Zoomed in shot of "Pattern Interrupt". 2020. Size: 32" x 40" / Micron pens on archival museum board. This piece was all drawn freehand - no rulers or measuring tools were used to create this artwork.
Drawings I made for a commission of the five stages of the Walking Wall installation by Andy Goldsworthy at the Nelson-Atkins Museum of Art in Kansas City. What an inspiring journey to walk and watch it move.
And this is my only contribution to mermay.
It doesn't look very good, I know. But I'm glad to draw a mermaid for the first time on mermay, I dreamed about it when I could only draw squiggles. I drew it for half a month, and during this time, I even managed to come up with a deep (don't shoot) lore.
According to my idea, Eddie needed some sunken cargo (and not only him). Amber offered her help in exchange for some relic of her people, which is stored in the Gotham Museum (even being a mermaid, she is an opportunist). Eddie told her to go to hell and tried to get the cargo with the help of his robots, which Amber successfully sabotaged underwater to pressure him into the deal.
In this drawing, Eddie's ran out of luck and got himself roughened up and almost drowned (definitely not Batman this time). Amber saved his skin. No gratitude is expected yet, but this is the least of their problems. Jean advises Amber (they are not at odds in this AU) to leave the polluted waters near Gotham before something happens to her and her health, but she is stupidly stubborn when it comes to the Riddler (and her goals).
This is the first painting I made for a series on dragons that I hope to exhibit this year at my local art museum. It's a 26x36 cm watercolour painting on cotton paper. I took the concept from a Chinese god who was in charge of the pearl of creation, and turned it into a dragon with that very same pearl.
This is the converted school bus that belonged to Route 66 super sketcher Bob Waldmire (RIP). It's here at our museum, so I sketched it one day. It's an amazing studio/home on wheels!!
I am tired of drawing people looking at their phones, so I am replacing people's phones with random animals. Like for this cool lady, I saw at the Met Museum!
Detail of Hiroshige's Akasaka Kiribatake, from 100 Famous Views of Edo, 4th month of 1856.
I loved the foggy outlines of the leaves, the extreme foreground, the colors. And his skies! His skies are magical.
The exhibit at the Brooklyn Museum closes in 2 days on August 5. It is wonderful.
#museumsketching #hiroshige #sketch
There's a moment in Black Panther where Michael B Jordan's character steals an African mask from a museum. When the other character with him asks why, he says "I'm just feelin' it." The mask he grabbed was VERY cool, and I kind of wanted one, too. But, short of stealing things out of museums, I guess I'll have to draw them. If you click on the image, you'll see a full spread of them.
Some studies from the @fullertonarboretum Friday. These are random studies for my Sketching for Animators and Illustrators class. This is how I create handouts. We're hitting the Natural History Museum of Los Angeles this Saturday. Can't wait! #fullertonc
The tables were covered in white paper. Crayons, pastels, and smooth sticks waited quietly. Then came Lucy’s glittery purse—her 8-year-old hands had filled it with stones to pass along, one by one, to the strangers around the table.
We traced them. Pushed them. Held them.
Then we let the colors lead:
-Red for emotion.
-Yellow for curiosity.
-Blue for memory.
Each color came with music, with story, with space.
At the Museum of Wisconsin Art, we made marks not for meaning but for presence.
Thank you to Ann Marie and MOWA for the invitation and trust. And thank you to the participants—some new friends, some old students—for showing up and making lines that listened before they spoke.
Drawings I made for a commission of the five stages of the Walking Wall installation by Andy Goldsworthy at the Nelson-Atkins Museum of Art in Kansas City. What an inspiring journey to walk and watch it move.
