I am delighted to share that I Am a Dragon! has been named to the Pennsylvania Center for the Book's 2024 Baker's Dozen: Thirteen Best Books for Family Literacy!
Here is the list
( I am in such a good company!):
- “10 Dogs” by Emily Gravett
- “ABC and You and Me” by Corinna Luyken
- “Bear with Me” illustrated by Kerascoët, Sebastien Cosset and Marie Pommepuy,
- “The Concrete Garden” by Bob Graham
- “How to Count to ONE (And Don't Even THINK About Bigger Numbers!)” by Caspar Salmon and illustrated by Matt Hunt
- “I Am a Dragon! A Squabble and a Quibble” by Sabina Hahn, published by HarperCollins.
- “If I Was a Horse” by Sophie Blackall
- “The Kitten Story” by Emily Jenkins and illustrated by Brittany Cicchese
- “Mr. S” by Monica Arnaldo
- “Night in the City” by Julie Downing
- “Ruffles and the Cozy, Cozy Bed” by David Melling
- “Simon and the Better Bone” by Corey R. Tabor
- “You Go First” by Ariel Bernstein and illustrated by Marc Rosenthal
(H pencil on a 139mm x 87mm postcard) A dreamscape image (automatism) which seems to show a woman with folded arms, stood by a wall. The figure was the main thing which became prominent at the Rorschaching stage of the work, and apart from the faint hint of a wall, the rest was dream construct.
My new original character, Elena, Queen of the oceans. I loved working on her and this color palette is my favorite! https://www.youtube.com/watch?v=_TUgrM8uaio
Had some doubts on this one. Originally planned for more in the back and foreground. Felt it might take away from the wolf as the focal point. Graphite pencils. Black was charcoal pencils.
It's been a while since I upload something here. I have been trying so many different things; for example, I try to think with other art elements other than lines. I am doing a self-exploration project #1111daysofart since July 1st, where I will do something art-related every day, which inspired me, big or small. It is a long way, and I hope I will make it :D
Something I drew a while ago, when I decided to look for things around the house that I could draw, rather than from photos.
This was the first thing I did, a pair of my brown shoes on top of a stool.
There are another 3 in the series of "things around the house", which I will post at some stage in the future.
Jung here. Done 2022 with color pencils on 51/2 x10 3/4 bristol. Original art is up for sale $32 (shipping fee will apply) USD email me and open for private commissions as well jungmeister4@yahoo.com Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
