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observation

Ty patmore Ty patmore
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Held for Observation

A restrained hybrid subject is documented during intake. Contained not for what it has done, but for what it may become. Done on 16x20 canvas

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Ty patmore Ty patmore
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Drafting the Future

A striking, high-contrast graphite study of a hand in the act of writing. Created in a rapid 45-minute sitting through self-observation, this piece captures the intricate anatomy and focused tension of the artist's own hand as it holds the pen. The tip being pencil the top being pen and finger tips slightly smudged incorporate all aspects of the mediums used to create it.

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Dean C. Graf Dean C. Graf Plus Member
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The Other Game

Relaxed tension. Two parents at a national chess competition. Their kids squared off at the board, and so did they — one leaning back, shoe propped up, trying for calm; the other sitting stiff, watchful. The game played out in more ways than one.

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Spearmint Chalk Spearmint Chalk
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Defensive Layers

A far-too-common archetype that i have observed frequently in people as they converse with another is one in which an individual uses two layers of defense to protect an otherwise unexamined confusion or emptiness. This relates to a defense of the ego and does not apply to all situations involving anything discussed. First posturing: -A mask (or wall) of mockery is sustained in which the defensive individual behaves flippantly as if in jest. This positioning is a way to be aloof from the situation, using incredulity and belittlement to keep a person or their ideas away from the defensive individual. Second posturing: -A mask (or wall) of rage is revealed after a certain level of perceived threat is achieved internally. This positioning is usually the one the defensive individual maintains when they have given up the argument or the introspection. Not risking an ontological or existential crisis, the defensive individual lashes out with anger, often accusatorily in manner, potentially belittling others further or just plain rushing away in a huff. This is usually the end of the engagement. Third posturing: -The masks (or walls) both come off, leaving the defensive individual to examine the thoughts or behaviors involved in the situation more critically. The defensive individual may find themselves feeling deeply uncomfortable, sad, uneasy, lost, or confused. This position leads to introspection and to a genuine openness, which is not something that the defensive individual had been prepared for. They may find that they were incorrect, only partially correct, or that the perceived rightness of their idea/behavior now has an expanded context, all of which may seem frightening. Individuals may become mentally paralyzed at this point. It takes a strength and an honesty to reflect in this position, which is not something that everyone expressing this archetype will be capable of doing. (Based on my professional insights as: a cashier, as a member of various technical support staffs, as an occasional minister, and as a peer counselor. Also based on my casual and repeated interactions with both strangers and with more intimately known persons over the course of my lifetime. Observations are my own.)

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Dean C. Graf Dean C. Graf Plus Member
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Whispers Across the Horizon

This is no landscape you could ever stand in. No observational drawing, no safe horizon line. This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight. It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see. Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red? Perhaps that is not about the drawing at all, but about you.

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Dean C. Graf Dean C. Graf Plus Member
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Popsiclence (noun: the holy hush of being completely present—tongue extended, eyes locked on the slow drip of summers sweetness. A state of still wonder.)

To draw is to notice. To notice is to pause. And sometimes, all it takes is a barefoot boy in a camping chair, chasing the drips of a popsicle, to remind us what it means to be here. This is Popsiclence—a sacred kind of focus. It’s where observational drawing leads us: out of the swirl, into the now. And in that now, we heal.

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Dean C. Graf Dean C. Graf Plus Member
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Making staff meetings meaningful

Ms. Nathan was a play production teacher with flair and a big personality. She wore colorful clothing and loud socks that never matched. Her joyful, chortling laugh filled the room—or the hallway—wherever she happened to be. Staff meetings and PD days have always been strong invitations for observational drawings. Over the years, I’ve found that there are many boxes to check in a wide variety of systems. I often created my own boxes—and checked them with sketches of my colleagues. This one goes out to the colorful Ms. Nathan.

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Riley Kane Riley Kane
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Sleepy Dragonfly observation

Posted the sketch of this earlier, but I thought the ink looked nicer, so here you are! I love dragonflies. Deadly hunters, slaughtering their prey without mercy, yet beguiling enough to somehow convince humans they are harmless as butterflies. They have their own sort of deadly, sleek beauty.

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Dean C. Graf Dean C. Graf Plus Member
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William at Work

A quick gesture of a friend pouring over the financials. He epitomizes Ben Franklin's observation that "well done is better than well said."

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Dean C. Graf Dean C. Graf Plus Member
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Quick Observation at a Coffee Shop

Learning to see through drawing. It is a form of therapy.

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Dean C. Graf Dean C. Graf Plus Member
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Haning Coat. Contour line observational drawing with a G2 Pen

I think that sometimes 'waiting' is the hardest thing to do. If you have a place to hang your coat and you have a rich inner life, you will be fine waiting. I was waiting to be seen by my doctor. A general check-up. The prognosis is that I am getting older and I need to lose weight. OK then. Thank you.

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Rae Rae
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Super old watercolor studies

A bunch of watercolor observational studies from the various zoos and aquariums around NYC

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Enitsirhc Enitsirhc
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Fruiting Tree

How do we know if we are on the right track? When we display the fruits of the Spirit. //There are 6 Sundays leading up to Good Friday. In observation of Lent, I will be posting 6 works inspired by the theme. This is for the 6th Sunday of Lent.

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Enitsirhc Enitsirhc
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Forever Unchanging

‭‭In our little potted gardens, sometimes our plants thrive, and sometimes they don't. But what remains constant are the pots still being a pot. This reminds me of the Bible verse, which served as the inspiration for this week's post: -Isaiah‬ ‭40:8‬ ‭NIV‬‬- The grass withers and the flowers fall, but the word of our God endures forever. //There are 6 Sundays leading up to Good Friday. In observation of Lent, I will be posting 6 works inspired by the theme. This is for the 5th Sunday of Lent.

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Enitsirhc Enitsirhc
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Old Self New Self

‭‭Ephesians‬ ‭4:22‭-‬24‬ ‭NIV‬‬ You were taught, with regard to your former way of life, to put off your old self, which is being corrupted by its deceitful desires; to be made new in the attitude of your minds; and to put on the new self, created to be like God in true righteousness and holiness. //There are 6 Sundays leading up to Good Friday. In observation of Lent, I will be posting 6 works inspired by the theme. This is for the 4th Sunday of Lent.

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Enitsirhc Enitsirhc
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Day By Day

Day by day dear Lord, of thee these three things I pray: to see You more clearly, to love You more dearly, to follow You more nearly. Day by day. This is a hymn I hold dear to my heart, and sometimes I find myself unknowly humming to the tune as I go about my day! If you know this hymn, sing it! //There are 6 Sundays leading up to Good Friday. In observation of Lent, I will be posting 6 works inspired by the theme. This is for the 3rd Sunday of Lent.

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Enitsirhc Enitsirhc
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Clean My Heart

Create in me a clean heart, O God; And renew a right spirit within me - Psalms 51:10 //There are 6 Sundays leading up to Good Friday. In observation of Lent, I will be posting 6 works inspired by the theme. This is for the 2nd Sunday of Lent.

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Enitsirhc Enitsirhc
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My Rock My Stronghold

‭Psalms 18:2 The Lord is my rock, my fortress and my deliverer; my God is my rock, in whom I take refuge, my shield and the horn of my salvation, my stronghold. //There are 6 Sundays leading up to Good Friday. In observation of Lent, I will be posting 6 works inspired by the theme. This is for the 1st Sunday of Lent.

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Anna Anna
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Portrait of a Turkish man

Back on my travelbook, made with gel ink pen for a future art book about mediterranean way of life. Here the portrait of an old man in Istanbul street

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Anna Anna
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Greek journey

Back on my travelbook, made with gel ink pen for a future art book about mediterranean way of life. Greek Mozaic tiles and enjoying the sea

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mhmakesthings mhmakesthings Plus Member
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Face

Practicing observational drawing. Photo reference credit: Matt Black, Smithsonian Magazine

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Rob mc Rob mc
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Cacti and stones

Quick observational sketch of cacti and stones on my balcony

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Anna Anna
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Fishes passing by

made with gel ink pen for a future art book about mediterranean way of life. Flock of fish passing by in front of you

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Anna Anna
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Greek Pmegranate

made with gel ink pen for a future art book about mediterranean way of life. Greek Street and pomegranate

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Anna Anna
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Greek street cats

Some stray cats in the greek streets

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Anna Anna
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Circé by the sea

made with gel ink pen for a future art book about mediterranean way of life. Here a girl by the sea, reading a book

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Anna Anna
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In the streets of Napoli

made with gel ink pen for a future art book about mediterranean way of life. In the streets of Napoli we can find these little virgo statues in every corners and big men shirtless

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Anna Anna
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Pizza Night

made with gel ink pen for a future art book about mediterranean way of life. A bit different in the colors choice this time

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Sneezy Sneezy
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VOLCANA

VOLCANA (MARVEL COMICS) DONE 2015. ORIGINAL ART WAS THROWN AWAY Marsha Rosenberg was born in Denver, Colorado. She was a day care center employee who, along with her friend Skeeter, was among the residents of Denver transported to the Beyonder's "Battleworld" during Marvel Comics' first Secret Wars limited series. Seeking power and respect, she and Skeeter agreed to serve Doctor Doom in exchange for super powers. Doctor Doom had learned how to operate a machine utilizing alien technology. He used it to grant Rosenberg the ability to transform into a molten lava form with powerful thermal energy blasts, hence her codename "Volcana". She allied herself with Doctor Doom and the criminal faction and battled the She-Hulk in a confrontation with the heroic faction.[1] During the series, she developed a relationship with the supervillain Molecule Man, Owen Reece.[2] She bargained with the Enchantress,[3] and then battled the Enchantress with the intent to renege on her bargain.[4] During the Secret Wars II limited series, Marsha was residing back on Earth with Owen Reece. They hosted the Beyonder upon his arrival on Earth.[5] She tricked the Molecule Man into challenging the Beyonder[6] and then participated in the defeat of the Beyonder.[7] Some time later she accompanied the Molecule Man and the Fantastic Four to the Beyonder's universe. She separated from the Molecule Man when he apparently became irrevocably merged into another "cosmic cube" along with the Beyonder. Unlike her friend Skeeter who became the supervillainess Titania, Marsha did some superhero work.[8] She battled the Wizard[9] and Moonstone.[10] Volcana assisted the Avengers in repairing the damage to the Earth's crust caused by the Beyonder.[11] Volcana later took a comatose Molecule Man to the army hospital. After Molecule Man recovered, he turned the tent they were in into a hot air balloon as Captain Marvel's hologram wanted to talk. Volcana destroyed the projection. Because of the Silver Surfer, Volcana and Molecule Man were redirected to the Avengers and the Fantastic Four. After a brief fight, Molecule Man and Volcana were allowed to return to their apartment in Denver.[12] Later, she was briefly reunited with a de-powered Molecule Man (who had mysteriously returned to Earth) and battled Klaw. It was at that time that she gained the ability to assume volcanic rock and volcanic ash forms. She subsequently discovered that, just before his supposed "death," Molecule Man had secretly "willed" her a portion of his reality-warping power, and it was this power that gave her the ability to manifest these other forms at critical times, just when she needed them. Once he regained his power from her, she found herself no longer able to tolerate the darker side of his personality. She terminated their relationship, although Molecule Man vowed to one day prove his full love to her.[13] After losing a lot of weight, Volcana attended the wedding of Absorbing Man and Titania. Marsha discovered that Molecule Man was also invited. When Volcana went to check up on Titania following the supervillain attendees' fight with She-Hulk, she encountered Crystal, and Hydro-Man arrived to help Volcana until Crystal was defeated by Molecule Man.[14] Molecule Man still pined for Volcana. He captured Doc Samson, and after a fight with Doc Samson and She-Hulk, Molecule Man escaped and used his powers to carve Volcana's face in Mount Rushmore. Marsha saw the news of this on TV but did not suspect that Molecule Man was who made it happen.[15] During the "Fear Itself" storyline, Titania commented how Volcana just came along for the ride back when Titania was brought to Battleworld as she tells Dr. Wooster at the Farnum Observational Facility in Upstate New York.[16] Nightwatch later hired Volcana and Titania to fight She-Hulk in order to keep her from getting the documents that would incriminate him. With the help of her secretary Angie Huang, her supernatural monkey Hei Hei, and Hellcat, She-Hulk was able to defeat them with Huang redirecting Volcana's fire attack back to Volcana enough to melt her.[17] Powers and abilities Marsha Rosenberg gained superhuman powers through genetic manipulation by highly advanced technology performed by Doctor Doom. As Volcana, she originally had the ability to convert her entire body into a plasma form, in which she blazes with white-hot intensity, at times setting aflame any surface beneath her. In her human form, the 6 ft 5 in (1.96 m)[citation needed] tall Marsha has long black hair, and often wears only her magenta-colored swimsuit; her clothing is manufactured from unstable molecules, thus it is not destroyed when she is in her plasma form. The alien technology that empowered her makes her powers totally undetectable when she is in human form. Her plasma form grants her superhuman durability and consists of highly charged particles which surround her in white-hot flame and is able to emit controlled bursts of thermal energy up to 40 ft (12 m).[citation needed] She later gained the ability to convert her body into a stone form, a volcanic rock (basalt)-like composition which still enables movement and grants her superhuman strength. She subsequently gained an ash form, a volcanic ash (pumice)-like composition whose configuration she can shift, shape and control at will. Volcana cannot make partial transformations; she can possess the attributes of only one of her forms at a time. Monitoring devices subcutaneously implanted by Doctor Doom can be triggered to stimulate the aggression centers of her brain.

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Dean C. Graf Dean C. Graf Plus Member
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Monochromatic still life

Finding edges is a conversation between values. That sounds political. Like Ruskin's observation that drawing is soiling the paper delicately.

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