“Hikyaku - literally "fleet feet" or "flying feet." These running messengers played a critical role in delivering items and messages, given that in Japan's mountainous terrain, other modes of transportation, like horses or carriages, weren't very practical.”
Kicking things off with the new sketchbook! And what a time to do so...
Coronavirus is rampant everywhere it seems, however big or small. If self-isolation (even for just a bit, wherever you are) is the way to combat this then I suggest making the most of this time.
*Captain Obvious groove*
"Untitled," 8×10, Scratchboard: I think it's become evident that I enjoy making portraits no matter what the medium is. I still find it fascinating how much eyes can say, and they can usually fill in the gaps where words fail. I took a chance using Scratchboard, but I think it worked out, I'm pleased with it. I suppose this is a new member of the Black and White Portrait Club :)
Mixed media drawing. The sky can spread oppressively across a flat landscape like the meadows of the midwestern United States. In this drawing I wanted to evoke that sense as a backdrop for a trio of Weirds, soothsayers of folklore.
A penguin. Digital watercolor base with oils overtop. I wanted to try to paint it like those traditional animal paintings from ages ago. I gave them an ear piercing for the challenge and kept it at that. They're stuck up; they don't need much. ;P
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
Recently I saw beautiful Van Gogh exhibition. I really enjoyed movement of his brush and vivid colours. It was more about energy and feelings than realistic details.
I am always gravitating towards realism and always want to spend more and more time perfecting paintings like they are never really finished so this time I decided to challenge myself not to do that.