Galacons are these giant space robots, and there's two variants. The Solar Galas are much larger and thinner, and sport huge solar sails like frills along their necks and tails, a few even have sails on their long limbs, somewhat like wings. The Solar Galas are surprisingly passive, despite hosting hundreds of concealed turrets (some with EMP missiles), blue/white laser flames from their mouth cannon, and smaller lasers from the lights down their body and limbs. The Solar Galas can hold fleets of cruisers in their chest-like docking bay, and smaller ships down the rest of its body to the hips. Solar Galas are still dangerous though, as their diet consists of metallic asteroids, and small ships can be mistaken as food. Magma Galas (not featured in drawing) are much more bulky, sporting massive drills on either side of the head, as well as drills instead of front claws. They also have much larger and more powerful lower jaws, also used to tear through planets to eat the cores. Though they're much smaller, most have huge tails to store lava/magma, and most can spew superheated laser-like blasts of white magma from their mouths and tails. Magma Galas also have extremely tough armor all down their body, the largest having plates nearly 80 miles thick. They are hyper aggressive until they find a planet to bore into and slowly devour, however if attacked while feeding they won't hesitate to vaporize their enemy.
Class assignment: draw a crowd with layers and overlapping. I took this class because it is my artist heart's desire to capture people in real life action. We did learn a technique for that, but we did it from video. It was so stressful, and I'm considering practicing that 10 min a day for Lent. This one was a compilation from photos my teacher provided. What are your tips for capturing people in action? For me, the challenge was deciding what the action was. I kept changing the action as I saw it because it is SO FAST. I felt like I couldn't "see" fast enough.
I did this for a Skillshare class. It’s about how giants feel overwhelming but that there is victory in Jesus. I wanted the problem to look impossible and big but show that she knows that God will be enough for her to overcome. It encourages me sometimes to make stuff like this.
This artwork is not really mine as I drew it from a tutorial, but I love the way the pink comes out in every way possible. I hope you too like this pinkish scenery ;)
I've always loved Hedgehogs ever since Sonic the Hedgehog. Here in Italy there are actually wild hedgehogs, when I found out I had to try and find one. Usually at night if we are driving I will be attentive to find some critters. I've seen crested porcipines, boars, badgers, weasels, owls, eagles, bats, lizards, deer and other things. But for awhile I never saw a hedgehog (one time I thought i did but that doesn't count), but finally about a year ago I finally found one while passing through the country of San Marino (it's in Italy)! It was crossing the road and it was the hugest hedgehog I have ever seen! Thanks be to God! lol. It was about the size of like a big small dog or something, probably about a foot long. So yeah I had to draw one in tribute of my weird obsession to find one, haha.
hi! here are some little self portraits in a semi-lineless and more cartoony style. i'm pretty pleased! my hair at the moment is probably closest to the second from the right, but the middle head is probably my fav style to have it in. hope y'all are having a lovely day and like this little piece!
xoxo honey
Day two of my art training! It took way too long, haha. So, anyways, this is my DnD character, Pox's, dad. I have no idea what to name him because lately, I have been very uncreative. Anyways! This guy is the god of illness and poison, and is just generally really cool. I like him, even if I don't like this drawing all too much.
Probably spent too long on this one, plus lower resolution cause the file size was too large. Downtown area of an average city, though typically it's more crowded. Hope you like it. (made with krita)
Hi there, I wanted to uploade this art work as the quarantine quarter submission.. But due to my harsh luck the time was out...and I was late by 2-3mins...I was extremely sad about it but then thought to upload it on my profile only...so this is basically a drawing of me and my family enjoying time in this quarantine period :) and please please please tell any kind of lack in my this drawing... Hope you like it ;)
This is part of my daily Sketchgrind day 21. Careful opening them chests! you are in danger of getting a chest infection, like me I am a slobbering monster and can't get rid of it. Remember prevention is better than the cure - keep healthy and have some lemons.
This is part of my daily Sketchgrind day 13. That's how I see collaborating with other artist is like, its tricky to get all the aspects together but if you finally get stuck - that's it. I also made a mini animation https://youtu.be/V-sobC-evRM If you want to see more check out my Patreon Page https://www.patreon.com/uliunique
Sometimes the quickest drawings hold the deepest truths. During an after-sermon discussion about understanding the love of God, I found myself listening with one ear and drawing with the other. Frank, seated across the room, made a natural model—relaxed posture, thoughtful presence, and a face full of character.
With a pen in hand, I traced his form in a quick contour line, following the folds of his shirt, the tilt of his jaw, the stillness of his hands resting in his lap. Contour drawing asks us to see more than just the surface—it demands patience and presence, a slowing down until the line itself feels like prayer.
Frank became more than a subject; he was a reminder that the love of God is often revealed in ordinary moments and everyday people.
I tried to make him look like he lived in the wasteland by the skin of his teeth, I wanted to keep him faceless but changed my mind due to the old design being harder to draw. Hair Black/Brownish, Brown eyes. The opposite of Sera and will often butt heads with her as well
This is a digital drawing I drew on the night of April 26th, 2020. Quentin was inspired by the animated television series Teen Titans -- which I was obsessed with growing up. In creating him, I wanted him to resemble the Teen Titans character, Raven. Like Raven, he wields magic and isn't one for noisy environments like parties and concerts.
Apolonia Cacadu (her family is calling her: Polly) is a working girl. Very hard working. During the day, she works part time in three different places, and in the evenings she professionally swings on a swing above the bar counter, in the "Under parrots" pub. Because of this constant running around the city, there is little time for her to eat, and often her daily meal is just a handful of crackers (which she loves) and a few green olives with pepper. That’s why her weight is rather featherlike. She dreams about a trip to the Amazon rainforest and spreading her wings as a dancer (she’s great at dance hall and twerking).
On December 2017, after my frineds and I exhanged gifts, we thought "why don't we do it next year?? Valentine's Day!" So in January 2018, we got our picks and our theme was "Something Effort" since it's important in every relationship. Since then I started making this, every day I would add some details. I was lucky to know that the one I picked likes Game of Thrones so there. Made with air dry clay then painted with acrylic paint.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice.
* Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head.
* Symbolism:
* The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading.
* The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.
A little while back I started doing little triptych cartoons, something I could have fun with and zip off pretty quickly. Then I expanded them to four panels when it felt necessary. Some people think too deeply about my little toons and are confused about what's happening. I just tell them to look at it more simply, and not to overthink it. Like this one.
