Chromatography is used in chemistry to dissolve a mixture and place it into a "mobile phase," which allows the solvent to carry it and its components up the paper. It shows the layers, exposing deeper, hidden tones and colors, something only seen when a solvent of the same polarity is used. It's odd. Life feels a bit like that, and I'm seeing the colors separate for the first time. It's all there, everything that's been hidden in the inky mess for the past however many years. And now it's smeared. Bold. Clear. But blurry. What's on me and what's on you? Where do we go from here?
I suppose this was just a tester/practice piece? My first actual still life from observation and my first time actually using charcoal (yes, I've never truly used charcoal before. Charcoal and pastels are two things I avoid. Their looseness and freeness scare me, considering how rigid I can be). Not sure how to feel about this one. I'm my worst critic, and I've known that for a long time now. There's a lot of practice and progress to be made, but it turned out half-way decent.
I drew it with "Derwent" a graphite pencil, the drawing is A4 size. Upon request, I drew the bunny based on a photo. I wanted to introduce the bunny personality traits, which I did. The owner was very happy for him. :)
I was too late and missed the entry deadline…eating too much ProCrastinate?? lol. Anyways, couldn’t resist and fired up Adobe Dimensions, Illustrator and Photoshop for this quick and dirty advert.
Here's the second pumpkin I carved (I did find the sketch, so I posted that in there too). Both carvings were really fun and very time consuming. I'm usually not good with 3D models or sculptures, but carving pumpkins seems to work out.
I made myself some motivational stickers to (hopefully) help with the CONSTANT negative self-talk that seems to be an innate part of my creative practice