lake

It's a good day to go to a concert. Robert Dick and Dan Blake performing at 2B & 2C Gallery. So ok, this was a few days ago. Plus is their album Laugh and Lie Down for which I made the cover.

A slightly different activity you can do in Finnish Lapland is floating in a 2°C cold water. When it’s snowing you can watch the snowflakes fall on you and when the sky is clear you can stare at the stars or even watch the Northern lights dance above you.

Luminary Festival - Auren Farkis (Digital Portrait I did as a colour study) Crisp reverberating strings danced through the evening. Notes twisted and echoed up through the emerald, velvet tiers of Ridgedow Gardens. Dusk’s veil had long since darkened to a diamond-encrusted black, and Clarglow was alive with activity. Footpaths were choked with revellers that formed a river of light that coursed and pulsed through the park. Will-o-whisp spots of light also glowed among the neatly trimmed hedgerows and statues. Their magic-addled voices rose up, joining in with the music of the Luminary Festival. A young man, no more than a quarter of a century old, glowed brightest of all. A soft orange radiated from his eyes, and his veins pulsed a brilliant red. He was dripping in gold and gems. Over an outfit that somehow managed to be heavily layered and revealing at the same time, he wore a sheer cape, which was heavily embroidered with blood-red crystals that refracted his own light around him in dazzling, concentrated rays. It was such a dangerous colour of magic, but his expression was soft and dreamy. Excited laughter rose up as a clustered group shot metallic confetti skyward. Gold flake drifted down and settled into his silver hair, cheeks, and shoulders. No doubt he would discover the remnants of this festival in his home weeks from now. He increased his pace, stepping off the cobbled path to overtake the group, when one of their number split from the group. The coils of her dark hair were so saturated with gold that she looked like she belonged on a pedestal next to the other statues. She intercepted him, matching his pace. She snaked a long, slender arm around his waist and pulled him closer. She pressed her lips against his neck, leaving a wake of golden kisses up to his earlobe, where she leaned closer to whisper. — “Aurie, Luv, I know that look. Don’t tell me you’re headed home. The eve has only just begun. “ Her glowing eyes Locked with Auren’s, her grip tightening, slowing the both of them to a stop, causing a temporary blockage in the flow of people. “Overdid myself Mel.. you’ll have to –” –” Come with us to the reflecting pool.” She cooed, meeting his lips in an off-center kiss, smearing his inky wine lipstick. Momentarily, he allowed himself to relax. He considered saying yes. His heart pounding, he dipped his friend backwards gracefully, resenting that he had to leave. An itch in his left arm reminded his fuzzy brain that he was in danger. Gasping softly, he gently lifted Mella upright and spun her out towards her friends, who were growing impatient. He couldn’t make out their faces in the fuzz of the evening. “I can’t, I’m sorry Mel! We’ll talk later.” Before she could protest, he danced, spinning forward in a brilliant display of speed that ended in a stumble as he met a set of steep steps that coiled sharply upwards out of the park and onto the pink brick streets overlooking Ridgedow Gardens. The glazed windows facing the street were empty and blank… their occupants elsewhere, enjoying the festival. The empty buildings were like faces, judging him for his lack of zeal. Auren wound his way through streets and side streets, his pace increasing as he grew more and more alone. Finally, he was climbing a set of steps to his own front door. Smirking at the sight of it he reached down into the front of the bodice that held together the layers of his outfit pulling free a loop of keys that were on a long chain looped around his neck. Aligning it to the keyhole he struggled with the lock, cursing softly under his breath as it initially failed to cooperate with him. In the quiet black of his foyer, he latched the door behind him and stumbled forward, tearing at the ribbon that held the gleaming cape that draped from his bare shoulders. He let it drop on a black lacquered table. He reached up to unclasp an elaborate choker and tore his single, crimson glove down from his elbow. He pressed a gilded fingernail against a band of red ink encroached upon by a spreading corruption. Marginally extending beyond the band were sinews of mismatched muscle and skin; even his hair had begun to glow red. Pulse rising, he wrenched his rings from his fingers, casting them into the ever-darkening room. Precious jewellery piled under him until only the dimmest glow from his own veins remained.. Slumping onto the steps, he tightened his grip on his arm and twisted it ninety degrees. A sharp click of crystal against porcelain met his ears. The room was enveloped in black as his final stone slid away from his arm, rendering the prosthesis inert. He slid to his side, the sounds of the party below overtaken by his own gasping breaths, panic refusing to subside alongside his magic.

This study is for an upcoming painting about the life of Christ. The drawing itself took about two weeks’ time of working on it off and on. The research stage took about two months. This study is attempting to capture the spirit of being out on the water, walking with Jesus during a storm on the sea of Galilee. I hope the viewer can feel Peter’s anxiety as he is sinking into the lake as a fierce storm drains Peter’s faith in his ability to walk on water through the ability the Lord gave him. I wanted to show how compassionate Jesus is to quickly crouch down to rescue Peter from drowning and get him back to the safety of the boat with the rest of the disciples, which is outside of the illustration. Some people feel that I should have Jesus’s feet visible above the water so people don’t get the notion that Jesus is sinking in the water too. But if I’d done that, it would have altered what it would really look like in the natural world, because even if Jesus’s feet were on top of the water, this might not be visible to the viewer because the waves in front of Jesus might block the view of his feet. This illustration makes me think about trying to accomplish a task that the Lord has called us to do by depending on our own strength instead of the strength of the Holy Spirit. Then we find ourselves sinking instead of making headway, and we must call on the Lord to rescue us and put us back on the right track. (September 22, 2015

Sunset lake doodle

Westlake Park. Seattle

This painting illustrates a man who finds safety from drowning in a stormy sea by climbing on to a platform in shape of a cross. The storm itself represents the trial we face in life. The shipwrecked person shows that we have nothing we can approach God with that would sway Him to help us when we call on Him for help. Only out of grace and mercy does He rescue us. The platform in the shape of the cross represents that God has provided a way for man to escape punishment for his sins, which would have been casting him into the lake of fire after death. Through God’s love and mercy, He punished Jesus for man’s sin; the guiltless Son of God was punished so that the guilty sinful humans could be saved through faith. The step represents man’s need to come to God humbly through Jesus to receive anything from God. The light breaking through the clouds represents God hearing the man’s prayer and answering it. (October 28, 2017)

Girl takes her best friend for a sunset Bike Ride around a lake. Trying to create the same characters in multiple scenes. Would eventually like to illustrate my own kids book.

Awarded All Time Best from Fanartreview. All done with office medium sharpie and bic pens on card stock paper.

"The Wishing Flake" by: E. K. Lindgren, 2020 pen and ink fantasy art fairy illustration featuring lineart and stippling on sketchpad

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

my new work! - Here he is, he comes! - Pepe Fajgl said, pointing at the top of the hill. The environment was typical for the territory of a mortician: valleys overgrown with low grass, and with some high ground. Pepe Fajgl and I left the corpse Henri de Functa at the foot of the hills and watched the Mortician as it approaches the dead body at a uniform speed, his beautiful eyes were fixed to the deceased. "It's wonderful," I said to Pepe, - it is certainly longer than 20 meters. - The Morticians are the beings that all the inhabitants of the World of Fantasies respect and love, since they have appeared, the precious earth is no longer polluting with graves and cemeteries, number of burning corpses and then a terrible smell almost came to zero, pollution of the lake and the sea throwing the dead into the water stopped. After Mrs. Death takes life and the soul went away in the wheel of the final verdict, it remains only material, dead, a bit valuable part once alive being, the meat that becomes a problem for family and community. Mortician comes to the dead body of the late Henri, its enormous mouth silently sucked corpse, he turned, and dignity went behind the elevation, the problem was solved forever. A 3 format

Exploring the opportunities of my only three colors: ultramarine deep (pb29), cadmium yellow medium (py35) and madder lake red light (pr187) P.s. and my waterbrush too

Digital oil. Heritage Oak tree approximately 200 years old is at Lake Merritt Park in Oakland, CA.

Based on a vacation last summer. Looks best big.

Created with guoache paint on paper.

PostcardFromInterlaken

Crayon on sketching paper.

for the 9th of Juneforest today it's snowflakes' turn For this day I decided to draw flurr who is flying over the frosticons lands then it started to snow, flurr saw several snowflakes around him ❄️

Title: Heart and Soul Medium: illustration pens on sketch book paper Style: surreal Category: illustration Created: Dec-Jan 2024-2024 Artist: Stephen J. Vattimo Heart and Soul This is preliminary drawing for a painting I am about to begin. The concept for this illustration started as a design for a pumpkin carving contest. I feel the message of the design is so important for people to hear, I decided to make it into a painting. The original design, done in pen and ink. The design only shows the two doors of the entrance to a fortress. It was designed for a live pumpkin carving event in mind. At this type of event, the carver must create their piece of art live on site with spectators watching and asking questions, and there is a time limit. The evolution of the design? I added a wall on each side of the entrance, with matching pillars. Explaining the design of the pillars The triangle top: the triune God. Representing three persons of God: Father, Son, Holy Spirit. The cross shape opening in the pillars: The cross is the only path to God, to have the debt of sin satisfied. To reconcile humankind back to himself. To be released from being a slave to the Devil. To be a new creation empowered by God Spirit. Explaining the design of the entrance way(gate) The top of the entrance is in the shape of a heart, represents the seat of human passion, ambition, and allegiance. The cultic three petal flower is used to represent God in three persons united. The symbol inside the flower: God’s ministry toward humankind. Crown: Highest authority Cross: God’s loving salvation and restoration plan. The dove: Spiritualty made alive, fellowship with God, empowerment to weather the storm of life, and equip for service to God. Change in the design of the door. In the original design, one door had roses carved on it. The pattern took up the whole door. The other door had a grape vine carved on it. The pattern took up the whole door. I modified the emblem on the doors by making them smaller and simplified, so I could place them inside heart shapes, so the new images would more clearly communicate what they are meant to represent. I also added color to the emblems(color pencil) to make them clear of what they are, because of their size and the ink medium ,they were hard to interpret. Understanding the symbol of the two doors. The door with the rose inside the heart emblem represents a heart whose passions, ambitiousness, allegiance are focused on the cares, worries, and abstaining riches of the world. Only giving God lip service. I chose the rose to represent the heart of spiritual allegiance to the world, because roses are pretty, but you can’t eat them to nourish your body. They also have thorns that can cause injury to the body. So, the parallel point is, just as flower fade and turn to dust, so will the person who chases the thing of the world and has no time for God. For life is very short, we know not which will be our last breath on this side of eternity. But if a person leaves this earth without excepting the gift God offered them which is salvation from penalty of sin and given enteral life through the work that was done on the cross by God’s son. Then that soul will appear before Jesus, and just as they did not know him in their life on earth, He will tell them he knows them not. Into the lake of fire, they will spend eternity. The door with the grape vine in the heart emblem represents a heart whose passions, ambitiousness, allegiance are for God. To know Him intimately, to obey His teachings, to serve his will. I chose the grapevine to represent the heart of spiritual allegiance to God, because grapes are nourishing to the body. Jesus also used a grape vine in one of his parables. He paralleled the spiritual relationship he had with his disciples and the grapevine. He told them just as branches of a vine must depend on the base of the vine to live and bare fruit, so they must abide him to have abundant life. Abiding in Christ is not a religious act. It is outside of religion. It is an intimate relationship. Example: you can belong to a fan club of Paul McCartney and know a lot of things you have heard about him, but he doesn’t even know you exist. Where, if Paul is your father, and you have a good parent to child relationship, then you know him intimately. So, abiding in God, we commune with him through read his word and living by its teachings. It is spending time in prayer. Sharing our hearts with God and spending time listing to him. Trusting in him as our provider and giving thanks for his provision. Living our lives, with the purpose of pleasing him with the work of our hand and loving our neighbors in the workplace as well as in the community. Just as a healthy grapevine continues to grow and produce much fruit. Having an imitate relationship with God should be more and more evident in the way we live our lives. So, when the angel of death pays you an unexpected visit, he escorts you to Jesus’s throne, you know for certain he going to welcome you with loving arms and said welcome home my faithful servant. Now to which door I chose for my life? It’s the one that is open. This bible verse one of a couple that inspired me to design this illustration. 1 Corinthians 3:12-13 King James Version 12 Now if any man builds upon this foundation gold, silver, precious stones, wood, hay, stubble. 13 Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is. This verse is not referring to the rebellious people who have rejected God, this is referring to people who are children of God, who failed to serve God faithful. Written by Stephen J. Vattimo. 3 Jan 2024 .

These two are from Lake Tahoe during the start of the Pandemic - Spring 2020

Jesus And Peter On The Water Medium: Pen And Ink On sketch Book Paper Size: 12" X 18" Date Completed: 9/ 22/15 This study is for an upcoming paint about the life of Christ. The drawling it's self took about two week time of working on it off and on. The research stage took about two months. This study is attempt to capture spirit of being out on the water walking with Jesus during a storm on the sea of Galilee. I hope the viewer can feel Peter anxiety as he is sinking in to the lake as fierce storm drain peter faith in his ability to walk on water through the ability the lord gave him. I wanted to show how compassionate Jesus is to quickly crouch down to rescue peter from drawing and get him back to the safety of the boat with the rest of the disciples, which is outside of the illustration.. Some people feel that i should have Jesus feet visible above the water,so people don't get the notion that Jesus is sinking in the water too. But if I do that it would alter what it would really look like in the natural world ,because even if Jesus's feet were on top of the water this might not be visible to the viewer because the waves in front of Jesus might block the view of his feet. This illustration make think about the time we have all tried to do a task that the lord has call us to, but we have tried to accomplish the task depending on our own strength in stead of the strength of the holy Spirit. Then we Find our self sinking instead of making head way and we have to call on the Lord to rescue us and put us back on the right track. Written By Stephen J. Vattimo Sept 22,2015

A lone fisherman on the lake. An atmospheric piece done in Procreate on an iPad Pro with an Apple Pencil.

I don't mess with oceans. One time, I just wanted to cool off on the edge. The undertow was so strong that I got trapped, knee-deep from the shore. Nothing I could do but just wait for the giant wave to pile-drive me into the beach. So much sand crack.

Sketching outdoors at dusk. Pencil crayons