This is based on a couple of lino cut prints, acrylic paint and gold ink. I have rediscovered my love of lino cut printing after many years and hope to do much more of it.
About once a year I set aside a page in my sketchbook, or bullet journal, to do a marker test. I go through every pen I own including Sharpies, highlighters, Bic Permanent Markers, Crayola markers, Stabilo pens, Expo dry erase markers and everything in between. I document the quality and determine whether to keep or toss the utensil. I find it’s easy to collect art materials, especially when you’re like me and switch mediums regularly. It’s important to know that when I reach for a certain pen or marker, it’s going to work the way I want it to. I do keep a page at the back of my sketchbook open for testing mediums, but it’s an important part of the process of creating art to go with the flow and just draw.
I love the versatility of acrylic paint. You can change the consistency by adding water or acrylic mediums. These additions enable artists to create transparent glazes or thick impasto textures. The fast-drying nature of acrylics makes it easier to correct mistakes or make alterations during the painting process. This painting is part of a three piece set featuring my favorite plants painted on a soft gradient background.
This portrait was created using mixed media like colored pencils, markers, and ink. The portrait features the face of a man resting in his hand, and staring dead-eyed at the viewer. I used non local color techniques to create depth and form using colors not typically found in the human face, like blues and violets for shadows and yellows and oranges or highlights. Parts of his face include small pink stars which originally faded from the previous page, but I really like the look it gives, they almost look like celestial freckles.
This colorful painting was created using gouache paint to give an illustrative design feel. The subject is a cow painted using non-local colors like pink and violet, contrasting the orange sky background. I love the small clover flower the cow appears to be smelling in the foreground of this piece. For more in my gallery, please visit ArtsyDrawings.com!
I wanted to do a simple pen sketch, where if I mess up it is permanent. The one drawing type robots can't replace. #DOWN WITH THE ROBOTS, ROBOTS SUCK!!!!#
I love creating work that starts from a point in nature and develops into something more abstract, something that can be interpreted in many different ways. It’s interesting to hear what people see, what connection to their own life they bring when viewing a work.
Raise a hand if you've ever been pressured into any kind of physical activity that made you uncomfortable. Raise your hand if you've been raped, touched, pressured into sending pictures, or anything of the sort? A lot of you, ey? Bet you dunno who to tell, or how to tell em'. Or maybe you don't even want to tell them. But you still feel so many strong emotions about it, or maybe you don't feel anything. No matter what the case is, what you are going through/went through is valid. You are valid. I hope this piece finds you well. And if you don't understand this piece that's ok, don't judge it though hon. Ain't nobody got time for ur judgment. OWN YOUR GODDAMN STORY. IT'S YOURS DONT YOU DARE LET SOMEONE ELSE TELL YOU OTHERWISE OK SWEETIE?
Part of a personal project I'm working on right now, to experiment with new art styles and practice lettering skills by drawing animals. The color palette and symmetrical motifs in this one were inspired by the boats on Lake Xochimilco in Mexico, which is the last remaining place wild axolotls live.
Helloo. This is my persona/main character/etc. This was just a simple reference for myself mostly, I may or may not make a whole full body reference until later though. I don't know if the nosebleed is going to be permanent.
8/21/2023 edit: I think I may rename him "Forlorn."
A pencil and watercolour study, inspired by Scott Christian Sava's "60 days of studying the masters" on Youtube. This was intimidating from start to finish, by far the most complex drawing I've ever done! It took me almost a week to get the drawing right, but the painting was done in a day. In between were many days of feeling overwhelmed, lost, and then afraid of messing it up. But I got there in the end and I think I pushed myself to a new skill and confidence level. Good thing too, I've got 58 more studies to do!
