Two wicker chairs in the sun.
One for the waiting,
one for the hoped-for.
The table between them
holds its silence,
its place set for bread or talk.
I draw what is here—
lines quick and unerasable—
and what is not here,
her presence,
waits with me in the white of the page.
Imperfect Lines, Honest Presence
This sketch is not perfect—and that’s exactly why it’s alive. The bold figure, the dissolving hat, the tilted chair: all of it feels unfinished, fleeting, caught in motion. It’s what the Japanese call wabi-sabi—finding beauty in the imperfect, the impermanent, the incomplete.
But there’s something deeper here too. A quick sketch is not just what the eye records. It’s what the soul permits. To draw without fixing, without polishing, is to admit the world will not hold still for us. Life slips past. The lines break off. And yet, somehow, the essence remains.
When you sketch this way, you are not the master of the moment—you are its guest. The pencil does not carve permanence; it pays attention. The act of drawing becomes an act of being present, of honoring what is already vanishing.
So here’s a challenge: grab a pencil and sketch someone near you in sixty seconds. Do not erase. Do not perfect. Let the lines falter. When you finish, ask yourself: What truth did the imperfection reveal?
Perhaps presence itself is the real art.
"The painting ""The Girl in a Shirt"" is one of the paintings series ""Her"".The artwork is painted in oil on canvas with wide textured strokes of a brush and a palette knife. In the work, we can see the opposition of a gentle female image and deliberately careless aggressive rough strokes of paint. The artist plays of black and white hard contrast against delicate pastel colors. The girl depicted in the painting feels
constrained by external conditions, which prevents this painting from having an erotic value. The girl nervously tries to unbutton her shirt in order to get more air and freedom. Her pose is not balanced, which shows even more uncertainty and indecision. That's why this artwork is considered rather dramatic."
Started this with 4 or 5 random horizontal lines (drew with eyes closed). While free drawing, decided to add little eyes and faces etc. Undecided if I should color or not. Main thing is I had a lot of fun making this. (I have a bunch of time lapse videos of this spontaneous project).
I know I do a lot of facial images, but I love playing around with expressions. But I know I need to work on body and maybe some interactions with characters.
The Kufi writing style is one of the most charming and strongest styles in Arabic Calligraphy. It is used here to illustrate the word "Allah" with some additional curves to maintain and clarify the beauty of this word. Besides some Islamic drawings which surround the word "Allah". This illustration firstly was made on paper with a pencil, then I converted it to digital art using Adobe Illustrator.
A horizon of chalk—black sky heavy with silence, gold earth glowing with embered breath.
Between them, a thin line of turquoise, the pause where one world ends and another begins.
It is not sky, nor sea, nor sand alone. It is the threshold—a doorway, where silence teaches and light remembers.
Stand here long enough, and you may hear it breathe.
inking and seeing for better being — https://forming20.com/
This one take some time, I am still trying to figure out how to not make the art "messy" but adding some thicker line did help with it! Thanks for reading this :D
A sketch created for a small oil painting on linen. I am creating a series of brooches to celebrate the 100th anniversary of women having the right to vote.
