Bert Hemsworth came across the pond to earn his doctoral degree in botany. Scholars Court immediately felt like home when he settled in apartment 2A 28 years ago. He's still working on his dissertation. But he'll be finishing any day.
(HB pencil on a 139mm x 87mm postcard) It's not surprising that the pandemic would inspire me to do a work such as this. How could it not? It shows both the growing need for social interaction people have in isolation, along with the need to protect themselves. These two things have come together in a piece depicting a strange group of gate-crashing party-goers.
(4B pencil on a 125mm x 105mm sheet of toilet paper) To commemorate the UK leaving the EU, I decided to add my little "celebration" to mark the occasion, in the form of an inverted union flag, crudely drawn on a single sheet of toilet paper. A false sense of nationalism drove the UK out of the EU. It's therefore to be wondered how far that nationalism will serve the country on the outside. Probably as far as one sheet of toilet paper. "Mind how you go!"
Side Face Portrait Drawing by Oz Galeano
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About once a year I set aside a page in my sketchbook, or bullet journal, to do a marker test. I go through every pen I own including Sharpies, highlighters, Bic Permanent Markers, Crayola markers, Stabilo pens, Expo dry erase markers and everything in between. I document the quality and determine whether to keep or toss the utensil. I find it’s easy to collect art materials, especially when you’re like me and switch mediums regularly. It’s important to know that when I reach for a certain pen or marker, it’s going to work the way I want it to. I do keep a page at the back of my sketchbook open for testing mediums, but it’s an important part of the process of creating art to go with the flow and just draw.
People may see a religious woman some may see a woman in a scarf, in the end this piece to me symbolizes that differences can still be beautiful. Let me know in the comments below what you see?
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I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.
“It is farmers who are nice to the cows and the pigs and then kill them. It’s even more hypocritical than hunters. At least the hunters don’t flatter the animals”. Do you agree?
I collaged "Krampus is Coming For You" together with my own monoprints as well as one of my drawings of Japanese Noh masks that I cut out of an old sketchbook. For the second piece, I had a drawing of Marie Antoinette as an ice cream cone, so I gave her a dress, put a background of my monoprints on her, etc. Then I added more cherries, and the circle reminded me of a clock, so I inked in the arms accordingly.
Joan Miró (1893-1983)
Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse.
Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!”
From Daily Rituals: How Artists Work by Mason Currey
Definitely doodling---This is my first mandela and it ranged from great fun to great frustration. It ended up a little "waby swaby," but I suppose that's in keeping. It's 12 inches across with 32 points. Drawn with a micron pen, then colored in markers (in whatever colors I happened to have) and has colored pencil shadows. I scanned it into PhotoShop and played with altering colors. Made a green one for my green-crazy friend and a subdued desaturated one for myself. It's quite printable on my oversized color laser printer---so ill be a fun "social distancing" poster gift for my friends. Each one with a personal color range.
