Mixed media drawing. The sky can spread oppressively across a flat landscape like the meadows of the midwestern United States. In this drawing I wanted to evoke that sense as a backdrop for a trio of Weirds, soothsayers of folklore.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.
I've wandered Brechfa forest in Carmarthenshire on several occasions, but have only seen a very small part of what this huge forest has to offer. I'm hoping that once travel restrictions are lifted, I can get back out there and explore more. Pen on sketchbook paper (6"x8")
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.
A foggy morning opens up to a burnt landscape. I wanted to paint a couple of different environments in one painting but still aim to be refined. I used fall colors and smaller lines.
I painted this in Regent's Park, London. A yellow rose at sunset featuring a pink contrail in the sky. I have it available as prints, and prints on products on Redbubble, Society6, Zazzle, and Threadless. All sites are easily accessible via this link: linktr.ee/okhismakingart
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
I started this oil painting in Feb 2020, and finished it in April the same year. I guess it's a tribute to Welsh beaches in winter - miles of sand, and barely anyone around.
