I finished this drawing a day after I hiked to the top of the rocks, I did this during spring break this year in 2018. (Drawing is 6x4 inches in size. ) TIME: 1 hour 20 minutes
My mind is on Puna so much lately. I love Hawaii...was born there and rediscovered it as an adult. I stay in Puna area when I go, in little houses I rent, or once, housesitting for a friend. This drawing was made one day when Mom and Dad and I went to Pohoiki to sketch. This little cottage and park is in the path of the flow and may already be gone. You can no longer drive there as the roads have been cut off by the lava flow. My heart goes out to all Hawaii residents dealing with this massive lava flow, and the VOG that goes with it.
There might be a few weird reflections in this as I had to take a pic of it on my screen to get a file large enough....I gave the original to a friend who lives near the park.
Pen drawing of the gate into St Cedmas Church in Larne, Northern Ireland. I got married in the church in 2004. My wife’s parents were married here too in the 1960s.
I liked her so much I drew her again, but I learned some things about her. (Damn those hands, gotta work on them.) Concept art
Name: Carina
Age: ???
Race: Demon (Father is a demon, mother human)
Ethnicity: Her mother was a young Italian woman who was tricked into falling in love with a demon.
Status: Sorceress
Abilities: She wields a staff that consumes souls of the living. She uses those souls to feed her power.
Extra (for now): The globe on her staff is an ancient artifact in which she had to prove her will and strength to achieve it. The artifact draws out the souls of her victims. But before it does, it puts them in a trance like state to keep them immobilized.
More random drawings I worked on. This is a Great Whale with a whole ecosystem within the illustration. I enjoy these. Artwork by Janelle Dimmett. 2026. www.janelledimmett.com
24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.