hey there☘️
while taking a walk in the forest i came across a little treehouse. it inspired me to draw this one. i love to look at the stars at night and drawing this reminds me of the times where i looked at the beautiful night sky in france some years ago.✨
have a lovely day :)
I'll be honest, this prompt stumped me a little bit, I wasn't sure where to go with it. Here's my take on it, reflecting the 50s and 60s vibrant music scene and the Cold War shadowing it.
I've spent recent lockdown days watching far too many Youtube videos about attachment styles and honestly it makes a lot of sense. Here is a little message for my anxious preoccupied self
Another one for #transmundanetuesdays, with prompts by Carson Ellis (an older one tho), this is my #glovedandspikeybricklayer!
He looks evil but he's just allergic to non-spikey things.
THE LITTLE GIRL AND THE BALLOON by Ben Loory.
"That night the mother had a terrible dream. In the dream, Annie was a balloon. She floated up out of her bed and through the open window and away across the sky toward the moon."
https://www.instagram.com/p/CgzLv_COUat/?utm_source=ig_web_copy_link
A silly watercolor sketch, I know, but there's a lot tied to this little thing. There are so many bittersweet feelings lately. I tend to avoid putting a numerical value to time, I don't like the count-down aspect to things, especially knowing how obsessive I can be with that. It allows me to live in some semblance of ignorance (they say ignorance is pure bliss). There's a lot of tip-toeing around what I want to say and what I'm afraid to say, or even what I'd love to explore and embrace and simply afraid to. It's something I'm not used to. It's taken me quite a while to finally sit with certain things, or even acknowledge them, and it feels like there's so much more I'm now realizing. It's odd to be so frank to some and worried that others may find out. There's a lot of shifting again, goodbyes coming soon, complicated feelings and situations.
This is a little collage (did you know Maxfield Parrish invented collage, not Picasso?) of a characters from one of my children's books. I wondered if this would inspire a book. Not yet.
Spent a little time over the Thanksgiving holiday trying out Dr.Ph. Martin's colored inks! I had a little trouble mixing the yellows but for the most part they were a joy to work with. Reference from Unsplash.
I have a little Moleskine (3.5 x 5.5) notebook that I only draw skulls in. I started in November of 2013 and I do one whenever the urge strikes me. It's not like a skull-a-day thing but sometimes I do get into a period where I will draw one every day for a while then I won't draw any for months. I even lost it for a while and was very sad. I think the longest gap between pages has been a year. This is the most recent skull, drawn on 05.28.2018. Most of them are posted on my Instagram but you have to scroll back a ways to get at the bulk of them.
Doodle with Pentel brush, and posca! A little bit note to self. "In between goals is a thing called life that has to be lived and enjoyed." by Sid Caesar.
Scketchbook. Coffee and Ink.
School of galaxy fish. 2017
@ Ania Pawlik 2017
Part of an upcoming collaborated animation.
Littler teaser here: https://www.facebook.com/GalleryOnWheels/videos/1965707283643130/ Enjoy and stay tuned :)
Something a little different than my normal work. I just started a tattoo apprenticeship so I am learning to draw in traditional tattoo flash style. My old style of illustration work will not go anywhere. I am continuing that but just growing artistically and learning something new.
Little watercolor horses, they were fun to draw and paint and each seems to have it's own personality. Some look a little too much like a donkey though. lol
Joseph Cornell (1903–1972)
Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage.
In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary).
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #JosephCornell @masoncurrey
