- Oil painting of a countryside of Vietnam. When observing, it is easy to see an image erected when people are working in the field, along with the early morning time, so it has created a beautiful picture. Each object in the picture has its own highlight, full of attractive looks. Although it is a picture of a simple landscape about people in the countryside, every little detail is meticulously painted by the author. This painting is owned by the author "Uilliam Potter". This picture was drawn and uploaded to show everyone the inherent beauty of a rural village, if you have the opportunity, come and feel it. Get the beauty here in the most realistic way.
- Please contact me via Email: williampotterowners@yahoo.com
A little sketch, 3” by 5”, made better with a bit of cheap watercolour paint. I don’t know why, but I like this little scene. It isn’t a terribly brilliant sketch and I didnt paint it with great care, but still, i like it. And in the end, it really doesn’t matter what anyone else thinks. If you finish a little piece of art snd can say you like it even weeks and months later, then it is a winner for you.
Gourd-face started out as a tiny doodle in my sketchbook but I couldn't stop thinking about him. So I drew several gourd-faces. This one has the unfortunate circumstance of growing on his face. Poor Gourdy. I drew him with pencil and then colored on the computer. Cheers!
I suppose this was just a tester/practice piece? My first actual still life from observation and my first time actually using charcoal (yes, I've never truly used charcoal before. Charcoal and pastels are two things I avoid. Their looseness and freeness scare me, considering how rigid I can be). Not sure how to feel about this one. I'm my worst critic, and I've known that for a long time now. There's a lot of practice and progress to be made, but it turned out half-way decent.
Here's the second pumpkin I carved (I did find the sketch, so I posted that in there too). Both carvings were really fun and very time consuming. I'm usually not good with 3D models or sculptures, but carving pumpkins seems to work out.
This is my first plant abstract in over six months because college takes up all my time during the school year now. This one was supposed to be more pastel, but the scanner washed out some of the lighter colors.
I did set up the ingredients for an Easter bread with raisins and nuts, so i could make a sketch of it before i made the dough. While the dough was resting i worked it out in pen and ink.
Pencil drawing I did a number of years ago. Self portrait of myself with my mare, Chia. Graphite on bristol board. Took probably about 40 hours. This particular piece is sold.
Inspired by the wonderful tutorial by rafy A, you can find it here: https://youtu.be/JM-esQnGIhQ
Camera photo source: https://www.pexels.com/photo/aperture-black-blur-camera-274973/
Forest and child source: Unsplash.com
Another piece from my vernal pools/treescapes studies I have been working on in correlation to my interest in local creature found in our woodlands.
I adopted the use of a circle one night, wanting to frame out an idea/sketch and a wine glass happened to be close by. Since then I have used it often, loving the circle aspect.
Yet another plant abstract. This one was built around the red outlined flower in the semi-center, and that’s where it gets its name. Colored pencil and pen on paper.
This is a mashup of art styles. I'm not even sure how to describe it. Started with the main mushroom that is outlined and then went crazy around it. Also experimented with water reflections a bit.
Ink and Watercolor sketch of octopus. Normally I start with a pencil outline, then go over it with micron pens. But I'm learning to skip the pencil step and just sketch with ink. I helps you not to overthink things. Once you lay the ink line down on the paper it's there to stay. You can't erase and there isn't an undo like you have when working digitally. You just have to work around any "mistakes" you make. I'm also working on sketching faster because I just don't have that much free time these days. Trying to produce a new sketch every day is a real challenge.
Some studies from the @fullertonarboretum Friday. These are random studies for my Sketching for Animators and Illustrators class. This is how I create handouts. We're hitting the Natural History Museum of Los Angeles this Saturday. Can't wait! #fullertonc
