07/20 days, 20 films that made an impact on me.
No title, no comment, just a picture. In my case, a drawing.
Daily drawing #625
#imaginarythinking #illustration #portraitillustration
(HB pencil - 38mm x 20mm) A very small (and yes, those sizes are in millimetres!) example of a dreamscape piece taken from an A6 sketch-booklet I made. I chose this one from it to display here because it turned out so insane.
Ive been trying to draw human faces as its something i dont do as much normally. Its something ive really been enjoying though, its fun adding silly details and different ideas that can form from it.
I wanted the eyes to look real and the rest of her to be more abstract. Made of shapes, patterns and colors. Inner shapes and forms that we see if we look at a person closely.
01/20
20 days, 20 films that made an impact on me. No title, no comment, just a picture. In my case, a drawing.
Daily drawing #619
#imaginarythinking #illustration #portraitillustration
An illustrated poem I did as part of my drive to learn Korean. I did this, along with 40 plus other illustrated poems, in my notebook. Here is an English translation of the poem: :
High Pine
Close to the brook I'm looking at a high pine
High pine I want to talk to you
Many questions I have
How many people have you seen?
How many sunny days have you seen?
How many rainy days have you seen?
How many people's voices have you heard?
How many birds' songs have you heard?
High pine can you hear me?
High pine can you hear me?
High pine do you have any good stories?
High pine do you have any good stories
I will listen well
Really
Really
Really
It's been a while since I draw on kraft paper.
So, here is the result on the thinking process: How can faun shield themselves from sunlight if they can't put a hat on?
Answer: They tie branches to theirs horns.
...
I should be the one shielding myself from the sun just so it can't kill anymore neurones.
---
Ça faisait vraiment un moment que je n’avais pas dessiné sur du kraft.
Donc voilà le résultat de la réflexion: Comment les faunes font pour se mettre à l’abri du soleil s’ils ne peuvent pas mettre de chapeau?
Réponse: Ils s’attachent des branches dans les cornes.
…
Je crois que c’est moi qui devrait me protéger la tête du soleil, histoire que ça ne cogne pas trop sur mes pauvres neurones.
Jung here. Done 2010 with oils little less than 15x20 illustration board. I did this for Portfoilo piece to go for DC comics when they had DC talent search back in yr 2010 and 2010 was the last year i would do oils paints cuz of cost of brushes i constantly have to get cuz it wears down too quick . Original art is up for sale $ 70 (shipping fee will apply) USD email me jungmeister4@yahoo.com Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar Jung here. Done with lead pencils on 11x17 bristol . Original art is up for sale $ (shipping fee will apply) USD email me and open for private commissions as well jungmeister4@yahoo.com Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
As a child of the 70s, I have very fond memories of sitting on the floor in front of our little colour TV, and watching and adoring Lynda Carter bounce around, kicking ass and fighting crime. I’ve always loved Wonder Woman, and I'm fascinated by the myriad ways she’s been imagined and re-imagined over the years.
For mine I focused on her dualism – the goddess beauty vs warrior strength, combined with the colour and curves of my childhood. In terms of the art, I thought it would be fun to allude to classicism for the subjects association with Greek mythology and form, and balletic contrapposto as a homage to Lynda's classic spin.
Prints available via my website.
Samuel Beckett (1906–1989)
On a late-night walk near Dublin harbor, Beckett found himself standing on the end of a pier in the midst of a winter storm. Amid the howling wind and churning water, he suddenly realized that the “dark he had struggled to keep under” in his life—and in his writing, which had until then failed to find an audience or meet his own aspirations—should, in fact, be the source of his creative inspiration.
“I shall always be depressed,” Beckett concluded, “but what comforts me is the realization that I can now accept this dark side as the commanding side of my personality. In accepting it, I will make it work for me.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #samuelbeckett @masoncurrey
Skylight from Dialogues in Paradise by Can Xue.
The light shrank back into two dots. A dark shadow brushed by, a clumsy night bird that shrieked and swooped toward the skylight, its huge wings tapping the roof fiercely, echoing like thunder.
The Ford Taurus was the most boring car I could think of. This selection of doodles are all just ink on paper, applied with a brush. The black circle behind the cats was Sharpie. I had a design back there, decided I super-hated-it, and then screwed the whole thing up. Ah well. The cats are still okay.
(HB pencil on a 139mm x 87mm postcard) It's not surprising that the pandemic would inspire me to do a work such as this. How could it not? It shows both the growing need for social interaction people have in isolation, along with the need to protect themselves. These two things have come together in a piece depicting a strange group of gate-crashing party-goers.
I saw a man outside the library wearing a crown nestled into his cowboy hat. He was speaking swiftly, seemingly to himself, possibly freestyle rapping. Probably crazy. Then I drew some saints and stuff around him. I suspect he could use some assistance, perhaps spiritual.
