This is my contribution to a Diversity and Unity Mural. The meaning behind it is how we are all different and have our own backgrounds, but we're all connected to each other like the roots show. We are stronger unified, and our progression in making the world a better place is like this plant, it can only grow with care and under the right conditions. Together we can make a better future, while still keeping our roots because of their importance to our identities.
I dedicate this work to my beloved pet, Cenna. Although she left me a few months ago, my memories of our time together will never fade.
Thank you for everything you gave me, Cenna. For being there every time I started to cry, for watching over me while I slept, and for always being by my side when I needed someone to listen.
I miss it all, Cenna.
Thoughtful comics by author/illustrator Dale Rogers. I'm retiring from an 18-year career as full-time faculty in Multimedia Design. It's time to write and draw. Follow me at https://edrawingboard.com.
Ten days back (April 7th) was my 30th birthday! Been up to my eyeballs in photography projects since then and only just got some breathing space to draw... always good to be back after a break, however big or small.
This sketch is supposed to symbolise the struggle we all have to accept our responsibilities at the cost of our own well-being. It's easy to ignore our problems when there are so many forms of escapism.
This is a scanned pencil sketch of a picture that I still want to work out. The whole thing is supposed to be a kind of fantasy landscape. The castle depicted does not have to be historically correct either. I will try to work it out in Procreate. It's a great programme, but unfortunately I'm not yet as proficient as I'd like to be ... As soon as there's any progress, I'll post it here!
Regards
Christian
In this drawing, I was striving to capture the spirit of contemplation and reflection, a sort of spiritual sojourn, an ancient practice of pilgrimage, focusing on subjects of transcendent nature, and exploring destinations of spiritual significance. (words taken from scholarlysojourns.com). It is a self-portrait (me as a 14-year-old boy). We had just moved from Mequon to Rhinelander. It was then that I began to romanticize the natural beauty of Mequon. But at the same time, I was falling in love with the beauty of Rhinelander. In this picture, I am walking through the countryside of Mequon. The stringed musical instruments symbolize my love for the progressive classical and folk-tinged acoustic and orchestral music that was coming out of England in the late 60s and early 70s, specifically the quieter pieces of music performed by the Moody Blues, Emerson Lake and Palmer, Yes, and Jethro Tull. A song called Reasons for Waiting by Jethro Tull is a good accompanying piece for this drawing.
Fun fact:it's a little cartoon idea of mine,it's definitely not the first but it has a pretty simple plot I will share:it's Al Heyman, living as a parent and as a magician, juggling both with his children.he often gets in shenanigans especially with his friends!but the evil varzar wants his magic to take over the ghost world.his magician outfit is quite difficult to draw due to the rainbows especially the hat.another fun fact is that the ghosts in the ghost world have 80s and 90s technology.ill share more about this in my WordPress account
Swimmingly is such a good word!
I personally swim like a brick, so usually try not to describe things in my life as such.
Inspired by a photograph by a photograph by Michael Carlebach.
https://www.instagram.com/p/Cqk3W01uzUv/?utm_source=ig_web_copy_link
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Conniption. I so love this word! And, as many of you know, I adore hog nose snake who dramatically pretends to be dead when scared.
#dailydrawing #favoritewords #conniption #hognosesnake
https://www.instagram.com/p/CqYteZhvTJU/?igshid=NGJjMDIxMWI=
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
