the energy needed to grow your future. A little seed takes growth in your life and stretches across everything manifesting ideas into tangible results.

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Juice_Lime Juice_Lime
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More Ido

Continued developments, as I condensed all the ideas gathered recently. Something is taking shape.

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Riley Kane Riley Kane
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Page 2!

Finished the color! I feel I rushed it a little bit, but i'm reasonably happy with the finished product. If I tried to perfect it, I'd never get it done >_< I've added some new background details, some new peeps and edited the dialogue a lil' bit. I feel very strongly that an immersive world is part of good storytelling, so I try and sneak details in wherever I can, such as the graffiti in the second panel. I am, in fact, unsatisfied with that graffiti. It's not magical enough. what does magical graffiti look like, I wonder? Do you guys have any ideas?

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Juice_Lime Juice_Lime
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Scribbles: Alien World

Had a thought to revisit one of my old worlds created during the creative streak over years ago. It was a world built from the primordial creative juices in my head, put from uncountable inspirations and knowledge bases learned from who knows forever. Here is a perspective of how a world is built from the rise of some fundamental ideas. What happens if you consider a world suspended in nigh microgravity conditions, a supercharged atmospheric envelope orbiting a twin neutron star system, gravitational suspension, intense magnetic fields and radiation? A extreme and chaotic environment bordering an impossible miracle, in a constant state of freefall. Not gonna lie, worldbuilding in detail is not easy. I don't have the mental and time resources these days, to expand a world in such intricate detail. Each of the scribbles above are mostly ideas of local flora and fauna that push the limits of my science knowledge base combined with accumulated general knowledge. Some of the concepts here are bordering magical fantasy, without even getting into the residing intelligent lifeforms.

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Sabina Hahn Sabina Hahn
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Erik Satie

Erik Satie (1866–1925) In 1898, Satie moved from Paris’s Montmartre district to the working-class suburb of Arcueil, where he would live for the rest of his life. Most mornings, however, the composer returned to the city on foot, walking a distance of about six miles to his former neighborhood, stopping at his favorite cafés along the way. According to one observer, Satie “walked slowly, taking small steps, his umbrella held tight under his arm. When talking he would stop, bend one knee a little, adjust his pince-nez and place his fist on his hip. Then he would take off once more, with small deliberate steps.” His dress was also distinctive: the same year that he moved to Arcueil, Satie received a small inheritance, which he used to purchase a dozen identical chestnut-colored velvet suits, with the same number of matching bowler hats. Locals who saw him pass by each day soon began calling him the Velvet Gentleman. The last train back to Arcueil left at 1:00 A.M., but Satie frequently missed it. Then he would walk the several miles home, sometimes not arriving until the sun was about to rise. Nevertheless, as soon as the next morning dawned, he would set off to Paris once more. The scholar Roger Shattuck once proposed that Satie’s unique sense of musical beat, and his appreciation of “the possibility of variation within repetition,” could be traced to this “endless walking back and forth across the same landscape day after day.” Indeed, Satie was observed stopping to jot down ideas during his walks, pausing under a streetlamp if it was dark. During the war the streetlamps were often extinguished, and rumor had it that Satie’s productivity dropped as a result. - From Daily Rituals: How Artists Work by Mason Currey

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Steven Steven
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Some drawings of mine
1/5

All my drawings are random ideas from my head. I actually just started drawing in pencil about a year ago. I love to normally use felt tip pens. I just hope all like what they see. We're all artists here so everyone should know that we are our own worst critics lol.

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Eleina Zulaikha Binti Mohd Azrin Eleina Zulaikha Binti Mohd Azrin
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How Far I’ve Come

This drawing was made with many references to the many ideas in my head, from stories to characters to entire worlds, this is it! My milestone for them all!

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Natalie Harvey Natalie Harvey
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Rainbow Eyes

A bit inspired by that TOOL album, a bit inspired by my love of spontaneous, weird ideas. Acrylic on custom 3.5" x 4.5" canvas.

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A2X A2X
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Series II | 15/15

“Some ideas are best not told and forgotten.”

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Jasmin Jasmin
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Subway feeling

This sketch shall be turned into a print someday. Dip pen and ink in my A5 watercolour sketchbook. The background wash is the result of a palette cleaning.

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David (DPO) David (DPO)
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#08 Mythological Creature

#08 Mythological Creature - I tried getting some ideas on duckduckgo images for a theme on magma.com that was titled Mythological Creatures. Drawn online/live at magma.com using an iPad Pro (no pressure sensitivity and no Ai).

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Spearmint Chalk Spearmint Chalk
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Lost In Translation

language is limited

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Ginger Ginger
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Gfox 2024

I like to experiment with various outfit ideas for my cartoon persona/mascot. And with all outfit tests,I make sure her hat and scrunchie match too.

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Heather Heather
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Watercolor Stickers

Some ideas sketched and painted for stickers!

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Ginger Ginger
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Drawtober23 Day 15 Scarecrow

There're 2 ideas for this prompt. One I'll share tomorrow The other's the classic "rubber hose" style, whom you're seeing right now.

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Spearmint Chalk Spearmint Chalk
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The Fall of the Tower of Babble

I take a lot of Genesis as an allegory for birth and maturation, both individually and collectively. The Garden of Eden could easily be interpreted as the womb, and we are all cast out of it at some point. Genesis 2:24 says "This is why a man leaves his father and mother and bonds with his wife, and they become one flesh." Though people use this passage to refer to the tradition of marriage, I think that it speaks to something much, much deeper than that. Literally, when two people copulate, they create a child that is of one flesh. They do not "become one flesh" because they engage in a ritual institution and are now "to be viewed as comprising a single identity," but they literally become one flesh because their genetic compositions are joined into a new being (Mark 10:8 and the two shall become one flesh.’ So they are no longer two but one flesh. 9 What therefore God has joined together, let no man separate.”). That being said, I read somewhere once that babies born in every part of the world make phonetic sounds from pretty much every language in the world. It is only after a period of time that they start to key in on certain sounds that the people around them are making, and it is only after that that children key in enough to start developing more advanced language skills (typically). However, in this original state, there is a freedom. There are no assumptions. There is an innocence in that state. There is a lack of judgement. There comes a point at which babies/young children begin to mimic and to incorporate what they are experiencing from the creatures around them into themselves. To small creatures with an undeveloped sense of self or reality, the caregivers around them may as well be gods, at least from their perspective. They will learn from these gods around them and will begin to embody their cultural beliefs, their language, their idiosyncrasies, and their perceptions, often on a deeply unconscious level. Adults contribute to that quite thoroughly and somewhat consciously. (Genesis 1:26 Then God said, “Let Us make mankind in Our image, according to Our likeness..") (Genesis 11:7 7 Go to, let us go down, and there confound their language, that they may not understand one another's speech.) In our own way as individuals, we are each a Tower of Babel, and at some point, for each of us, that Tower fell. Barriers to communication of so many kinds were created for and/or by us. Perhaps we still spend time constructing new barriers and thinking up new ways to distance ourselves from the rest of our kind. I chose to use the phrase "materialism" to express how children engender these attributes of caregivers and others alike. However, this can easily be exchanged for a phrase like "socialism," or "corporate capitalism," or nearly any other thing that you can probably think of. Children are like sponges. They soak up even more than we realize. Most widespread religions in the world have some form of renunciation belief or ritual wherein an individual must 'cast off' the old self and put on the new. This is because, regardless of where or when a child is born in the world, the perspectives of the people around them raising them will likely leave much to be desired. It is necessary for beings to continue to learn, and this often entails a serious consideration of what was instilled into them at an earlier time. It is quintessential that we question and evaluate these things since the state of the world will have changed by the time that we reach maturation. The ideas that people gave us may apply to a world that is already different. The story of the Tower of Babel may refer to a state that earlier humans lived in, perhaps on a shared continent, in which the manners in which they communicated were similar. Then, at some point, perhaps these same peoples went off on their travels and developed new languages. In a funny way, we seem to do that as individuals. At some point, we strike out on our own, even if only a little. Though we may differ on surface level behaviors and in the symbols that we use to describe the human experience, human beings are more or less fundamentally the same. We let our differences create so, so, so many barriers between ourselves and other beings. Just think of all of the harm that things like xenophobia, racism, intolerance, and a lack of an ability to communicate verbally with one another have done to our species. Even beyond that, just think of how easily we dismiss the inner lives and inner experiences of creatures different than ourselves simply because they do not communicate verbally with us in our preferred tongue. Research is overwhelmingly in support of other beings communicating with others of their kind, whether we as individuals acknowledge it or not.. Some of us are just really into denial about it. We could achieve remarkably wonderful things, if only we would learn to recognize the similarities of our experiences. (Matthew 19:6 So they are no longer two, but one flesh. Therefore what God has joined together, let no one separate.”)

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Spearmint Chalk Spearmint Chalk
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Challenges in Communication

We often have the habit of hearing something or seeing something and then believing that we understand what we just witnessed. This latter sentiment is not always the case. Thoughts, ideas, concepts, philosophies - simple, great, complicated, deep: they all present challenges to our faculties of perception. We struggle to understand one another, often without considering these challenges though they are certainly there. We also struggle to communicate those things to others, and sometimes even to ourselves.

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Melissa J Melissa J
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Idea Dump

This was done a year ago, but it's my favorite because it was basically just dumps of random doodle ideas that I had or had seen. It is a cluster of things that I liked at the time such as my favorite drink, food, animal, patterns, instruments, show, plant, seasons, and much more.

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Simon Simon
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Rideasurs Rex

Fun dino on a bike. Go get em Rex.

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Mikel Lynne Mikel Lynne
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Lit Within

This is my art brut, where I just start drawing without any ideas of where it'll go.

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Art Craft Land Art Craft Land
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Buttons demonstration

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

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