Farmalytica is a brand-new company in the field of agriculture which aims for utilizing technology in the field to achieve the sustainability of land resources. Here is the lOGO design for this brand, I hope you like it...
From the cycle: How Painting Is Made :).
The concept changes over time. I "dress up" my Cuban girl sleeveless shirt several times. if you need a logo designer. tell me in a comment
I chose to build on the liminality of the door and its status in the imagination as a link between two worlds or identities. In this section I am using the fibres of gloves to create different forms of hands and transparent boxes to represent the idea of space.
Through my art I try to express the limited space in which I live, thus focusing on the sense of self that is to be achieved by isolating one's cognitive processes through dialogue with space. The relationship between solitude and space is a subjective process of self-consciousness that involves the absence of social attributes and interaction with others. In other words, it is a non-objective state of space in which the self can find expression. Loneliness therefore manifests itself in a reluctance to approach groups.
Kind of the icon or logo of Jester's restaurant, "Ringmaster's Pizza Hall". Before it was known as such, we called it "Jester's Mini Jamboree". If you didn't know, Jester has a line of steel dividing his bottom left and bottom right faceplate, which forms one mouth. So, in order to eat (even though Jester CAN'T eat, because he's a robot), he'd need to open those faceplates so he can fit food through the mouth. Drawn with FireAlpaca.
DoodleSchmoodlez 19th Nov. :) !!
Day off so here´s some doodles over pix in a book already on the wall anyway
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Originally inspired by the occult fiction of the seventies, this began life as a cover concept for a commercial horror anthology. It later transitioned away and became a personal project, granting me more freedom with its content, and a return to one of my favourite themes – the offsetting of monstrosity with beauty.
Pattachitra artform is known for its intricate details as well as mythological narratives and folktales inscribed in it. ... For more follow @miss_illustrator_ on Instagram....
This design is from a series used for postcards, A4 prints, bags, tshirts etc https://davidmeehanart.blogspot.com/p/y.html David Meehan Art = Good art at reasonable price
I was very happy with this one until I erased the pencil lines! All my line work smudged! Oh well. I'm still happy with it. So this is a logo I'm designing for my Tabletop RPG I've written. I'm so excited for this! This will be my DM screen!
I've recently made a card display for my cards and prints at an art space I'm exhibiting in for a while. Had to doodle the back, I couldn't not the doodle the back, which I think adds to the charm of my display being handmade and selling my merch... There's a HOW TO post on my blog if you fancy giving it a go yourself...
I have had an ongoing project called Hybrid Mythologies. Inspired by stories and mythological creatures, tales from different traditions and parts of the world, I have been playing with emergent stories, characters and creatures that incorporate different elements. It is really a kind of spontaneous, intuitive journey and play of associations - oftentimes surprising to myself in what emerges. This year I am planning to publish an artbook entitled Hybrid Mythologies and if it all goes according to plan, it should be done some time in May. I will post process from this book.
(Red biro on a 89mm x 139mm postcard) When technology becomes so intrusive on our daily lives that we feel we simply can't live without it, then perhaps the one-eyed man is truly king.
New sketchbook time already? Seems like it!
Kicking off the new volume “Digital Analog Native” with some Tails fan art, because that’s how we do it :-)
This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
