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A more impression version of Marjaniemi lighthouse

When Rebelle 3 by Escape Motions came out I wanted to create something that really shows off its power. I normally draw in fountain pen first, but this was created entirely from scratch in Rebelle 3. Digital art tends to be cold and impersonal, but Rebelle's watercolor simulation looks & feels like real paint... and you can undo! That's critical for illustration work, as clients often request changes... But even for personal work- it means an artist can achieve a watercolor look without being at the mercy of the medium. So the result is more true to his or her vision.

Impressionist koi pond watercolor

The monsters we create A collection of creatures born from our impact and existance on Earth. This is a work in progress project, it doesn't yet have a name, but the story becomes more clear every day. Soon I will have more details about it, until then take care, this runner is taking a real shape and it's after you. He is the money maker, the greedy, the selfish buyer of unnecessary things with money he doesn't have. Sounds familyar? 7x7 cm linoprint © Maria ! Balan, 2018

Have you ever woken up from begging "I wanna pee-pee" whimpering closely to your ear? Or from a barking alarm because the birds are singing loudly outside? Yea-ah, dogs are the best alarm clocks... We're sure you'll have a woof-derful week, guys!⁠

Page 18 of my Journey Journal. A study of my first impressions of the city of Berlin. Ink, gouache, watercolour on toned paper.

Acrylic on 18 x 18 canvas

Have been trying to improve the way I draw faces :)

My grandma is a craftswoman . She used to work at a Talavera pottery studio and sometimes I would skip school and join her at work. She would give me an imperfect blank pottery piece and lend me her painting supplies so I could create my own art.

Studies of a simple form in order to experiment more with more complex elements.

In July of 2022, Brianna Grier died falling out of a moving police car while having a mental health breakdown. Since Brianna passed, I have been heartbroken for her twins and family but also reflecting on my struggle with mental health. Mental health needs compassion and empathy, not police and punishment. The brunch strokes are purposeful, but I completed them with empathy in mind. I want to keep the composition simple but filled with meaning. The color theme represents vastness and loneliness, but also kinetic energy found in warm orange tones.

So, I really wasn't going to participate in inktober this year because of time constraints. But I saw some simple line art stuff from others that looked fun. I'll see how far I can make it this year.

Meadhbh standing in front of a green wall. Simplified her hair and the leaves in the background a bit. Charcoal and pastel pencils on 9” x 12” Strathmore archival sketchbook paper, scanned into Photoshop. Model: Meadhbh

(HB pencil on 50mm x 80mm paper) A simple, yet strange, little character for these Guardian Spirit cards I've done.

Happy Valentine's Day everyone! This year I got around to making various cards and simply sending them out to various family members and friends. (It was also an excuse for me to use as many puns as I wanted.)

I am pleased to present to you the finished Elton drawing. (I finished it today while listening to my new albums; shout out to my mom for the birthday gift.) Does the drawing look exactly like the photo? No, it doesn't, and I can easily pick out all the mistakes I made. At the same time, I'm happy with it for what it is, and I loved drawing it. Anyway, feedback is very welcome, let me know what you guys think and what I can improve on.

A simple watercolor artwork inspired by a sunset in Scotland!

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

So this painting began as a simple project and ended up for sale at a coffee shop. I found out recently it actually sold, making it the first official painting I've sold.

Please let me know what you think! I’m not sure abt the eye, the reference pic I’m using is low quality so I’m kinda improvising. Any tips or suggestions would be greatly appreciated!

original spray paint and acrylic painting on canvas

A simple little penguin watercolor study

4 simple botanicals in digital watercolor. I use Rebelle 7

Oh boy, markers (NOT a go-to), least favorite color, and a subject that isn’t on my radar. This was a hard one what with 3 negatives going for it. But, hey, it’s a challenge, right? Choosing a subject came first….we have a house full of Indonesian masks and sculptures. (My husband studied gamelon music in Indonesia.) Garuda, the “mount” of Vishnu and popular with Balinese artists seemed a good choice, esp. since he can be green, red, yellow or orange. I rarely choose yellow/orange for anything---artwork, décor, clothing...though I do have a soft spot for sunflowers. First I drew a bunch of images based on one of our wooden Garuda sculptures and then made a simplified marking pen outline and colored it with markers.

This looks simple, but i spent days researching to get the buildings and clothing right. There was also a lot more layers than i planned for. This buildings are still in use, there are different shops in them now. Sadly they no longer have those colorful decorations,

I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.

A silly watercolor sketch, I know, but there's a lot tied to this little thing. There are so many bittersweet feelings lately. I tend to avoid putting a numerical value to time, I don't like the count-down aspect to things, especially knowing how obsessive I can be with that. It allows me to live in some semblance of ignorance (they say ignorance is pure bliss). There's a lot of tip-toeing around what I want to say and what I'm afraid to say, or even what I'd love to explore and embrace and simply afraid to. It's something I'm not used to. It's taken me quite a while to finally sit with certain things, or even acknowledge them, and it feels like there's so much more I'm now realizing. It's odd to be so frank to some and worried that others may find out. There's a lot of shifting again, goodbyes coming soon, complicated feelings and situations.

Today’s urban sketching effort. I tried to capture light coming through windows at St Giles Cathedral in Edinburgh. Posca markers, brush pens and water soluble pencil on brown A4

Watercolor and India Ink on Yupo paper. If there is any single way to let go of detail and think simply, it is by using watercolor on Yupo paper. You basically have to surrender control and just see what happens.

Here is a pencil drawing of actress Charlize Theron. I used Cold Greys and black from the Faber Castell Polychroms range of color pencils on Strathmore Bristol Smooth (series 300) paper. Many thanks for looking