"Whirlwind 19”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 19th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 19, 2020.
Yes, indeed, this is a foot. A foot that has taken up 5 months of my life but here we are. For some context, I'm lucky to be able to take 2 art classes this year (senior year perks, I suppose) especially given the strict scheduling connected to the STEM program I'm in. I'm taking Studio Drawing, and this is my first Bargue drawing. Definitely different than what I'm used to doing (and not the most interesting to look at), definitely mildly infuriating at times, but it's done.
Charcoal and graphite. I drew this while standing in the woods for over an hour. The light kept changing as the sun was going down. Fortunately, I was able to capture some dramatic shadows!
Giving it a go with artist colored pencils for the first time. Finding it challenging to keep a point on the pencils and anyway to recover if what should have been a white area gets too much color? Do most colored pencil artists use solvents to blend?
"Whirlwind 18”, an original drawing. Micron pens on archival paper. Size: 5” x 7”. Title, signature, and date in the back of the drawing. This drawing is the 18th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 18, 2020.
This drawing, with a bit of watercolour, was done years ago in North Vancouver during a figure drawing session. Probably 15 - 20 minutes. Watercolour, subtly employed, can have wonderful affects. The challenge of working fast forced me to ditch excess thinking. And it's funny, because at first I thought, "Oh, this is terrible." Then the next day, with fresh eyes, or checking out the drawing in a mirror, I think, "Wow! How did I not see how good this is?" Never throw out your artwork immediately after a drawing session. Give them a few days and look at your work with fresh eyes.
An illustrated map of Nicaragua featuring Volcán Concepción of Ometepe and some of the country's most iconic wildlife: spider monkey, jaguar, and motmot bird.
I keep seeing the word 'binary' crop up a lot in various discourses I’ve caught a glance at recently, whether it pertains to discussions around things like cancel culture or countless other things too numerous to mention. Funny what the lack of a middle ground these days does to certain people, irrespective of their political/ethical viewpoints...
I love the Blade Runner films and the new one had such awesome weird lighting that I had to draw Luv at least once. So here is the crazy psychotic android. Done with a mix of hard and soft pastel.
I was expirimenting with lighting, and it kind of ended up looking like she was staring into a campfire. That, combined with the puffy jacket, and it turned into a camping scene. Always open to feedback, thanks!
A suit I designed for a fantasy SWAT (TSWATT, or the Taured Special Weapons And Tactics Team). They have wings which can fold into themselves, so far that they cannot be seen unless you look behind the back. They have special long fall boots (sort of like the ones from Portal) that allow them to fall from great heights. They have special glass goggles that act as sort of a VR set, in which they can see through smoke and walls if the area they are in is mapped out. The little orange thing on their chest records everything they witness. Drawn with FireAlpaca.
