A little sketch, 3” by 5”, made better with a bit of cheap watercolour paint. I don’t know why, but I like this little scene. It isn’t a terribly brilliant sketch and I didnt paint it with great care, but still, i like it. And in the end, it really doesn’t matter what anyone else thinks. If you finish a little piece of art snd can say you like it even weeks and months later, then it is a winner for you.
Gourd-face started out as a tiny doodle in my sketchbook but I couldn't stop thinking about him. So I drew several gourd-faces. This one has the unfortunate circumstance of growing on his face. Poor Gourdy. I drew him with pencil and then colored on the computer. Cheers!
“Whirlwind 9”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 9th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 9, 2020.
Chromatography is used in chemistry to dissolve a mixture and place it into a "mobile phase," which allows the solvent to carry it and its components up the paper. It shows the layers, exposing deeper, hidden tones and colors, something only seen when a solvent of the same polarity is used. It's odd. Life feels a bit like that, and I'm seeing the colors separate for the first time. It's all there, everything that's been hidden in the inky mess for the past however many years. And now it's smeared. Bold. Clear. But blurry. What's on me and what's on you? Where do we go from here?
I suppose this was just a tester/practice piece? My first actual still life from observation and my first time actually using charcoal (yes, I've never truly used charcoal before. Charcoal and pastels are two things I avoid. Their looseness and freeness scare me, considering how rigid I can be). Not sure how to feel about this one. I'm my worst critic, and I've known that for a long time now. There's a lot of practice and progress to be made, but it turned out half-way decent.
Running Late. The personification of the reaper running late for his next appointment.
10” x 15” Original ink and watercolor illustration on Strathmore 500 Series 4-ply Bristol illustration paper.
Signed by the artist. Unframed.
I made myself some motivational stickers to (hopefully) help with the CONSTANT negative self-talk that seems to be an innate part of my creative practice
