I went to the kitchen to make some tea, still a lot left to do, the night seemed to be long. I looked up the window in front of me. The moon was orange.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Réalisation du portrait de @ Laurent Bignolas dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. Laurent Bignolas est un journaliste, syndicaliste et animateur de télévision français dans l’émission Télématin sur France 2.
The only line added consciously is the hand. It leads the eye to the eye and thereby showing the viewers that it is in fact a figure. The shape on the right feels kind of right to be there, it really does not matter what it is. Compositional-wise , it works.
Tried out some layerish-style flowers using the alcohol markers. Not sure weather I like the result or not, but it’s definitely worth mastering the medium for the effects are rather cool. In theory... Unfortunately the camera sharpens the image and the flowers are more soft and blurry in reality. They look rather fancy and mysterious on the opposite side, too.
A 4" x 6" monochromatic portrait of Fear Factory's mighty frontman, Burton C. Bell. Honorably approved by the man himself. Prints for sale @ etsy.com/shop/DrawingsByLucia.
My lovely chocholate dapple dachshund. made in artrage and rebelle, both wonderful programs that allows you to paint very natural (and i dont even know how to paint with irl remedies:)
Beneath the wonderful realms of expression compose a vibrancy in relaxed waves into the dreams of limbs that enchant the viewers. Ability to portray kingdom of soothing pleasantness, yet a loud inspirational spirit that seems to flow within us all. By these imprints on eyes to the mind, what does one see here?
This is Lianhua. She is from the Tang Dynasty in the Year 700 Ad. She is wearing a type of hanfu (traditional Chinese dress) called a Qixiong Ruqun. If anyone knows more on Hanfu and Chinese historical fashion, let me know if I I got the the time period right or if the styles are from different time periods. I did alot of research, but I still have alot to learn. Created with Kuretake Gansai Tambi Watercolors.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
