I took my Cultural Safari sketchbook class to the Nelson Atkins Museum of Art today. My sketch of The Virgin and Child, ca. 1350, France, Limestone Sculpture.
Drawings I made for a commission of the five stages of the Walking Wall installation by Andy Goldsworthy at the Nelson-Atkins Museum of Art in Kansas City. What an inspiring journey to walk and watch it move.
Drawings I made for a commission of the five stages of the Walking Wall installation by Andy Goldsworthy at the Nelson-Atkins Museum of Art in Kansas City. What an inspiring journey to walk and watch it move.
The tables were covered in white paper. Crayons, pastels, and smooth sticks waited quietly. Then came Lucy’s glittery purse—her 8-year-old hands had filled it with stones to pass along, one by one, to the strangers around the table.
We traced them. Pushed them. Held them.
Then we let the colors lead:
-Red for emotion.
-Yellow for curiosity.
-Blue for memory.
Each color came with music, with story, with space.
At the Museum of Wisconsin Art, we made marks not for meaning but for presence.
Thank you to Ann Marie and MOWA for the invitation and trust. And thank you to the participants—some new friends, some old students—for showing up and making lines that listened before they spoke.
Drawings I made for a commission of the five stages of the Walking Wall installation by Andy Goldsworthy at the Nelson-Atkins Museum of Art in Kansas City. What an inspiring journey to walk and watch it move.
Drawings I made for a commission of the five stages of the Walking Wall installation by Andy Goldsworthy at the Nelson-Atkins Museum of Art in Kansas City. What an inspiring journey to walk and watch it move.
Drawings I made for a commission of the five stages of the Walking Wall installation by Andy Goldsworthy at the Nelson-Atkins Museum of Art in Kansas City. What an inspiring journey to walk and watch it move.
Zoomed in shot of "Pattern Interrupt". 2020. Size: 32" x 40" / Micron pens on archival museum board. This piece was all drawn freehand - no rulers or measuring tools were used to create this artwork.
Watercolour pencils and gouache on A4. I did this today at a Urban Sketchers meet up in the National Museum of Scotland - although, I guess, strictly speaking it does not fulfil the urban sketching requirements :D
Some studies from the @fullertonarboretum Friday. These are random studies for my Sketching for Animators and Illustrators class. This is how I create handouts. We're hitting the Natural History Museum of Los Angeles this Saturday. Can't wait! #fullertonc
I am tired of drawing people looking at their phones, so I am replacing people's phones with random animals. Like for this cool lady, I saw at the Met Museum!
This is the converted school bus that belonged to Route 66 super sketcher Bob Waldmire (RIP). It's here at our museum, so I sketched it one day. It's an amazing studio/home on wheels!!
There's a moment in Black Panther where Michael B Jordan's character steals an African mask from a museum. When the other character with him asks why, he says "I'm just feelin' it." The mask he grabbed was VERY cool, and I kind of wanted one, too. But, short of stealing things out of museums, I guess I'll have to draw them. If you click on the image, you'll see a full spread of them.
This is the first painting I made for a series on dragons that I hope to exhibit this year at my local art museum. It's a 26x36 cm watercolour painting on cotton paper. I took the concept from a Chinese god who was in charge of the pearl of creation, and turned it into a dragon with that very same pearl.
